{"id":15395,"date":"2023-01-14T18:07:10","date_gmt":"2023-01-14T18:07:10","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15395"},"modified":"2023-03-17T19:07:54","modified_gmt":"2023-03-17T19:07:54","slug":"um-transe-de-dez-milesimos-de-segundos","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/um-transe-de-dez-milesimos-de-segundos\/","title":{"rendered":"um transe de dez mil\u00e9simos de segundos"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #0000ff;\"><b>um transe de dez mil\u00e9simos de segundos <\/b><\/span><\/h1>\n<p style=\"text-align: center;\">Jamile Cazumb\u00e1<\/p>\n<p style=\"text-align: center;\">7&#8242; 52&#8221;<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_single_image image=&#8221;15396&#8243; img_size=&#8221;full&#8221;][vc_column_text]\u00a9\ufe0f Still: Gabriela Palha[\/vc_column_text][vc_column_text]<strong>&#8220;a trance of ten milliseconds&#8221;<\/strong> is a ritual-recital-performance about the layers of memory and the plenty intuition signs that act on a body between the runaway points (therefore the possibility of existing) tailored in the or\u00ed and the crossroads: the summoning of memory, the trance.<\/p>\n<p><strong>Performance:<\/strong> Jamile Cazumba<br \/>\n<strong>Directed by:<\/strong> Jamile Cazumba<br \/>\n<strong>Sound:<\/strong> Jamile Cazumb\u00e1 and Studio ORC<br \/>\n<strong>Text:<\/strong> Jamile Cazumba<br \/>\n<strong>Camera:<\/strong> Ema Ribeiro and Jamile Cazumb\u00e1<br \/>\n<strong>Additional Images:<\/strong> Gabriela Palha and Jamile Cazumb\u00e1<br \/>\n<strong>Produced by:<\/strong> Anna Lu\u00edsa Oliveira and Rebeca Andrade<br \/>\n<strong>Editing:<\/strong> Levi Barbosa<br \/>\n<strong>Editing:<\/strong> Levi Barbosa<br \/>\n<strong>Voice over:<\/strong> In\u00eas Mendes Santos and Jamile Cazumb\u00e1[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221; css=&#8221;.vc_custom_1641831807111{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h3><strong>January 14 2023 &#8211; 6 pm to January 22nd 2023<\/strong><\/h3>\n<p>[\/vc_column_text][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]<strong>Jamile Cazumb\u00e1<\/strong> is a visual artist and transits through other fields of arts, scenic, curatorship, production and cinema. Currently, she dedicates herself mainly to her ritual-recital-performance, supported by performance, drawing and language, investigating memories inscribed in the bodies of black women and their confluence with visual expressions. In 2020 she made her first experimental film \u201ceu poderia cantar uma can\u00e7\u00e3o agora, n\u00e9?\u201d.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text] um transe de dez mil\u00e9simos de segundos Jamile Cazumb\u00e1 7&#8242; 52&#8221; [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_single_image image=&#8221;15396&#8243; img_size=&#8221;full&#8221;][vc_column_text]\u00a9\ufe0f Still: Gabriela Palha[\/vc_column_text][vc_column_text]&#8220;a trance of ten &hellip; <\/p>\n","protected":false},"author":34,"featured_media":15396,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6545],"tags":[],"class_list":["post-15395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-videos","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15395","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15395"}],"version-history":[{"count":6,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15395\/revisions"}],"predecessor-version":[{"id":15410,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15395\/revisions\/15410"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15396"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15395"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15395"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15395"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}