Nael D’Almeida | August 4th, 6 pm
“korpos”

In a sounding journey in movement, where the layers of organic intensity of human beings, that coexist in the spaces of urban transports, exist.
Being in full confinement
Nael and Tristany speak and celebrate their korporal presence in this journey.

“Our korps move in the spaces and the spaces belong to the korps that move.”

Nael D’Almeida, a 24 years old young woman, a socially black and peripheral body, that follows a path of search for her essence, trying to reach her greatest power.

Fernando Nuwanda | August 11th, 6 pm
“kero ser”

In a sounding journey in movement, where the layers of organic intensity of human beings, that coexist in the spaces of urban transports, exist.
In full covid 19
The conversations are established, Fernando and Tristany meet twice. The first to look, the second to contemplate all that they “want to be”.

Fernando Nuwanda
“Since a very young age, the aesthetic of things awoke in me curiosity, a vivid memory that I have is to ask my elementary school teacher for her feedback on my drawings, I used to draw everywhere, in book covers, dossiers and I even scratched some walls later. I’ve always thought that when I was a “grown up” design would be a hobby or even a career, but by FEAR I never took the chance on “arts”, leaving it further and further behind.
Later, in 2015/2016, I started to photograph with my cell phone and with those simple cameras that we all have at home and that’s when I realised that photography was something that I liked and would make me leave the house, I could walk for hours with a friend to discover new places or find that “view” and make that photo even if it was with my phone.
Afterwards came the first summer job and I invested all that I “had” in my first equipment.
Ever since, with photography, I’ve had the opportunity of meeting a lot of people, having experiences that I’ve only seen on “television”, finding new places. Most of all the experience of photography let me have a testimony of everything that I want, to know that I have the power to create at any moment, it’s one of the best sensations photography gives us.
Nowadays I want my work to follow my sensibility, my critical sense about the subject of my work. To leave my vision, my “point” of view, is my goal as a photographer.”

Fabrícia Glória | August 18th, 6 pm
“kaminho”

In a sounding journey in movement, where the layers of organic intensity of human beings, that coexist in the spaces of urban transports, exist.
In the beginning of deconfinement
Fabrícia and Tristany meet to walk in a direction, in order to understand what happened so far, in the middle of the middle of each one’s journey.

Fabrícia Glória, 22 years old, descendant of Santomense, born in Lisbon. Soon to have a degree in nursing. Search, daily, her own development and the development of her community.

Rafael Oliveira | August 25th, 6 pm
“komunicação”

In a sounding journey in movement, where the layers of organic intensity of human beings, that coexist in the spaces of urban transports, exist.
In the middle of the middle of deconfinement
Rafael and Tristany through communication and each one’s truth, understand that existence is something that not always exist in us.

Rafael Oliveira, 22 years old, born in Luanda.
Multidisciplinar visual artist, that connects himself with the love of the world and the universe through his spirit.

Laima Barros | September 1st, 6 pm
“komo está a afetar”

In a sounding journey in movement, where the layers of organic intensity of human beings, that coexist in the spaces of urban transports, exist.
In the end of deconfinement, because a new confinement
Laima and Tristany in an outburst, find out that besides the traumatic circle, to which we have become used to, being something almost normal… from occasions emerge the greatest truths.

Laima Barros, of Angolan and Guinean origin, 23 years old and is in the last year of the Degree in Chemistry at FCUL. Has, as interests, social questions, ecology, sustainability. She likes to appreciate and, sportively, to produce art.