{"id":14273,"date":"2021-03-26T18:59:58","date_gmt":"2021-03-26T18:59:58","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=14273"},"modified":"2021-03-30T17:26:29","modified_gmt":"2021-03-30T17:26:29","slug":"covered-in-dark-behind-her-word-beneath-that-rhyme-tulip_2","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/covered-in-dark-behind-her-word-beneath-that-rhyme-tulip_2\/","title":{"rendered":"Covered in dark. Behind her word, beneath that rhyme; Tulip"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #0000ff; font-weight: 800 !important;\">\u201cCovered in dark. Behind her word, beneath that rhyme; Tulip\u201d<\/span><\/h1>\n<p style=\"text-align: center;\">Mariella Otto<\/p>\n<p style=\"text-align: center;\">2021 \/ 10\u2019 38\u2019\u2019<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text]<\/p>\n\r\n\r\n<div style=\"max-width:px; margin:0px auto;\" >\r\n<video playsinline class=\"player14280\" preload=\"auto\" \r\nposter=\"\" \r\n \r\n \r\n\r\n>\r\n\r\n<source src=\"https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/03\/Covered_in_dark.Beneath_ONLINE_HANGAR.mp4\"  type=\"video\/mp4\" size=\"720\" \/>\r\n \r\n\t  Your browser does not support the video tag. <a href=\"https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/03\/Covered_in_dark.Beneath_ONLINE_HANGAR.mp4\" download>Download Video<\/a>\r\n  \r\n<\/video>\r\n<style>\r\n.plyr__control[data-plyr=\"play\"]{\r\n  background:  !important;\r\n  color: #ffffff !important;\r\n}\r\n.plyr--full-ui input[type=range]{\r\n  color:  !important;\r\n}\r\n.plyr__control{\r\n  color: !important;\r\n}\r\n\r\n.plyr__time, .plyr__time--duration{\r\n color: !important;\r\n}\r\n\r\n.plyr__tooltip{color: !important;\r\n}\r\n\r\n\/*Secondery*\/\r\n\r\nbutton.plyr__control:hover{\r\n  background: !important; }\r\n\r\n\r\n.plyr--audio .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr--video .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr__control--overlaid:hover {\r\nbackground: !important;}\r\n\r\n.plyr__menu__container .plyr__control[role=menuitemradio][aria-checked=true]::before {\r\n    background: !important; }\r\n.plyr--full-ui input[type=range] {\r\ncolor: !important;}\r\n\r\n.plyr--audio .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr--video .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr__control--overlaid:hover {\r\n   !important;}\r\n.plyr__menu__container .plyr__control[role=menuitemradio][aria-checked=true]::before {\r\n    !important;}\r\n\r\n<\/style>\r\n\r\n<script type=\"text\/javascript\">\r\n\r\n\r\n\r\n\r\n\r\nconst players14280 = Plyr.setup('.player14280', {\r\n\thideControls:false,\t\r\n\tsettings:['captions', 'quality', 'speed', 'loop'],\r\n\tquality: { default: 720, options: [4320, 2880, 2160, 1440, 1080, 720, 576, 480, 360, 240] },\r\n\tcontrols: [\r\n\t'play-large',\t'restart',\t\r\n\t'rewind',\t\r\n\t'play',\t\r\n\t'fast-forward',\t\t\r\n\t'progress',\t'current-time',\t\r\n\t'duration',\t 'mute',\t'captions',\r\n\t'volume',\t\t\t\t\t\t\t\t\r\n\t'settings', \t\t\t\t\t\t\t\t\t\r\n\t'pip',\t\t\r\n\t'airplay',\t\t\r\n\t'fullscreen',\t\r\n\t\t\t\t\t\t\t\r\n\t],\r\n\ti18n: {\t\t\r\n\trestart:'Restart' ,\r\n    rewind: 'Rewind {seektime}s' ,\r\n    play: 'Play',\r\n    pause:'Pause',\r\n    fastForward: 'Forward {seektime}s',\r\n    seek: 'Seek',\r\n    seekLabel: '{currentTime} of {duration}',\r\n    played:'Played',\r\n    buffered: 'Buffered',\r\n    currentTime: 'Current time',\r\n    duration: 'Duration',\r\n    volume:'Volume',\r\n    mute: 'Mute',\r\n    unmute:'Unmute',\r\n    enableCaptions:'Enable captions',\r\n    disableCaptions:'Disable captions',\r\n    download:'Download',\r\n    enterFullscreen:'Enter fullscreen',\r\n    exitFullscreen:'Exit fullscreen',\r\n    frameTitle:'Player for {title}',\r\n    captions: 'Captions',\r\n    settings: 'Settings',\r\n    pip:'PIP',\r\n    menuBack: 'Go back to previous menu',\r\n    speed: 'Speed',\r\n    normal:'Normal' ,\r\n    quality:'Quality',\r\n    loop:'Loop',\r\n    start:'Start',\r\n    end:'End',\r\n    all:'All',\r\n    reset: 'Reset',\r\n    disabled:'Disabled',\r\n    enabled: 'Enabled',\r\n    advertisement:'Ad',\r\n    qualityBadge: {\r\n      2160: '4K',\r\n      1440: 'HD',\r\n      1080: 'HD',\r\n      720: 'HD',\r\n      576: 'SD',\r\n      480: 'SD',\r\n    },\r\n  },\r\n});\r\n<\/script>\r\n<\/div>\r\n\n<p>[\/vc_column_text][vc_column_text]<strong>\u201cCovered in dark. Behind her word, beneath that rhyme; Tulip\u201d<\/strong><br \/>\nSound piece, 10\u2019 38\u2019\u2019, featuring still images of Cyanotype prints, 2021.<br \/>\nVoice: Kristine Nowlain.<br \/>\nExcerpt from ongoing installation work.<br \/>\n\u00a9 Mariella Louise Otto, 2021.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]<\/p>\n<h3><strong>March 30th 2021 \u2013 7 pm<\/strong><\/h3>\n<p>[\/vc_column_text][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]Through my work, I consider the human body as a \u2018stage\u2019 \u2013 a place where residues of society and memory are manifested \u2013 where levels of the imaginable play out, through acting and animation. From my point of view, the body is an open seem; Leak and the embodiment a two fold, pending in simultaneous <em>exposure<\/em> and <em>harbouring<\/em>. Perception and language are the motors for my pieces, interlacing archive material and history with fiction \u2013 treating voyerism and witness statements, fascist narratives of purity and touch, as well as incomprehensible orality and borders of make-sense. Ideas of \u2018the backstage\u2019 are central, not only via enactments, spatial scenery and the archive, but in ways of reflecting on the mind \u2013 its capability to associative thought, through memory; Composition. In montages, assemblages and installation, I link imagery, text and objects, in what I look at as \u2018composed readings\u2019 \u2013 placing my viewer in an speculative and ambiguous setting of references to literature and historical characters or events, as well as theatre theory and politics.<\/p>\n<p><strong>\u201cCovered in dark. Behind her word, beneath that rhyme; Tulip\u201d<\/strong>, departs from an idea of language as imposed control; considering the articulated as a form of domestication, where the abstract voice and vocality becomes an image of resisting meaning. Working collaboratively with opera singer Kristine Nowlain, I have been building a sound score, editing and modifying her warmup routine. Contemplating notions of exposure and anatomy -embracing the non-lingual aspect of vocality- brought us to investigate the voice in a state of \u2018becoming\u2019, moving from the vibration of the vocal cords and the resonance of stomach and throat, the piece gradually rises towards more defined melody. In parallel to the voice of Kristine, I have worked on a series of cyanotype prints depicting a window blind, making connections to the dark room, the photographic negative and the image of a \u2018barrier\u2019. Reflecting the history of cyanotype printing, being a technique for botanic research, documentation and archiving \u2013 a link is drawn between mouth and flower; <strong>Soft material<\/strong>. The work shown at Hangar Online is the result of a one month residency, presenting an adjusted version of what is to become an installation piece of a sole speaker on a stand, streaming the opera exercise, facing a series of large scale cyanotype prints, taped on a plate of glass. I consider the work a poem, perhaps, wishing to point towards a potential \u2013 a potential of what could be articulated or exposed. <strong>A voice calling<\/strong>, searching for something not yet defined, or for words not yet invented.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text] \u201cCovered in dark. Behind her word, beneath that rhyme; Tulip\u201d Mariella Otto 2021 \/ 10\u2019 38\u2019\u2019 [\/vc_column_text][\/vc_column][\/vc_row][vc_row css=&#8221;.vc_custom_1591875713434{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column][vc_column_text] [\/vc_column_text][vc_column_text]\u201cCovered in dark. &hellip; <\/p>\n","protected":false},"author":34,"featured_media":14276,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6570],"tags":[],"class_list":["post-14273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-coveredindark_sound","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/34"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=14273"}],"version-history":[{"count":9,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14273\/revisions"}],"predecessor-version":[{"id":14302,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/14273\/revisions\/14302"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/14276"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=14273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=14273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=14273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}