{"id":15635,"date":"2024-11-03T20:02:46","date_gmt":"2024-11-03T20:02:46","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15635"},"modified":"2024-11-03T20:02:46","modified_gmt":"2024-11-03T20:02:46","slug":"kaflikana","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/kaflikana\/","title":{"rendered":"K\u2019aflikana"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text]<\/p>\n

K\u2019aflikana <\/b><\/span><\/h1>\n

G FEMA, Cristina Rold\u00e3o<\/p>\n

2024<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_single_image image=”15643″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n\n

[\/vc_column_text][vc_column_text]We don\u2019t know if in addition to the starchy soir\u00e9es of classical music K\u00e9-Aflikana women (1929) \u2013 Georgina Ribas, Maria Nazareth Ascenso and Maria d\u2019Alva Teixeira \u2013 liked to dance the Charleston or Black rhythms of what would come to the be the fado. Zealous of \u201crespectability\u201d, Black excellence would want them as similar as possible to the middle-class white women: submissive, caregivers and hostesses. At most, benefactors, saviours and interpreters of their people. Without confusion, these blacks are neither servants nor \u201cindigenous\u201d, they are proof that \u201cwe are capable\u201d.<\/p>\n

Really? Like, \u201con friday I go black\u201d?[\/vc_column_text][vc_separator][vc_column_text]N\u00e3o sabemos se as mulheres do K\u00e9-Aflikana (1929) \u2013 Georgina Ribas, Maria Nazareth Ascenso e a Maria d\u2019Alva Teixeira \u2013, para al\u00e9m dos saraus empertigados de m\u00fasica cl\u00e1ssica, gostavam de dan\u00e7ar o charleston ou os ritmos negros do que viria a ser o fado. Zelosa da \u201crespeitabilidade\u201d, a black excellence quer\u00ea-las-ia t\u00e3o parecidas quanto poss\u00edvel com as mulheres brancas de classe m\u00e9dia: submissas, cuidadoras e anfitri\u00e3s. Quando muito benem\u00e9ritas, salvadoras e int\u00e9rpretes do seu povo. Sem confus\u00f5es, estas negras n\u00e3o s\u00e3o servi\u00e7ais, nem \u201cind\u00edgenas\u201d, elas s\u00e3o a prova de que \u201csomos capazes\u201d.<\/p>\n

Really? Tipo, \u201con friday I go black\u201d?[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1641831807111{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text]<\/p>\n

November 3rd 2024 \u2013 4 pm<\/strong><\/h3>\n

[\/vc_column_text][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]G Fema<\/strong>, alter ego conquered by Ana Maria Semedo, which in Cape Verdean Creole means Warrior Woman, announcing what she came for. Sweet and fierce MC from Zona M\/Chelas, G Fema has been a creative voice and force in the street rap made in Portugal, rhyming in Badiu Creole. Her rap is an emancipatory expression force \u2013 which has earned her a position of respect. Her lyrics, voice, and presence; the fact that she is one of the few women to sign up for the scene; her intuition and determination give her a charisma that few could be indifferent to. Writer of engaging rhythmic lyrics with an unmistakable tone, she addresses, among others, the themes of female empowerment: what it is to be a woman, a mother, and a black Portuguese, directly from Chelas\/Zona M to the world. Rap and Creole Rap are a path of resistance and a way of existence. Even more, being a woman. And G Fema has trodden this path valiantly. 2022 will be a key year for her with the release of an EP and singles made with strong collaborations and a presentation at the Rock in Rio Lisbon Festival. All of which will add to her position as the prominent figurehead of the increasingly hard to contain emerging urban sounds of Lisbon\u2019s peripheries.[\/vc_column_text][vc_column_text]Cristina Rold\u00e3o<\/strong> is a sociologist, researcher at Iscte – Instituto Universit\u00e1rio de Lisboa, and professor at the Set\u00fabal School of Education (ESE\/IPS) where, since 2019, she has co-coordinated the ESE\/IPS Roadmap for Anti-Racist Education. She has actively participated in the academic and public debate on racism and blackness in Portuguese society, among others as a columnist for the newspaper P\u00fablico (2022-2024).<\/p>\n

She was a member of the organizing committee of the 7th Afroeuropeans Conference (Lisbon, 2019) and of the scientific committee of the 8th Afroeuropeans Conference (Brussels, 2022). She is a member of the Steering Committee of the Center for Black European Studies and the Atlantic (CBESA, Carnegie Mellon University, 2023) and the Advisory Board of HANGAR – Centro de Investiga\u00e7\u00e3o Art\u00edstica. Cristina Rold\u00e3o was a member of the Working Groups on the National Plan to Combat Racism (2021\/22) and on the Collection of Ethnic-Racial Data in the 2021 Census (2018\/19) in Portugal. She is co-editor of the publication commemorating the 110th anniversary of the newspaper \u201cO Negro\u201d (Lisbon, 2021) and co-author of the book Tribuna Negra: Origins of the Black Movement in Portugal (1911-1933).[\/vc_column_text][vc_separator][vc_column_text]G Fema<\/strong>, alter ego conquistado por Ana Maria Semedo, que em crioulo cabo-verdiano significa Mulher Guerreira, anuncia ao que veio. Doce e feroz MC da Zona M\/Chelas, G Fema tem sido uma voz criativa e uma for\u00e7a no rap de rua feito em Portugal, rimando em crioulo badiu. O seu rap \u00e9 uma for\u00e7a de express\u00e3o emancipat\u00f3ria \u2013 que lhe granjeou uma posi\u00e7\u00e3o de respeito. As suas letras, voz e presen\u00e7a; o facto de ser uma das poucas mulheres a inscrever-se na cena; a sua intui\u00e7\u00e3o e determina\u00e7\u00e3o d\u00e3o-lhe um carisma ao qual poucos ficam indiferentes. Autora de letras r\u00edtmicas cativantes com um tom inconfund\u00edvel, aborda, entre outros, temas como o empoderamento feminino: o que \u00e9 ser mulher, m\u00e3e e negra portuguesa, diretamente de Chelas\/Zona M para o mundo. O rap e o rap crioulo s\u00e3o um caminho de resist\u00eancia e uma forma de exist\u00eancia. Ainda mais, sendo mulher. E G Fema tem trilhado esse caminho com valentia. 2022 ser\u00e1 um ano-chave para ela, com o lan\u00e7amento de um EP e singles com fortes colabora\u00e7\u00f5es e uma apresenta\u00e7\u00e3o no Festival Rock in Rio Lisboa. Tudo isto acrescentar\u00e1 \u00e0 sua posi\u00e7\u00e3o como figura de destaque nos sons urbanos emergentes e cada vez mais dif\u00edceis de conter nas periferias de Lisboa.[\/vc_column_text][vc_column_text]Cristina Rold\u00e3o<\/strong> \u00e9 soci\u00f3loga, investigadora do Iscte \u2013 Instituto Universit\u00e1rio de Lisboa e docente da Escola Superior de Educa\u00e7\u00e3o de Set\u00fabal (ESE\/IPS) onde, desde 2019, co-coordena o Roteiro para uma Educa\u00e7\u00e3o Antirracista da ESE\/IPS. Tem participado ativamente no debate acad\u00e9mico e p\u00fablico sobre o racismo e a negritude na sociedade portuguesa, entre outros enquanto cronista do jornal P\u00fablico (2022-2024).<\/p>\n

Foi membro da comiss\u00e3o organizadora da 7\u00aa Confer\u00eancia Afroeuropeans (Lisboa, 2019) e da comiss\u00e3o cient\u00edfica da 8\u00aa Confer\u00eancia Afroeuropeans (Bruxelas, 2022). \u00c9 parte do Steering Committee do Center for Black European Studies and the Atlantic (CBESA, Carnegie Mellon University, 2023) e do Advisory Board do HANGAR \u2013 Centro de Investiga\u00e7\u00e3o Art\u00edstica. Cristina Rold\u00e3o foi membro dos Grupos de Trabalho sobre o Plano Nacional de Combate ao Racismo (2021\/22) e sobre a Recolha de Dados \u00c9tnico-raciais nos Censos 2021 (2018\/19). \u00c9 co-editora da publica\u00e7\u00e3o comemorativa dos 110 anos do jornal \u201cO Negro\u201d (Lisboa, 2021) e co-autora do livro Tribuna Negra: Origens do Movimento Negro em Portugal (1911-1933).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text] K\u2019aflikana G FEMA, Cristina Rold\u00e3o 2024 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_single_image image=”15643″ img_size=”full” alignment=”center”][vc_column_text] [\/vc_column_text][vc_column_text]We don\u2019t know if in addition to the starchy soir\u00e9es … <\/p>\n","protected":false},"author":34,"featured_media":15643,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6583],"tags":[],"class_list":["post-15635","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sincopes-sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15635","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15635"}],"version-history":[{"count":5,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15635\/revisions"}],"predecessor-version":[{"id":15665,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15635\/revisions\/15665"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15643"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15635"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15635"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15635"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}