{"id":15622,"date":"2024-09-18T11:04:33","date_gmt":"2024-09-18T11:04:33","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15622"},"modified":"2025-02-14T20:29:58","modified_gmt":"2025-02-14T20:29:58","slug":"sincopes","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/sincopes\/","title":{"rendered":"S\u00cdNCOPES"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1726169749123{padding-left: 25px !important;}”]<\/p>\n

S\u00cdNCOPES<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1726435627683{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2024\/09\/SINCOPES_website_geral_10_09.jpg?id=15645) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”50vw”][vc_column_text css=”.vc_custom_1726169820246{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9\ufe0f S\u00cdNCOPES<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1592478173089{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column css=”.vc_custom_1592478205246{margin-top: 0px !important;padding-top: 0px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1592478173089{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1592478205246{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner css=”.vc_custom_1592478179642{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169826416{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]S\u00cdNCOPES[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169853577{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Authorship and Artistic Direction[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169845667{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Cristina Rold\u00e3o
\nXEXA
\nZia Soares[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169890699{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Texts[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169916038{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Cristina Rold\u00e3o
\nZia Soares[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169927890{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Sound Creation[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169939368{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]XEXA[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169948943{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Research[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169963208{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Cristina Rold\u00e3o
\nJos\u00e9 Pereira
\nPedro Varela[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169972672{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Graphic design[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169978371{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Denise Santos[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169986290{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Technical assistance[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726169991812{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Thiago Gondim[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1728822217032{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Production[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726170016420{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR – Centro de Investiga\u00e7\u00e3o Art\u00edstica[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591863548156{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR ONLINE[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726170030211{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726170037056{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Portuguese[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726170064818{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Launch[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726435662929{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 13th, 2024 – 4 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644585748545{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1726435740296{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]EP1 | Eu mesma, eu pr\u00f3pria<\/strong>
\nOctober 13th, 2024 – 4 pm<\/p>\n

EP2 | Carolina X<\/strong>
\nOctober 20th, 2024 – 4 pm<\/p>\n

EP3 | Melik<\/strong>
\nOctober 27th, 2024 – 4 pm<\/p>\n

EP4 | K\u2019 aflikana<\/strong>
\nNovember 3rd, 2024 – 4 pm<\/p>\n

EP5 | S\u00edncopes<\/strong>
\nNovember 10th, 2024 – 4 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1616779775031{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]S\u00cdNCOPES is a sonic fiction series of 5 episodes, inspired by Black women who inhabited the city of Lisbon in the early 20th century. Authors Cristina Rold\u00e3o (sociologist), XEXA (producer, sound designer, visual artist), and Zia Soares (stage director, actress) propose an ultra-narrative from within, from within themselves, the three of them, and from what they dared to imagine.<\/p>\n

The first episode will have a simultaneous, face-to-face, and virtual premiere on October 13, 2024, and the four subsequent episodes will be released weekly on the platform (Hangar Online, Spotify, Apple Music). All episodes will have free access.<\/p>\n

S\u00cdNCOPES is a tottering journey through the city of Lisbon, Santiago, Cach\u00e9u, Salvador, Harlem, S\u00e3o Tom\u00e9 or, yet, perhaps, Maputo or Bi\u00e9, a journey made of propulsive sounds of advances and recoils, friction or confluences. From noise, to music, to words,<\/p>\n

They talk.<\/p>\n

There\u2019s a talk.<\/p>\n

They\u2019ll be talked about.<\/p>\n

Carolina X.<\/p>\n

Maria Teodora Doutora.<\/p>\n

Fernanda do Vale.<\/p>\n

Dam.<\/p>\n

Georgina Ribas.<\/p>\n

Josephine Baker.<\/p>\n

We talk.[\/vc_column_text][vc_separator][vc_column_text css=””]<\/p>\n

S\u00cdNCOPES \u00e9 uma sonic fiction composta por 5 epis\u00f3dios, inspirada em mulheres negras que habitaram a cidade de Lisboa no in\u00edcio do s\u00e9culo XX. As autoras, Cristina Rold\u00e3o (soci\u00f3loga), XEXA (produtora, sound designer, artista visual) e Zia Soares (encenadora, atriz), prop\u00f5em uma ultra-narrativa a partir de dentro, de dentro delas, as tr\u00eas, e de dentro do que elas ousaram imaginar.
\nO primeiro epis\u00f3dio ter\u00e1 estreia simult\u00e2nea, presencial e virtual, no dia 13 de outubro de 2024, e os quatro epis\u00f3dios subsequentes ser\u00e3o lan\u00e7ados na plataforma (Hangar Online, Spotify, Apple Music) com frequ\u00eancia semanal. Todos os epis\u00f3dios ser\u00e3o de livre acesso.<\/p>\n

S\u00cdNCOPES \u00e9 uma viagem titubeante que atravessa a cidade de Lisboa, Santiago, Cach\u00e9u, Salvador, Harlem, S\u00e3o Tom\u00e9 ou, ainda, talvez de Maputo ou do Bi\u00e9, uma viagem feita de sons propulsivos de avan\u00e7os e recuos, de atritos ou de conflu\u00eancias. Do ru\u00eddo, \u00e0 m\u00fasica, \u00e0 palavra,<\/p>\n

Falam.<\/p>\n

Fala-se.<\/p>\n

Falar-se-\u00e1.<\/p>\n

Carolina X.<\/p>\n

Maria Teodora Doutora.<\/p>\n

Fernanda do Vale.<\/p>\n

Dam.<\/p>\n

Georgina Ribas.<\/p>\n

Josephine Baker.<\/p>\n

Falamos.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Cristina Rold\u00e3o<\/strong> is a sociologist, researcher at Iscte – Instituto Universit\u00e1rio de Lisboa, and professor at the Set\u00fabal School of Education (ESE\/IPS) where, since 2019, she has co-coordinated the ESE\/IPS Roadmap for Anti-Racist Education. She has actively participated in the academic and public debate on racism and blackness in Portuguese society, among others as a columnist for the newspaper P\u00fablico (2022-2024).<\/p>\n

She was a member of the organizing committee of the 7th Afroeuropeans Conference (Lisbon, 2019) and of the scientific committee of the 8th Afroeuropeans Conference (Brussels, 2022). She is a member of the Steering Committee of the Center for Black European Studies and the Atlantic (CBESA, Carnegie Mellon University, 2023) and the Advisory Board of HANGAR – Centro de Investiga\u00e7\u00e3o Art\u00edstica. Cristina Rold\u00e3o was a member of the Working Groups on the National Plan to Combat Racism (2021\/22) and on the Collection of Ethnic-Racial Data in the 2021 Census (2018\/19) in Portugal. She is co-editor of the publication commemorating the 110th anniversary of the newspaper \u201cO Negro\u201d (Lisbon, 2021) and co-author of the book Tribuna Negra: Origins of the Black Movement in Portugal (1911-1933).[\/vc_column_text][vc_column_text]XEXA<\/strong> is a multidisciplinary Afro-futurist artist with S\u00e3o Tomense ancestry. She has degrees in Jewellery from Ant\u00f3nio Arroio , Lisbon and Sonic Arts from Guildhall School Of Music and Drama , London , her work reflects the exploration of sounds, making a hybrid of traditional African rhythms with synthesizers, sound design, and vocals. XEXA is a producer, composer, singer, sound designer and surround sound engineer who illustrates a unique sonic palette.<\/p>\n

She has presented her music in festivals and venues around Europe such as Festival Iminente, ZDB, Berghain Halle, S\u00f3nar Festival Lisbon, Nuits Sonores Brussels, Festival Semibreve Braga, Caf\u00e9 OTO London, The White Hotel, Milan Design Week, among others.<\/p>\n

She has been commissioned to produce music pieces for the British Music Library, CMMAS, Lagos Art Biennale, Gnration, Culturgest and Lisbon Fashion Week.<\/p>\n

XEXA self-released her mixtape Calend\u00e1rio Sonoro in 2021. Her first album Vibra\u00e7\u00f5es de Prata was released under the Portuguese record label Principe Discos in October 2023.[\/vc_column_text][vc_column_text]Zia Soares<\/strong> is a theatre director and actress. In her work, which is developed between Africa and Europe, she obsessively experiments with the construction of new dramaturgies rooted in the poetics of divergent oralities and (in)corporalities, where the verb is a manifestation of images – images that incarnate, that neither imitate nor reproduce, instead they act.<\/p>\n

Of her most recent stagings, stand out The laughter of the scavengers, authored by her, co-produced by Teatro GRIOT and Culturgest, which was distinguished as \u00b4Best Show 2021\/22\u00b4 within the scope of the Premio Internazionale Teresa Pamodoro (Milan, Italy); FANUN RUIN, authored by her, co-produced by Calouste Gulbenkian Foundation and Sowing_arts; and Pearl without a girl, directed by Zia Soares, text by Djaimilia Pereira de Almeida, co-produced by Sowing_arts, Teatro Nacional D. Maria II and apap – FEMINIST FUTURES.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator][vc_column_text css=””]<\/p>\n

Cristina Rold\u00e3o<\/strong> \u00e9 soci\u00f3loga, investigadora do Iscte \u2013 Instituto Universit\u00e1rio de Lisboa e docente da Escola Superior de Educa\u00e7\u00e3o de Set\u00fabal (ESE\/IPS) onde, desde 2019, co-coordena o Roteiro para uma Educa\u00e7\u00e3o Antirracista da ESE\/IPS. Tem participado ativamente no debate acad\u00e9mico e p\u00fablico sobre o racismo e a negritude na sociedade portuguesa, entre outros enquanto cronista do jornal P\u00fablico (2022-2024).<\/p>\n

Foi membro da comiss\u00e3o organizadora da 7\u00aa Confer\u00eancia Afroeuropeans (Lisboa, 2019) e da comiss\u00e3o cient\u00edfica da 8\u00aa Confer\u00eancia Afroeuropeans (Bruxelas, 2022). \u00c9 parte do Steering Committee do Center for Black European Studies and the Atlantic (CBESA, Carnegie Mellon University, 2023) e do Advisory Board do HANGAR \u2013 Centro de Investiga\u00e7\u00e3o Art\u00edstica. Cristina Rold\u00e3o foi membro dos Grupos de Trabalho sobre o Plano Nacional de Combate ao Racismo (2021\/22) e sobre a Recolha de Dados \u00c9tnico-raciais nos Censos 2021 (2018\/19). \u00c9 co-editora da publica\u00e7\u00e3o comemorativa dos 110 anos do jornal \u201cO Negro\u201d (Lisboa, 2021) e co-autora do livro Tribuna Negra: Origens do Movimento Negro em Portugal (1911-1933).[\/vc_column_text][vc_column_text css=””]<\/p>\n

XEXA<\/strong> \u00e9 uma artista multidisciplinar afro-futurista com ascend\u00eancia s\u00e3o-tomense. Formada em Joalharia pela Ant\u00f3nio Arroio, em Lisboa, e em Artes Sonoras pela Guildhall School of Music and Drama, em Londres, o seu trabalho reflete a explora\u00e7\u00e3o de sons, criando uma fus\u00e3o entre ritmos africanos tradicionais, sintetizadores, design sonoro e vocais. XEXA \u00e9 produtora, compositora, cantora, designer de som e engenheira de som surround, ilustrando uma paleta sonora \u00fanica.<\/p>\n

Apresentou a sua m\u00fasica em festivais e espa\u00e7os por toda a Europa, como o Festival Iminente, ZDB, Berghain Halle, S\u00f3nar Festival Lisboa, Nuits Sonores Bruxelas, Festival Semibreve Braga, Caf\u00e9 OTO Londres, The White Hotel, Milan Design Week, entre outros.<\/p>\n

Foi convidada para produzir pe\u00e7as musicais para a British Music Library, CMMAS, Bienal de Arte de Lagos, Gnration, Culturgest e Lisboa Fashion Week.<\/p>\n

XEXA lan\u00e7ou a sua mixtape Calend\u00e1rio Sonoro em 2021 de forma independente. O seu primeiro \u00e1lbum, Vibra\u00e7\u00f5es de Prata, foi lan\u00e7ado pela editora portuguesa Pr\u00edncipe Discos em outubro de 2023.[\/vc_column_text][vc_column_text css=””]<\/p>\n

Zia Soares<\/strong> \u00e9 encenadora e atriz. No seu trabalho, desenvolvido entre \u00c1frica e Europa, experimenta de forma obsessiva a constru\u00e7\u00e3o de novas dramaturgias enraizadas nas po\u00e9ticas de oralidades e (in)corporalidades divergentes, onde o verbo \u00e9 uma manifesta\u00e7\u00e3o de imagens \u2013 imagens que encarnam, que n\u00e3o imitam nem reproduzem, antes atuam.<\/p>\n

Das suas encena\u00e7\u00f5es mais recentes destacam-se O Riso dos Abutres, de sua autoria, co-produzido pelo Teatro GRIOT e Culturgest, que foi distinguido como ‘Melhor Espet\u00e1culo 2021\/22’ no \u00e2mbito do Pr\u00e9mio Internazionale Teresa Pamodoro (Mil\u00e3o, It\u00e1lia); FANUN RUIN, de sua autoria, co-produzido pela Funda\u00e7\u00e3o Calouste Gulbenkian e Sowing_arts; e P\u00e9rola Sem Rapariga, encenado por Zia Soares, com texto de Djaimilia Pereira de Almeida, co-produzido por Sowing_arts, Teatro Nacional D. Maria II e apap \u2013 FEMINIST FUTURES.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_basic_grid post_type=”ids” element_width=”6″ item=”11567″ grid_id=”vc_gid:1739564577493-f8965b45-4395-5″ include=”15627, 15630, 15633, 15635, 15637″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1726169749123{padding-left: 25px !important;}”] S\u00cdNCOPES [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1726435627683{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2024\/09\/SINCOPES_website_geral_10_09.jpg?id=15645) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”50vw”][vc_column_text css=”.vc_custom_1726169820246{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9\ufe0f … <\/p>\n","protected":false},"author":34,"featured_media":15645,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6548],"tags":[],"class_list":["post-15622","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15622","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15622"}],"version-history":[{"count":15,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15622\/revisions"}],"predecessor-version":[{"id":15735,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15622\/revisions\/15735"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15645"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15622"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15622"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15622"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}