ENTRE ANUNCIAÇÕES E MIRAGENS

June 8th, 6:30 pm

Guided tour with the duo SILÊNCIO COLETIVO, screening of Miragem and conversation with the artists, moderated by Melissa Rodrigues.

The duo Silêncio Coletivo and Hangar invite the public to a conversation about the exhibition Anunciação and the screening of the recent film Miragem.

SILÊNCIO COLETIVO

The duo Silêncio Coletivo was created in 2020, after the artists Jaime Lauriano and Igor Vidor shared a studio in the city of Porto, Portugal. In his works, Jaime Lauriano invites us to examine the power structures in the Brazilian historiographic production, to bring to the surface historical traumas relegated to the past, to the confined archives, in a collective review and re-elaboration of History. And Igor Vidor, allow us to reflect in his works, like the approximation of certain objects and materials highlight an intermittent scenar- io and of apparent insoluble violence that finds echoes, and recurrences in Brazil’s history. Both the artists are together now for the elaboration and mixture of their productions.

Igor Vidor (São Paulo, 1985)

Lives and works in Sao Paulo/Brazil. He graduated at Centro Universitário Belas Artes de São Paulo, in the year of 2010. From his individual shows he highlights: Marcas, Fundação Joaquim Nabuco, Recife, Brasil, 2018; Ao Norte do Rio, Sesc Santana, São Paulo, Brasil, 2018; Brinquedo de furar moletom, MAC Niterói, Rio de Janeiro, Brasil, 2018; Assentamento, Galeria Leme, São Paulo, Brasil, 2017; Nessa terra, em se plantando, tudo dá, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil, 2015; Autorretrato em Branco sobre Preto, Galeria leme, São Paulo, Brasil, 2015; Impedimento, Centro Cultural São Paulo, São Paulo, Brasil, 2014; Em Exposição, Sesc, São Paulo, Brasil, 2013; and collective shows: Vaivém, Centro Cultural Banco do Brasil, São Paulo, Brasil, 2019; A Queda do Céu, CAIXA Cultural Brasília, Brasília, Brasil, 2019; Quem não luta tá morto – arte democracia utopia, Museu de Arte do Rio, Rio de Janeiro, Brasil, 2018; Histórias Afro-Atlânticas, MASP and Instituto Tomie Ohtake São Paulo, Brasil, 2018; The World’s Game: Fútbol and Contempo- rary Art, PérezArt Museum Miami, Miami, EUA, 2018; 11a Bienal de Artes Visuais do Mercosul, Triângulo do Atlântico, Porto Alegre, Brasil, 2018; Levantes, SESC Pinheiros, São Paulo, Brasil, 2017; Festival de Arte Contemporânea Sesc_Videobrasil, São Paulo, Brasil, 2017; Metrópole: Experiência Paulistana, Estação Pinacoteca, São Paulo, Brasil, 2017; WELT KOMPAKT?, frei_raum Q21, Viena, Austria, 2017; How to Remain Silent, A4 Arts Foundation, Cidade do Cabo, África do Sul, 2017; Totemonumento, Galeria Leme, São Paulo, Brasil, 2016; 10TH Bamako Encouters, Museu Nacional, Bamako, Mali, 2015; Empresa Colonial, Caixa Cultural, São Pau-lo, Brasil, 2015; Frente a Euforia, O cina Cultural Oswald de Andrade, São Paulo,Brasil, 2015; Tatu: futebol, adversidade e cultura da caatinga, Museu de Arte do Rio (MAR), Rio de Janeiro, Brasil, 2014; Taipa-Tapume, Galeria Leme, São Paulo, Bra- sil, 2014; Espaços Independentes: A Alma É O Segredo Do Negócio, Funarte, São Paulo, Brasil, 2013; he has works in public collections: Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil; Fundação Joaquim Nabuco, Recife, Brasil; MAC Niterói, Niterói, Rio de Janeiro, Brasil; MAR – Museu de Arte do Rio, Rio de Janeiro, Brasil; MASP – Museu de Arte de São Paulo, São Paulo, Brasil; Museu Casa das Onze Janelas, Belém, Pará, Brasil; Pinacoteca do Estado de São Paulo,São Paulo, Brasil e Schoep in Stiftung: The Collection, Lörrach, Germany.

Jaime Lauriano (São Paulo, 1985)

Lives and works between and Berlin/Germany and Sao Paulo/ Brazil. He graduated at Centro Universitário Belas Artes de São Paulo, in 2010. Among his recente shows he highlights: Igor Vidor IBB-Video Space, Berlinische Galerie Museum Für Moderne Kunst, Berlin, 2021; Violence as Commodities, LOAF Laboratory of art and form, Kyoto, 2021; Trama, Core – Haus der Statistik, Berlin, 2021; New Viewings- Alegoria do Terror, Barbara Thumm Galerie, Berlim, 2020; Alegoria do Terror, Künstlerhaus Bethanien, Berlin, 2020; Heróis nunca celebram vilões / Heróis apenas celebram vilões, Galeria Leme, São Paulo, 2018; and his collectives: Against Again: Art Under Attack in Brazil, John Jay College of Criminal Justice, Nova Iorque 2020; REconhecimen- to, Solar do Abacaxis, Rio de Janeiro, 2019; Com o ar pesado demais para respirar, GaleriaAthena, Rio de Janeiro, 2018; The World’s Game: Fútbol and Contemporary Art,Perez Museum, Miami, 2018; Bienal do Mercosul, Porto Alegre, 2018; Dove Audio Video Festival, Sewoon Arcade, Seul, 2017; Montage is a Heart Beat, Deep in the Mountains Residência Internacional, Seul, 2017; California Paci c Triennial, in occasion of Nancy Popp installation, Orange County Museum of Art, Orange County, 2017; São Paulo não é uma cidade, Sesc 24 de Maio, São Paulo, 2017; 30 anos Instituto Itaú Cultural, Oca São Paulo, São Paulo, 2017; Quando o mar se tornouRio, Museu Histórico Nacional, Rio de Janeiro, 2017; No Man’s Land, NationalMuse- um of Modern and Contemporary Art Korea, MMCA, Seul, 2016; Young Artists Project 16, Daegu Art Square, Daegu, 2016; A cor do Brasil, Museu de Arte do Rio – MAR, Rio de Janeiro, 2016; Jogos do Sul, Hélio Oiticica Cultural Center, Rio de Janeiro, 2016; Linguagens do corpo, Museu de Arte do Rio – MAR, Rio de Janeiro, 2016; Permanências e Destruições, Torre H, Rio de Janeiro, 2016; 1a Imagem e Movimento, Casa França-Brasil, Rio de Janeiro, 2016; Frestas, Trienal de Artes, SESC Sorocaba, 2014; Tatu: Futebol Adversidade e Cultura da Caatinga, Museu de Arte do Rio – MAR, Rio de Janeiro, 2014

Melissa Rodrigues (Praia, Cape Verde, 1985)

Post-graduation in Performance (Specialization Course) by Faculdade de Belas Artes – UP and degree in Anthropology by FCSH – UNL. Training in Performing Arts and Accompanied Intensive Training (F.I.A.) by c.e.m. – centro em movimento, Lisbon.

Melissa is a visual artist, art educator and independent curator.

Working since 2008 in the area of non-formal and art education, she has worked in projects of Art in the Community and Art Education as through Associação MOVEA – Movimento Português de Intervenção Artística e Educação Pela Arte in Public Schools in the municipality of Amadora.

She collaborated with the Education Service of the Museu do Oriente and with the Education and Cultural Mediation Service of A Oficina – Centro de Artes e Mesteres Tradicionais de Guimarães. And also, from 2015 to 2020, as an art educator in the Educational Service of the Museu de Arte Contemporânea de Serralves.

In 2021 and 2022 she collaborates with Batalha – Centro de Cinema in the curatorship of the Schools Program.

As a researcher in the areas of Performance and Visual Culture, she has developed research in Image and Representation of the Black Body.

In 2017 she co-created with the collective ‘Chá das Pretas’ the performance cabelo and in the same year she conceived the conference-performance De Submisso a Político – O Lugar do Corpo Negro na Cultura Visual. In partnership with visual artist Miguel F he co-created in 2019 the video installation MEDITERRANEO.

In 2020 as part of an artist residency held at ZK/U Berlin through the Magic Carpets Creative Europe Platform program he conceived the video-performance CORONAS IN THE SKY, Not a Manifesto! an Essay on Afrofuturism and Liberation. Collaborates with Aurora Negra (Cleo Diára, Isabél Zuaa e Nádia Yracema) in the support to the dramaturgy of the show COSMOS.

She is part of UNA – União Negra das Artes, RAMPA – Associação Cultural Rampa 125 and InterStruct Collective.

In 2020/2021 he joined the curatorial teams of the projects Um Elefante no Palácio de Cristal under the Ping! (Incursion Program to the Gallery) and Anuário 2020 both of the Galeria Municipal do Porto.