{"id":15630,"date":"2024-10-20T15:44:06","date_gmt":"2024-10-20T15:44:06","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15630"},"modified":"2024-10-20T15:44:06","modified_gmt":"2024-10-20T15:44:06","slug":"carolina-x","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/carolina-x\/","title":{"rendered":"Carolina X"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><b>Carolina X<\/b><\/span><\/h1>\n<p style=\"text-align: center;\">Isab\u00e9l Zuaa<\/p>\n<p style=\"text-align: center;\">2024<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_single_image image=&#8221;15641&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text]<\/p>\n<!--[if lt IE 9]><script>document.createElement('audio');<\/script><![endif]-->\n<audio class=\"wp-audio-shortcode\" id=\"audio-15630-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2024\/10\/EP2.-Carolina-X.mp3?_=1\" \/><a href=\"https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2024\/10\/EP2.-Carolina-X.mp3\">https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2024\/10\/EP2.-Carolina-X.mp3<\/a><\/audio>\n<p>[\/vc_column_text][vc_column_text]Surname \u201cX\u201d, because there is no trace of the lineage. Surname \u201cX\u201d to erase the prefix \u201cBlack\u201d which always comes first than the first name. We got to her, in fact to them, to the centennial Carolina and Maria Teodora Doutora, through newspapers that gave account of their passing, in 1943 and 1920 respectively. Were they, both of them, the \u201clast\u201d enslaved people in Lisbon?<\/p>\n<p>Who is she who poses, standing barefoot in Avenida da Liberdade, for photographer Charles Chusseau-Flaviens, with her chest filled with rosaries, as if she wears a lengthy row of amulets? Who are they, and so many others like them, who have been discarded by the &#8220;ladies&#8221; and &#8220;gentlemen,&#8221; for being aged, for not being useful anymore, and abandoned on the streets of Lisbon? \u201cX\u201d of unknown. \u201cX\u201d of crossroads. \u201cX\u201d of a milestone that is not possible to forget, despite the silence. \u201cX\u201d of incision, where the rupture of things is precipitated.[\/vc_column_text][vc_separator][vc_column_text]Apelido \u201cX\u201d, porque n\u00e3o sobra rastro da linhagem. Apelido \u201cX\u201d para rasurar o prefixo \u201cpreta\u201d, que vem sempre primeiro que o nome pr\u00f3prio. Chegamos a ela, na verdade a elas, \u00e0s centen\u00e1rias Carolina e Maria Teodora Doutora, atrav\u00e9s de jornais que davam conta do seu falecimento, 1943 e 1920 respetivamente. Ambas, seriam as \u201c\u00faltimas\u201d escravizadas em Lisboa?<\/p>\n<p>Quem \u00e9 ela que pousa de p\u00e9, descal\u00e7a, em plena Av. da Liberdade para o fot\u00f3grafo Charles Chusseau-Flavies, com o peito cheio de ros\u00e1rios, como quem usa uma extensa fiada de amuletos? Quem s\u00e3o elas, e tantas outras, que como elas, foram descartadas pelas \u201csenhoras\u201d e pelos \u201csenhores\u201d, depois de velhas, por falta de serventia, e largadas ao abandono nas ruas de Lisboa? \u201cX\u201d de inc\u00f3gnita. \u201cX\u201d de encruzilhada. \u201cX\u201d de marco que n\u00e3o \u00e9 poss\u00edvel esquecer, apesar do sil\u00eancio. \u201cX\u201d de incis\u00e3o, por onde se precipita o romper das coisas.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1641831807111{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h3><strong>October 20th 2024 \u2013 4 pm<\/strong><\/h3>\n<p>[\/vc_column_text][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]<strong>Isab\u00e9l Zuaa<\/strong> is a multidisciplinary artist born in Lisbon, with roots in Guinea-Bissau and Angola. She focuses on dramaturgies that highlight Black people as protagonists. Trained in acting at Chapit\u00f4, the School of Theatre and Cinema, and Unirio, she has been involved in theatre, film, television, and performance projects predominantly in Brazil and Portugal since 2010.<\/p>\n<p>In 2019, together with Cleo Di\u00e1ra and N\u00e1dia Yracema, she founded the collective AURORA NEGRA, which debuted the play &#8220;Aurora Negra&#8221; at TNDM II, followed by &#8220;COSMOS&#8221; in 2022 and &#8220;Miss\u00e3o da Miss\u00e3o&#8221; in 2023. The collective also created the KILOMBO Festival.<\/p>\n<p>Isab\u00e9l has been recognized with several awards, including Best Actress at the 2020 Gramado Festival for the film &#8220;Um Animal Amarelo&#8221; Best Supporting Actress at the 2023 Cineuphoria Awards for the film &#8220;A viagem de Pedro,&#8221; and the Guarani Award for Best Actress in 2022 for the film &#8220;Um Animal Amarelo,&#8221; along with several other honorable mentions and awards for her performances in films such as &#8220;Joaquim,&#8221; &#8220;Good Manners,&#8221; &#8220;O Novelo&#8221; &#8220;Estamos todos na sarjeta&#8221; and &#8220;Malandro de Ouro.&#8221; She was recognized by BANTUMEN POWERLIST as one of the 100 most influential personalities in the Lusophone world in 2021 and 2022.[\/vc_column_text][vc_separator][vc_column_text]<strong>Isab\u00e9l Zuaa<\/strong> \u00e9 uma artista multidisciplinar nascida em Lisboa, com ra\u00edzes na Guin\u00e9-Bissau e Angola. Foca-se em dramaturgias que destacam pessoas negras como protagonistas. Formada em interpreta\u00e7\u00e3o no Chapit\u00f4, na Escola Superior de Teatro e Cinema e na Unirio, tem estado envolvida em projetos de teatro, cinema, televis\u00e3o e performance, principalmente no Brasil e em Portugal, desde 2010.<\/p>\n<p>Em 2019, juntamente com Cleo Di\u00e1ra e N\u00e1dia Yracema, fundou o coletivo AURORA NEGRA, que estreou a pe\u00e7a &#8220;Aurora Negra&#8221; no TNDM II, seguindo-se &#8220;COSMOS&#8221; em 2022 e &#8220;Miss\u00e3o da Miss\u00e3o&#8221; em 2023. O coletivo tamb\u00e9m criou o Festival KILOMBO.<\/p>\n<p>Isab\u00e9l foi reconhecida com v\u00e1rios pr\u00e9mios, incluindo Melhor Atriz no Festival de Gramado 2020 pelo filme &#8220;Um Animal Amarelo&#8221;, Melhor Atriz Secund\u00e1ria nos Pr\u00e9mios Cineuphoria 2023 pelo filme &#8220;A Viagem de Pedro&#8221; e o Pr\u00e9mio Guarani de Melhor Atriz em 2022 pelo filme &#8220;Um Animal Amarelo&#8221;, entre v\u00e1rias outras men\u00e7\u00f5es honrosas e pr\u00e9mios pelas suas atua\u00e7\u00f5es em filmes como &#8220;Joaquim&#8221;, &#8220;Boas Maneiras&#8221;, &#8220;O Novelo&#8221;, &#8220;Estamos Todos na Sarjeta&#8221; e &#8220;Malandro de Ouro&#8221;. Foi reconhecida pela BANTUMEN POWERLIST como uma das 100 personalidades mais influentes do mundo lus\u00f3fono em 2021 e 2022.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text] Carolina X Isab\u00e9l Zuaa 2024 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_single_image image=&#8221;15641&#8243; img_size=&#8221;full&#8221; alignment=&#8221;center&#8221;][vc_column_text] [\/vc_column_text][vc_column_text]Surname \u201cX\u201d, because there is no trace of the lineage. Surname &hellip; <\/p>\n","protected":false},"author":34,"featured_media":15641,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6583],"tags":[],"class_list":["post-15630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sincopes-sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15630"}],"version-history":[{"count":6,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15630\/revisions"}],"predecessor-version":[{"id":15699,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15630\/revisions\/15699"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15641"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}