{"id":15088,"date":"2022-02-11T13:28:30","date_gmt":"2022-02-11T13:28:30","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=15088"},"modified":"2022-02-16T19:37:11","modified_gmt":"2022-02-16T19:37:11","slug":"rhizomatic-crescendos-in-the-sonic-amalgamations-of-blackness","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/rhizomatic-crescendos-in-the-sonic-amalgamations-of-blackness\/","title":{"rendered":"Rhizomatic Crescendos in the Sonic Amalgamations of Blackness"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1644585537621{padding-left: 25px !important;}”]<\/p>\n

Rhizomatic Crescendos in the Sonic Amalgamations of Blackness<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1644586002553{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2022\/02\/2-To-stroll-in-light-with-fallen-angels-2019-210-x-381-cm.jpg?id=15089) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1644590586537{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9\ufe0f To stroll in light with fallen angels 2019, 210 x 381 cm \u2013 Satch Hoyt<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1592478173089{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column css=”.vc_custom_1592478205246{margin-top: 0px !important;padding-top: 0px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content” css=”.vc_custom_1592478173089{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1\/2″ css=”.vc_custom_1592478205246{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner css=”.vc_custom_1592478179642{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644586078541{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Rhizomatic Crescendos in the Sonic Amalgamations of Blackness[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591863536373{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Artist[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644585714814{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Satch Hoyt[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591863548156{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR ONLINE[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591863569344{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Open Date[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644590499378{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]February 17th, 2022 \u2013 6 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644585748545{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1644587101421{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Un-Muted<\/strong>
\nFebruary 17th, 2022 – 6 pm<\/p>\n

Missa Luanda<\/strong>
\nFebruary 24th, 2022 – 6 pm<\/p>\n

Latitude, (Afro Sonic Sextant)<\/strong>
\nMarch 3rd, 2022 – 6 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1616779775031{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]Cycle conceived by the artist Satch Hoyt.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]<\/p>\n

Satch Hoyt Biography<\/h2>\n

[\/vc_column_text][vc_column_text]Born London 1957; resides Berlin Satch Hoyt<\/strong> is a spiritualist, a believer in ritual and retention. A visual artist and a musician, his diverse and multifaceted body of work – whether sculpture, sound installation, painting, musical performance, or musical recording – is united in its investigation of the \u201cEternal Afro-Sonic Signifier\u201d and its movement across and amid the cultures, peoples, places, and times of the African Diaspora. Those four evocative words (a term coined by Hoyt) refer to the \u201cmnemonic network of sound\u201d that was enslaved Africans\u2019 \u201csole companion during the forced migration of the Middle Passage.\u201d1 lt was, and is, a hard-won somatic tool kit for remembering where you come from and who you are – and maybe, where you\u2019re going – against all the many odds. Of Jamaican-British descent, Hoyt was born in London and currently lives in Berlin. Having also spent time in New York, Paris, Mombasa, and Australia\u2019s Northern Territory – all points on the many-sided and everexpanding star that is the African Diaspora – he is an intimate observer of the sites of convergence where the Diaspora comes together to sing, shout, and be, reflecting itself to itself. Employing the shared tool kit to connect, express, and commiserate across centuries and oceans, Hoyt taps into aural and oral echoes as well as into those retained in the historical and material record. – written by Rujeko Hockley for the catalog Prospect 4: The Lotus in Spite of the Swamp, 2017<\/p>\n

Selected exhibitions and projects include, AfroSonic Mapping, House of World Cultures, Berlin, (2019); Get Up, Stand Up Now – Generations of Black Ceative Pioneers, Somerset House, London, (2019); Respect Hip Hop Style and Wisdom, Oakland Museum of California (2018); Dakart, the Dakar Biennale Senega (2018); The World\u2019s Game: F\u00fatbol and Contemporary Art, Perez Art Museum, Miami (2018); The Lotus in Spite of the Swamp, Prospect 4, (the USA Triennial) (2017); The Beautiful Game, Los Angeles County Museum of Art (2014); Rehearsal at Savannah College of Art and Design, Savannah GA (2013); Radical Presence, Black Performance in Contemporary Art, Grey Art Gallery, New York University (2013); Newtopia: The State of Human Rights, Museum for the Holocaust and Human Rights, Mechelen Belgium (2012); Radical Presence, CAMH Texas (2012); The Record: Contemporary Art and Vinyl, Nasher Museum of Art at Duke University (2011); Art is a Combat Sport, Museum of Fine Art, Calais, France (2011); The Global Africa Project, Museum of Arts and Design, New York (2010). Hoyt has participated in Infinite Island, Contemporary Caribbean Art, Brooklyn Museum (2007): San Juan Triennial, Puerto Rico (2009); the Beijing Biennial, China (2008); Equatorial Rhythms, The Stenersen Museum, Norway (2007); Black Light White Noise, Sound and Light in Contemporary Art, Contemporary Arts Museum, Houston (2007); the Tate Liverpool Biennial, Liverpool, U.K. (2004); Open House: Working in Brooklyn, Brooklyn Museum of Art (2004); Brown v. Board of Education, Gallery 138, New York (2004); Black President: The Art and Legacy of Fela AnikulapoKuti, New Museum of Contemporary Art, New York (2003) traveling to the Yerba Buena Center for the Arts, San Francisco (2004) and the Barbican Art Gallery, London, U.K. (2004); The Squared Circle: Boxing in Contemporary Art, Walker Art Center, Minneapolis (2003); Body Power\/Power Play, W\u00fcrttembergischer Kunstverein, Stuttgart, Germany (2002) and SportCult, apexart, New York (2001).[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_basic_grid post_type=”post” max_items=”3″ element_width=”6″ order=”ASC” item=”11567″ grid_id=”vc_gid:1645040147032-dfeacd02-3044-0″ taxonomies=”6577″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1644585537621{padding-left: 25px !important;}”] Rhizomatic Crescendos in the Sonic Amalgamations of Blackness [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1644586002553{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2022\/02\/2-To-stroll-in-light-with-fallen-angels-2019-210-x-381-cm.jpg?id=15089) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover … <\/p>\n","protected":false},"author":34,"featured_media":15089,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6548],"tags":[],"class_list":["post-15088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=15088"}],"version-history":[{"count":10,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15088\/revisions"}],"predecessor-version":[{"id":15128,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/15088\/revisions\/15128"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/15089"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=15088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=15088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=15088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}