{"id":13523,"date":"2020-11-22T16:38:24","date_gmt":"2020-11-22T16:38:24","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=13523"},"modified":"2021-12-07T21:27:49","modified_gmt":"2021-12-07T21:27:49","slug":"i-thought-of-home","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/i-thought-of-home\/","title":{"rendered":"I Thought of Home"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1606062448629{padding-left: 25px !important;}”]<\/p>\n

I Thought of Home<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1606063069111{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/11\/IthoughtHome.jpg?id=13524) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1606321798474{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]\u00a9E’ville – Nelson Makengo<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205158832{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Curated by[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606062511038{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Omar Berrada[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205199751{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Artists:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606062520813{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Yto Barrada, Bisan Abu Eisheh, Darol Olu Kae and Nelson Makengo[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205238787{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR ONLINE[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205246127{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Opening[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606062530004{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]November 27th \u2013 7pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205271348{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606062539251{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]November 27th – December 25th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606062645130{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Talks[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1606321720129{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]December 3rd , December 10th, December 15th, December 18th (more info here<\/a>)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205299977{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Videos[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1608214283792{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Tree Identification for Beginners (35′, 2018) – Yto Barrada – November 27th – December 4th<\/strong><\/p>\n

Love Speech (6′, 2014-2020) – Bisan Abu Eisheh – December 4th – December 11th<\/strong><\/p>\n

I ran from it and was still in it (11′, 2020) – Darol Olu Kae – December 11th – December 18th<\/strong><\/p>\n

E’ville (12′, 2018) – Nelson Makengo – December 17th – December 25th<\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Synopsis<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]History is intimidating. It precedes us. It is massive beyond our grasp. History is the opposite of home. Written by the victors, it holds no dwelling for the rest of us. But can home \u2013 real or imagined, present or past, available or denied \u2013 provide a window onto history? Might history actually be better observed, more powerfully told from\/by its margins? “I Thought of Home” posits the charged intimacy of family archives as a compelling entry point into historical consciousness, as well as a place of protection from it. Against the cold violence of history, can such intimacy help us \u201credeem the words of our beginning\u201d\u00b9?\u00a0Can the materiality of exchanged letters, the grainy footage of home videos, the inflections of a voice loved or lost offer us a more capacious sense of belonging? In these very private modes of communication, can a more intimate truth of history be reco(r)ded? The four artists included in this video cycle, each in their idiosyncratic way, have taken it upon themselves to approximate this truth. By combining fragments recovered from remains of trauma and memories of struggle, they carve a form for it to emerge in poignant and humorous ways.<\/p>\n

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\u00b9 June Jordan: “Moving Towards Home” (1982)<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Omar Berrada<\/strong> is a writer and curator, and the director of Dar al-Ma\u2019m\u00fbn, a library and artists residency in Marrakech. His work focuses on the politics of translation and intergenerational transmission. He has curated exhibitions in Rabat, Marrakech, Rotterdam, Berlin, Dubai, and New York. Omar is the author of Clonal Hum, a book of poems on \u201cinvasive species\u201d (2020), and the editor or co-editor of several books, including Album \u2013 Cin\u00e9math\u00e8que de Tanger, a multilingual volume about film in Tangier and Tangier on film (2012), The Africans, a book on migration and racial politics in Morocco (2016), and Ahmed Bouanani\u2019s posthumous history of Moroccan cinema, La Septi\u00e8me Porte (2020). His writing was published in numerous exhibition catalogs, magazines and anthologies, including Frieze, Bidoun, Asymptote, and The University of California Book of North African Literature. Currently living in New York, he teaches at The Cooper Union where he co-organizes the IDS Lecture Series.[\/vc_column_text][vc_separator color=”black”][vc_column_text]<\/p>\n

Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

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Works in Exhibition:<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_basic_grid post_type=”post” max_items=”10″ element_width=”6″ gap=”10″ order=”ASC” item=”11567″ grid_id=”vc_gid:1638912449172-b035c232-ed37-2″ taxonomies=”6561″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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