{"id":14903,"date":"2021-09-22T19:03:41","date_gmt":"2021-09-22T19:03:41","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=14903"},"modified":"2021-11-09T20:42:22","modified_gmt":"2021-11-09T20:42:22","slug":"re-imaginar-o-imperio-projeccoes-anti-coloniais-no-cinema-modulo-ii","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/re-imaginar-o-imperio-projeccoes-anti-coloniais-no-cinema-modulo-ii\/","title":{"rendered":"Reimagine the Empire. (Anti-)Colonial Projections in Cinema
Module II"},"content":{"rendered":"

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Reimagine the Empire. (Anti-)Colonial Projections in Cinema (Module II)<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1636489812719{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/09\/Rodagem-Catembe.-\u00a9-Faria-de-Almeida.jpg?id=14905) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1636489821851{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Rodagem Catembe. \u00a9 Faria de Almeida<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636489951949{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Reimagine the Empire. (Anti-)Colonial Projections in Cinema – Module II[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336463200{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Artist\/Educator[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336468841{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Maria do Carmo Pi\u00e7arra<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336509421{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591989061737{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Zoom[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636488870210{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636489487681{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Portuguese
\n(scroll down for information in Portuguese<\/a>)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336505855{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Target Audience[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636487214960{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Interested in the use of cinema by the Portuguese dictatorial regime and by the liberation movements and in the critical analysis of filmic representations and counter-representations relating to the former colonies and their inhabitants.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981377349{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Limit Participants[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490539257{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]12 participants[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981487800{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Start Date[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490001489{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]November 6th, 2021[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981512221{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Duration[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490141842{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]November 6th, 7th and 8th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336611731{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Time[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490042203{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]November 6th \u2013 11 am to 2 pm (Lisbon)
\nNovember 7th and 8th \u2013 6:30 pm to 9:30 pm (Lisbon)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336757333{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336912887{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Subscription deadline[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490053078{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 24th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591983254668{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Price<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636490062168{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]One Module – 75\u20ac[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-cursos%2F|title:Formularios%20Sound|target:%20_blank|”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]Following the free course \u201cRe-imagining the empire. (Anti-)colonial projections in cinema\u201d I, this second free course will deepen the uses of cinema by different political movements during the African liberation struggles and will focus on the cases of Goa, Macau and Timor. It will also analyze the emergence of national cinema projects in Mozambique, Angola and Guinea-Bissau and will deepen the contributions of some authors. It will give an overview of current cinematographies in Portuguese-speaking African countries, also particularizing the oriental cases.<\/p>\n

\u2022 Class 1<\/strong> \u2013 Film internationalism, political and activist films in and about the (former) Portuguese colonies. African cases.<\/p>\n

\u2022 Class 2<\/strong> \u2013 Lesson 2 \u2013 Continuation. Film internationalism, political and militant films in and about the (former) Portuguese colonies. Asian cases.<\/p>\n

\u2022 Class 3<\/strong> \u2013 The projection of Portuguese-speaking nations. National film and television projects to rescue the new African nations of the \u201cHemisphere of the Observed\u201d.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Maria do Carmo Pi\u00e7arra<\/strong> is a researcher at ICNOVA-FCSH and a professor at the Universidade Aut\u00f3noma de Lisboa. With a doctorate, a master’s degree and a degree in Communication Sciences, she developed the post-doctoral research \u201c\u2018 Cinema Imp\u00e9rio \u2019. Portugal, France and England, representations of the empire in cinema\u201d (2013-2018), having, in this context, been a guest researcher at the CFAC-University of Reading. She is a film programmer and was deputy chairman of the Institute of Cinema, Audiovisual and Multimedia (1998-1999).<\/p>\n

She has published, among other books and articles, Azuis Ultramarinos. Colonial advertising and censorship in the cinema of the Estado Novo\u201d (2015), and coordinated, with Jorge Ant\u00f3nio, the trilogy Angola, the birth of a nation (2013, 2014, 2015) and, with Teresa Castro, (Re)Imagining African Independence. Film, Visual Arts and the Fall of the Portuguese Empire (2017). She has just published the chapter \u201cResistance and political awareness through the poetic gaze of Sarah Maldoror\u201d in the book Contemporary lusophone African film (Paulo de Medeiros and Livia Apa, 2020). It animates Aleph \u2013 Network for Action and Critical Investigation of Colonial Image.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”blue” el_id=”information_in_pt”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Informa\u00e7\u00f5es<\/h3>\n

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T\u00edtulo<\/p>\n

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Re-imaginar o Imp\u00e9rio. Projec\u00e7\u00f5es (Anti-)Coloniais no Cinema – M\u00f3dulo II<\/p>\n

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Artista\/Educador<\/p>\n

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Maria do Carmo Pi\u00e7arra<\/p>\n

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Local<\/p>\n

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Zoom<\/p>\n

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Idioma<\/p>\n

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Portugu\u00eas<\/p>\n

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P\u00fablico-alvo<\/p>\n

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Interessados no uso do cinema pelo regime ditatorial portugu\u00eas e pelos movimentos de liberta\u00e7\u00e3o e na an\u00e1lise cr\u00edtica das representa\u00e7\u00f5es e contra-representa\u00e7\u00f5es f\u00edlmicas relativas \u00e0s ex-col\u00f3nias e seus habitantes.<\/p>\n

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Limite de participants<\/p>\n

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20 participantes<\/p>\n

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In\u00edcio<\/p>\n

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6 de Novembro, 2021<\/p>\n

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Dura\u00e7\u00e3o<\/p>\n

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6, 7 e 8 de Novembro<\/p>\n

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Hor\u00e1rio<\/p>\n

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6 de Novembro das 11h \u00e0s 14h (Lisboa)<\/p>\n

7 e 8 de Novembro das 18h30 \u00e0s 21h30 (Lisboa)<\/p>\n

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Informa\u00e7\u00e3o<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336757333{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636488724476{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

Prazo de inscri\u00e7\u00e3o<\/p>\n

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24 de Outubro<\/p>\n

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Pre\u00e7o<\/strong><\/p>\n

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Um M\u00f3dulo – 75\u20ac<\/p>\n

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Sobre<\/h3>\n

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Na sequ\u00eancia do curso livre \u201cRe-imaginar o imp\u00e9rio. Projec\u00e7\u00f5es (anti-)coloniais no cinema\u201d I, este segundo curso livre aprofundar\u00e1 os usos do cinema pelos diferentes movimentos pol\u00edticos, durante as lutas de liberta\u00e7\u00e3o africana e particularizar\u00e1 os casos de Goa, Macau e Timor. Analisar\u00e1 ainda a emerg\u00eancia de projectos de cinema nacional em Mo\u00e7ambique, Angola e Guin\u00e9-Bissau e aprofundar\u00e1 os contributos de alguns autores. Far\u00e1 uma panor\u00e2mica sobre as cinematografias actuais nos pa\u00edses africanos de l\u00edngua portuguesa particularizando tamb\u00e9m os casos orientais.<\/p>\n

\u2022 Aula 1<\/strong> \u2013 Internacionalismo cinematogr\u00e1fico, filmes pol\u00edticos e militantes nas e sobre as (ex-)col\u00f3nias portuguesas. Os casos africanos.<\/p>\n

\u2022 Aula 2<\/strong> \u2013 Aula 2 \u2013 Continua\u00e7\u00e3o. Internacionalismo cinematogr\u00e1fico, filmes pol\u00edticos e militantes nas e sobre as (ex-)col\u00f3nias portuguesas. Os casos asi\u00e1ticos.<\/p>\n

\u2022 Aula 3<\/strong> \u2013 A projec\u00e7\u00e3o das na\u00e7\u00f5es de l\u00edngua portuguesa. Projectos de cinema e televis\u00e3o nacionais para resgatar as novas na\u00e7\u00f5es africanas do \u201cHemisf\u00e9rio dos observados\u201d.<\/p>\n

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Maria do Carmo Pi\u00e7arra<\/strong> \u00e9 investigadora integrada no ICNOVA-FCSH e professora na Universidade Aut\u00f3noma de Lisboa. Doutorada, mestre e licenciada em Ci\u00eancias da Comunica\u00e7\u00e3o, desenvolveu a investiga\u00e7\u00e3o p\u00f3s-doutoral \u201c\u2018Cinema Imp\u00e9rio\u2019. Portugal, Fran\u00e7a e Inglaterra, representa\u00e7\u00f5es do imp\u00e9rio no cinema\u201d (2013-2018), tendo, nesse \u00e2mbito, sido investigadora convidada do CFAC-University of Reading. \u00c9 programadora de cinema e foi adjunta da presid\u00eancia do Instituto de Cinema, Audiovisual e Multim\u00e9dia (1998-1999).<\/p>\n

Publicou, entre outros livros e artigos, Azuis ultramarinos. Propaganda colonial e censura no cinema do Estado Novo\u201d (2015), e coordenou, com Jorge Ant\u00f3nio, a trilogia Angola, o nascimento de uma na\u00e7\u00e3o (2013, 2014, 2015) e, com Teresa Castro, (Re)Imagining African Independence. Film, Visual Arts and the Fall of the Portuguese Empire (2017). Acaba de publicar o cap\u00edtulo \u201cResistance and political awareness through the poetic gaze of Sarah Maldoror\u201d no livro Contemporary lusophone African film (Paulo de Medeiros e Livia Apa, 2020). Dinamiza a Aleph – Rede de Ac\u00e7\u00e3o e Investiga\u00e7\u00e3o Cr\u00edtica da Imagem Colonial.<\/p>\n

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[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1636489943172{padding-left: 25px !important;}”] Reimagine the Empire. (Anti-)Colonial Projections in Cinema (Module II) [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1636489812719{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/09\/Rodagem-Catembe.-\u00a9-Faria-de-Almeida.jpg?id=14905) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: … <\/p>\n","protected":false},"author":34,"featured_media":14905,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6550,1],"tags":[],"class_list":["post-14903","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courses-adults","category-uncategorized","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14903","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=14903"}],"version-history":[{"count":8,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14903\/revisions"}],"predecessor-version":[{"id":14959,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14903\/revisions\/14959"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/14905"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=14903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=14903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=14903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}