{"id":14568,"date":"2021-07-29T17:10:50","date_gmt":"2021-07-29T17:10:50","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=14568"},"modified":"2021-12-07T21:38:24","modified_gmt":"2021-12-07T21:38:24","slug":"program_x","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/program_x\/","title":{"rendered":"Program X"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content”][vc_column css=”.vc_custom_1592385166127{margin-bottom: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1624724082512{margin-bottom: 0px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]<\/p>\n

Program X<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1624724101632{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/06\/Programa-X.jpg?id=14569) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1624724348900{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]\u00a9 Pedro Hossi, “Entender o passado como forma de desconstruir o presente e mapear o futuro”.<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1614172912666{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624724362025{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Program X[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624724384104{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Curated by[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624724392586{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Pedro Hossi[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1598972106365{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624724407750{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR ONLINE[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205246127{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Opening[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624724426237{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]June 28th | 6 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624873847654{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1624873857055{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Portuguese[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1623261712676{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Episodes[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1627315260500{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]28\/06 | 6 pm
\nAgualusa – About the Power of Literature<\/p>\n

05\/07 | 6 pm
\nIsabel Zuaa – About the Black Woman Space in Culture<\/p>\n

12\/07 | 6 pm
\nMatamba Joaquim – About Childhood<\/p>\n

19\/07 | 6 pm
\nKalaf Epalanga – About Kizomba<\/p>\n

29\/07 | 6 pm
\nConcei\u00e7\u00e3o Queiroz – About Racism[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Synopsis<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]The Program X curated by Pedro Hossi will be a reflection of creative and life processes, of identity, memory, representativeness in art, literature, theatre, and beyond. The conversations also reflect issues associated with the liberation movement in Africa and expand this same concept (liberation) to a place of individual freedom. We intend to create a spoken “document” that encourages the exchange of experiences and with that a better understanding of cultural and personal history, in a dialogue between past, present, and future. [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Pedro Hossi<\/strong> born in Luanda-Angola in the late 70\u2019s. With 2 years old, he came to Portugal to live with his family. At the age of 18 he started a career in theatre doing several plays in Nelson rodrigues universe. In 2002 went to New York to study in the prestiged Lee Strasberg Theatre Institute where receives a merit award at the end of the course. Afterwards moves to Paris where he performed under the direction of Jack Waltzer. Then he interpreted the protagonist in his first feature film, the film is called \u201cBorderline\u201d and it was shot between Mexico and the US\u2026 Followed by \u201cO Grande Kilapy\u201d by Zez\u00e9 Gamboa, a film that premiered at the Toronto Film Festival\u2026 In the last 5 years Pedro was involved in a series of television and cinema projects in Portugal and performed also in the film \u201cS\u00e9rgio\u201d produced by Netflix with Wagner Moura and Ana de Armas. At the moment he is involved in several projects of Cinema, Theater and Television.[\/vc_column_text][vc_separator color=”black”][vc_column_text]<\/p>\n

Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text css=”.vc_custom_1627987195875{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Agualusa<\/strong> | June 28th, 6 pm
\nAbout the Power of Literature<\/p>\n

\u201cFiction has the capability of bringing people together. When I open a book the proposal presented to me is the integration into that character and that is an exercise of empathy.\u201d<\/em><\/p>\n

Jos\u00e9 Eduardo Agualusa is one of the most awarded and highly regarded Angolan writers of the present. In this episode Agualusa speaks about his childhood in Huambo and his memories of the war. The talk approaches the process of independence in Angola and some of the main figures involved in it. We\u2019ve also talked about literature, travelling, his friendship with the, also writer, Mia Couto and how his dreams intervene his creative process.[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1624895333520{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\n\nhttps:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/06\/Pedro-Aqualusa.mp3<\/a><\/audio>\n

[\/vc_column_text][vc_separator css=”.vc_custom_1623263286470{padding-top: 50px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text css=”.vc_custom_1627987210877{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Isabel Zuaa<\/strong> | July 5th, 6 pm
\nAbout the Black Woman Space in Culture<\/p>\n

\u201cRacism is very powerful and many times we neglect his power, why is he powerful? Because he finds different connections to act anywhere.\u201d<\/em><\/p>\n

Isabel Zuaa is an actress and also a creative force.
\nBorn in Lisbon, daughter of an Angolan mother and Guinean father. In this episode Isabel tells us about her childhood in Zambujal and how it was to grow up surrounded by different cultures.
\nWe\u2019ve spoken about her relationship with Lisbon, with Brazil and how Art has always worked as an engine in her life. Isabel shares with us her vision of a fair world and also the importance of breaking tabus and stereotypes. We\u2019ve talked about her projects, her awards and how important acting is in her life.[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1625503842856{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\nhttps:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/07\/Pedro-Isabel.mp3<\/a><\/audio>\n

[\/vc_column_text][vc_separator css=”.vc_custom_1623263286470{padding-top: 50px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text css=”.vc_custom_1627987222172{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Matamba Joaquim<\/strong> | July 12th, 6 pm
\nAbout Childhood<\/p>\n

\u201cLuanda was beautiful, it looked like a place from a dream, maybe because I couldn\u2019t understand the suffering that my Parents were going through, because they kept it all to themselves.\u201d<\/em><\/p>\n

Matamba Joaquim is an Angolan actor of theater, cinema and television. In this episode we spoke about his childhood and how it was to grow free in a joyful and vibrante Luanda. We also spoke about his career, about Luanda, imigration, racism and the representativity in audiovisual. Matamba tells us about how important writing is in his life.[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1626104920730{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\nhttps:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/07\/Pedro-Matamba.mp3<\/a><\/audio>\n

[\/vc_column_text][vc_separator css=”.vc_custom_1623263286470{padding-top: 50px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text css=”.vc_custom_1627987231122{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Kalaf Epalanga<\/strong> | July 19th, 6 pm
\nAbout Kizomba<\/p>\n

\u201cI\u2019m never tired of praising Kizomba as the most important cultural manifestation that the African community in Europe has produced.\u201d<\/em><\/p>\n

Kalaf Epalanga is an Angolan writer and musician. In this episode Kalaf speaks about memories and ramifications of war, about his childhood in Benguela and his arrival to Lisbon. We\u2019ve spoken as well about imigration, borders, literature, music and how the Buraka Som Sistema have become a musical power beyond the lusophone reality.[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1626697423747{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\nhttps:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/07\/Pedro-Kalaf.mp3<\/a><\/audio>\n

[\/vc_column_text][vc_separator css=”.vc_custom_1623263286470{padding-top: 50px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text css=”.vc_custom_1627987240371{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Concei\u00e7\u00e3o Queiroz<\/strong> | July 29th, 6 pm
\nAbout Racism<\/p>\n

\u201cIf we think of racism as a structure and a system, there is no inverse racism. I don\u2019t know a system wittingly assembled with laws to damage the white.\u201d<\/em><\/p>\n

Concei\u00e7\u00e3o Queiroz is a journalist born in Mozambique more specifically in Mozambique Island. In this episode Concei\u00e7\u00e3o tells us about her childhood between the island, Beira and Maputo. We also spoke about her arrival to Lisbon and how was the adjustment to a completely different reality .
\nWe spoke about family heritage, the incessant search for knowledge and the importance of fighting phenomenons such as Racism and Xenophobia.[\/vc_column_text][vc_empty_space height=”30px”][vc_column_text css=”.vc_custom_1627514132572{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]<\/p>\nhttps:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/07\/Pedro-Concei\u00e7\u00e3o.mp3<\/a><\/audio>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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