{"id":15633,"date":"2024-09-12T19:56:27","date_gmt":"2024-09-12T19:56:27","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15633"},"modified":"2024-12-13T18:01:39","modified_gmt":"2024-12-13T18:01:39","slug":"melik","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/melik\/","title":{"rendered":"Melik"},"content":{"rendered":"

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Melik<\/b><\/span><\/h1>\n

Binete Undonque<\/p>\n

2024<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_single_image image=”15642″ img_size=”full” alignment=”center”][vc_column_text css=””]<\/p>\n\n

[\/vc_column_text][vc_column_text]That was not the reason why she had come from so faraway: that endless queue of people and that land were far from being the pinnacle of progress and sophistication. In Porto, as in IndieLisboa 2023, the white lens, the eyes of the Whites, and the camera of the Whites, make zoom on her denuded breastsand call her Rosinha.<\/p>\n

Among the Balantas, anyone who had been invited would never be subjected to such impertinent, sickening and barbaric curiosity. She would never be exposed, touched, and her name would never be forgotten. It would be a kind of miracle if that people had a \u201ccivilizing influence\u201d on any other \u2014 itwould say the person we know that said it.[\/vc_column_text][vc_separator][vc_column_text]N\u00e3o foi para aquilo que veio de t\u00e3o longe: aquela fila intermin\u00e1vel de gente e aquela terra estavam longe de ser o pin\u00e1culo do progresso e da sofistica\u00e7\u00e3o. No Porto como no IndieLisboa 2023, a lente branca, dos olhos dos brancos e da c\u00e2mera dos brancos, zoomam nos seios desnudos dela e apelidam-na de Rosinha.<\/p>\n

Entre balantas, a pessoa convidada jamais seria sujeita a tal curiosidade impertinente, doentia e b\u00e1rbara. Jamais seria exposta, jamais seria tocada, e o seu nome jamais seria esquecido. Seria uma esp\u00e9cie de milagre se aquele povo tivesse uma \u201cinflu\u00eancia civilizadora\u201d sobre qualquer outro – diria quem n\u00f3s sabemos que o disse.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1641831807111{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text]<\/p>\n

October 27th 2024 \u2013 4 pm<\/strong><\/h3>\n

[\/vc_column_text][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Graduated in acting at the Cascais Professional Theater School and Giles Foreman Center for Acting School, Binete Undonque<\/strong> is a Luso-Guinean actress who moves between Guinea-Bissau, Portugal and the United Kingdom.<\/p>\n

In theater she developed her practice with illustrious stage directors such as Rog\u00e9rio de Carvalho, Zia Soares, Rodrigo Francisco, Peter Kleinert, Beatriz Batarda, among others. In cinema, she starred in Sabura by Falc\u00e3o Nhaga, 3 Women by Fernando Vendrell, Nome by Sana Na N’Hada in which she was distinguished with the award for best actress at the International Pan-African Film Festival in Luanda and at the International Images Film Festival for Woman in Harare, and a special mention at the Independent International Film Festival of Bordeaux.<\/p>\n

In 2023 she begins a film training as a Director at the School of Arts and Creative Industries at London South Bank University.[\/vc_column_text][vc_separator][vc_column_text]Binete Undonque<\/strong> formou-se em interpreta\u00e7\u00e3o na Escola Profissional de Teatro de Cascais e no Giles Foreman Center for Acting. \u00c9 uma atriz luso-guineense que se movimenta entre a Guin\u00e9-Bissau, Portugal e o Reino Unido.<\/p>\n

No teatro, desenvolveu a sua pr\u00e1tica com prestigiados encenadores como Rog\u00e9rio de Carvalho, Zia Soares, Rodrigo Francisco, Peter Kleinert, Beatriz Batarda, entre outros. No cinema, protagonizou “Sabura” de Falc\u00e3o Nhaga, “3 Mulheres” de Fernando Vendrell e “Nome” de Sana Na N’Hada, pelo qual foi distinguida com o pr\u00e9mio de Melhor Atriz no Festival Pan-Africano de Cinema de Luanda e no International Images Film Festival for Women em Harare, al\u00e9m de uma men\u00e7\u00e3o especial no Festival Internacional de Cinema Independente de Bord\u00e9us.<\/p>\n

Em 2023, iniciou uma forma\u00e7\u00e3o em realiza\u00e7\u00e3o na School of Arts and Creative Industries da London South Bank University.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text] Melik Binete Undonque 2024 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_single_image image=”15642″ img_size=”full” alignment=”center”][vc_column_text css=””] [\/vc_column_text][vc_column_text]That was not the reason why she had come from so … <\/p>\n","protected":false},"author":34,"featured_media":15642,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6583],"tags":[],"class_list":["post-15633","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sincopes-sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15633"}],"version-history":[{"count":6,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15633\/revisions"}],"predecessor-version":[{"id":15730,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15633\/revisions\/15730"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15642"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}