{"id":14895,"date":"2021-09-22T18:57:41","date_gmt":"2021-09-22T18:57:41","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=14895"},"modified":"2021-11-09T20:24:52","modified_gmt":"2021-11-09T20:24:52","slug":"re-imaginar-o-imperio-projeccoes-anti-coloniais-no-cinema-modulo-i","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/re-imaginar-o-imperio-projeccoes-anti-coloniais-no-cinema-modulo-i\/","title":{"rendered":"Reimagine the Empire. (Anti-)Colonial Projections in Cinema
Module I"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1636487180102{padding-left: 25px !important;}”]<\/p>\n

Reimagine the Empire. (Anti-)Colonial Projections in Cinema (Module I)<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1632335376739{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/09\/Feiti\u00e7o-do-imp\u00e9rio-\u00a9-Cinemateca-Portuguesa-scaled.jpg?id=14896) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1632337482698{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]Feiti\u00e7o do imp\u00e9rio. \u00a9 Cinemateca Portuguesa<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636487190511{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Reimagine the Empire. (Anti-)Colonial Projections in Cinema – Module I[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336463200{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Artist\/Educator[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336468841{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Maria do Carmo Pi\u00e7arra<\/span>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336509421{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591989061737{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Zoom[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636488870210{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636489487681{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Portuguese
\n(scroll down for information in Portuguese<\/a>)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336505855{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Target Audience[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636487214960{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Interested in the use of cinema by the Portuguese dictatorial regime and by the liberation movements and in the critical analysis of filmic representations and counter-representations relating to the former colonies and their inhabitants.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981377349{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Limit Participants[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336526211{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]20 participants[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981487800{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Start Date[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336560716{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 7th, 2021[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591981512221{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Duration[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336581947{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 7th, 8th and 9th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336611731{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Time[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632337253087{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 7th and 8th – 6 pm to 9 pm (Lisbon)
\nOctober 9th – 10:30 am to 1:30 pm (Lisbon)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336757333{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336912887{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Subscription deadline[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336923511{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]September 24th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591983254668{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Price<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636487246399{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]One Module – 75\u20ac
\nTwo Module – 100\u20ac[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-cursos%2F|title:Formularios%20Sound|target:%20_blank|”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]The Estado Novo used cinema to impose, internally and externally, the image of a pluricontinental and multiracial country. Many ideas propagated were never questioned after the reestablishment of democracy and after the independence of Portuguese-speaking countries.
\nThis free course will discuss how the propaganda \u2013 and censorship \u2013 of the Estado Novo determined the representations concerning Portuguese-speaking countries, including the cases of \u201cPortuguese Asia\u201d. It will also debate the evidences of the (im)possibility of another look at the former Portuguese colonies in works by Cinema Novo that were censored and banned, and will address the uses of cinema by different political movements during the liberation struggles in Africa.<\/p>\n

\u2022 Class 1<\/strong> \u2013 Overseas Blues. Pioneering colonial propaganda in films before World War II.<\/p>\n

\u2022 Class 2<\/strong> \u2013 Documentaries of political, industrial and tourist propaganda vs censorship at Novo Cinema about the colonies.<\/p>\n

\u2022 Class 3<\/strong> \u2013 The Catembe and Let me at least climb the palms\u2026. Cinematographic internationalism and liberation movements: Sarah Maldoror and Augusta Conchiglia about Angola, the Cabralista project for Guinea\/Cape Verde, and the struggle of Mozambique shown to the world.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Maria do Carmo Pi\u00e7arra<\/strong> is a researcher at ICNOVA-FCSH and a professor at the Universidade Aut\u00f3noma de Lisboa. With a doctorate, a master’s degree and a degree in Communication Sciences, she developed the post-doctoral research \u201c\u2018 Cinema Imp\u00e9rio \u2019. Portugal, France and England, representations of the empire in cinema\u201d (2013-2018), having, in this context, been a guest researcher at the CFAC-University of Reading. She is a film programmer and was deputy chairman of the Institute of Cinema, Audiovisual and Multimedia (1998-1999).<\/p>\n

She has published, among other books and articles, Azuis Ultramarinos. Colonial advertising and censorship in the cinema of the Estado Novo\u201d (2015), and coordinated, with Jorge Ant\u00f3nio, the trilogy Angola, the birth of a nation (2013, 2014, 2015) and, with Teresa Castro, (Re)Imagining African Independence. Film, Visual Arts and the Fall of the Portuguese Empire (2017). She has just published the chapter \u201cResistance and political awareness through the poetic gaze of Sarah Maldoror\u201d in the book Contemporary lusophone African film (Paulo de Medeiros and Livia Apa, 2020). It animates Aleph \u2013 Network for Action and Critical Investigation of Colonial Image.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”blue” el_id=”information_in_pt”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Informa\u00e7\u00f5es<\/h3>\n

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T\u00edtulo<\/p>\n

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Re-imaginar o Imp\u00e9rio. Projec\u00e7\u00f5es (Anti-)Coloniais no Cinema – M\u00f3dulo I<\/p>\n

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Artista\/Educador<\/p>\n

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Maria do Carmo Pi\u00e7arra<\/p>\n

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Local<\/p>\n

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Zoom<\/p>\n

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Idioma<\/p>\n

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Portugu\u00eas<\/p>\n

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P\u00fablico-alvo<\/p>\n

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Interessados no uso do cinema pelo regime ditatorial portugu\u00eas e pelos movimentos de liberta\u00e7\u00e3o e na an\u00e1lise cr\u00edtica das representa\u00e7\u00f5es e contra-representa\u00e7\u00f5es f\u00edlmicas relativas \u00e0s ex-col\u00f3nias e seus habitantes.<\/p>\n

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Limite de participants<\/p>\n

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20 participantes<\/p>\n

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In\u00edcio<\/p>\n

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7 de Outubro, 2021<\/p>\n

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Dura\u00e7\u00e3o<\/p>\n

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7, 8 e 9 de Outubro<\/p>\n

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Hor\u00e1rio<\/p>\n

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7 e 8 de Outubro das 18h \u00e0s 21h (Lisboa)<\/p>\n

9 de Outubro das 10h30 \u00e0s 13h30 (Lisboa)<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636488710189{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

Informa\u00e7\u00e3o<\/p>\n

[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632336757333{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1636488724476{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n

Prazo de inscri\u00e7\u00e3o<\/p>\n

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24 de Setembro<\/p>\n

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Pre\u00e7o<\/strong><\/p>\n

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Um M\u00f3dulo – 75\u20ac<\/p>\n

Dois M\u00f3dulos – 100\u20ac<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-cursos%2F|title:Formularios%20Sound|target:%20_blank|”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Sobre<\/h3>\n

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O Estado Novo usou o cinema para impor, interna e externamente, a imagem de um pa\u00eds pluricontinental e multirracial. Muitas ideias propagadas nunca foram questionadas ap\u00f3s o restabelecimento da democracia e ap\u00f3s as independ\u00eancias dos pa\u00edses de l\u00edngua portuguesa.
\nEste curso livre discutir\u00e1 como \u00e9 que a propaganda – e a censura – do Estado Novo determinou as representa\u00e7\u00f5es relativas aos pa\u00edses de l\u00edngua portuguesa, incluindo os casos da \u201c\u00c1sia Portuguesa\u201d. Debater\u00e1 ainda as evid\u00eancias da (im)possibilidade de um outro olhar sobre as ex-col\u00f3nias portuguesas em obras de autor do Cinema Novo que foram censuradas e proibidas e abordar\u00e1 os usos do cinema pelos diferentes movimentos pol\u00edticos, durante as lutas de liberta\u00e7\u00e3o em \u00c1frica.<\/p>\n

\u2022 Aula 1<\/strong> – Azuis ultramarinos. Pioneirismo na propaganda colonial nos filmes antes da II Guerra Mundial.<\/p>\n

\u2022 Aula 2<\/strong> \u2013 Document\u00e1rios de propaganda pol\u00edtica, industrial e tur\u00edstica vs censura no Novo Cinema sobre as col\u00f3nias.<\/p>\n

\u2022 Aula 3<\/strong> \u2013 Os casos Catembe e Deixem-me ao menos subir \u00e0s palmeiras…. Internacionalismo cinematogr\u00e1fico e movimentos de liberta\u00e7\u00e3o: Sarah Maldoror e Augusta Conchiglia sobre Angola, o projecto cabralista para a Guin\u00e9\/Cabo-Verde, e a luta de Mo\u00e7ambique mostrada ao mundo.<\/p>\n

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Maria do Carmo Pi\u00e7arra<\/strong> \u00e9 investigadora integrada no ICNOVA-FCSH e professora na Universidade Aut\u00f3noma de Lisboa. Doutorada, mestre e licenciada em Ci\u00eancias da Comunica\u00e7\u00e3o, desenvolveu a investiga\u00e7\u00e3o p\u00f3s-doutoral \u201c\u2018Cinema Imp\u00e9rio\u2019. Portugal, Fran\u00e7a e Inglaterra, representa\u00e7\u00f5es do imp\u00e9rio no cinema\u201d (2013-2018), tendo, nesse \u00e2mbito, sido investigadora convidada do CFAC-University of Reading. \u00c9 programadora de cinema e foi adjunta da presid\u00eancia do Instituto de Cinema, Audiovisual e Multim\u00e9dia (1998-1999).<\/p>\n

Publicou, entre outros livros e artigos, Azuis ultramarinos. Propaganda colonial e censura no cinema do Estado Novo\u201d (2015), e coordenou, com Jorge Ant\u00f3nio, a trilogia Angola, o nascimento de uma na\u00e7\u00e3o (2013, 2014, 2015) e, com Teresa Castro, (Re)Imagining African Independence. Film, Visual Arts and the Fall of the Portuguese Empire (2017). Acaba de publicar o cap\u00edtulo \u201cResistance and political awareness through the poetic gaze of Sarah Maldoror\u201d no livro Contemporary lusophone African film (Paulo de Medeiros e Livia Apa, 2020). Dinamiza a Aleph – Rede de Ac\u00e7\u00e3o e Investiga\u00e7\u00e3o Cr\u00edtica da Imagem Colonial.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1636487180102{padding-left: 25px !important;}”] Reimagine the Empire. (Anti-)Colonial Projections in Cinema (Module I) [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1632335376739{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/09\/Feiti\u00e7o-do-imp\u00e9rio-\u00a9-Cinemateca-Portuguesa-scaled.jpg?id=14896) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: … <\/p>\n","protected":false},"author":34,"featured_media":14896,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6550,1],"tags":[],"class_list":["post-14895","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-courses-adults","category-uncategorized","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14895","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=14895"}],"version-history":[{"count":14,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14895\/revisions"}],"predecessor-version":[{"id":14954,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14895\/revisions\/14954"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/14896"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=14895"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=14895"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=14895"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}