{"id":13445,"date":"2020-10-02T17:28:57","date_gmt":"2020-10-02T17:28:57","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=13445"},"modified":"2021-12-07T21:20:54","modified_gmt":"2021-12-07T21:20:54","slug":"talk-history-as-fiction-fiction-as-history","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/talk-history-as-fiction-fiction-as-history\/","title":{"rendered":"Talk – History as Fiction, Fiction as History"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1601746077014{padding-left: 25px !important;}”]<\/p>\n

Talk – History as Fiction, Fiction as History<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1601746134484{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/08\/PerfectCity1.jpg?id=13017) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1602092220424{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9\ufe0f The Perfect City, Keith Piper, 2008<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1601746082842{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Talk – History as Fiction, Fiction as History[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720715181{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Speakers[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1601746090296{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Keith Piper, Kitso Lelliott e Gabriela Salgado[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720701043{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Participants[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720707535{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Open to all publics[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642588978{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Zoom[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720733618{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632923636665{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 8th, 2020 – 6pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720750684{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642566252{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720744671{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]This talk will be held in English[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=”yes”][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-talks%2F|title:Formularios%20Talks|target:%20_blank|”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]Online talk with Keith Piper and Kitso Lelliott moderated by Gabriela Salgado about the video exhibition \u201cHistory as Fiction, Fiction as History\u201d, curated by Monica de Miranda. This exhibition looks at how artists explore through video the implications of history and its narratives to re-imagine other histories and invent different futures. It reflects on debates about the question of truth and fiction and resists hegemonies in the western monopoly of history.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Keith Piper<\/strong> is a British based artist and academic. His creative practice responds to specific social and political issues, historical relationships and geographical sites. Adopting a research driven approach, and using a variety of media, his work has ranged from painting, through photography and installation to a use of digital media, video and computer based interactivity.<\/p>\n

He currently works in the Fine Art Department at Middlesex University, London<\/p>\n

Kitso Lynn Lelliott\u2019s<\/strong> practice moves between video installation, film and writing. She is preoccupied with enunciations from spaces beyond epistemic power and the crisis such ep-istemically disobedient articulations cause to hegemony. Her work interrogates the \u2018real\u2019 as it is shaped through contesting epistemologies, their narratives and the form these took over the Atlantic during the formative episode that shaped the modern age. Her work is an enactment of enunciating from elision and between historically subjugated subjectivities, privileging South-South relations in relation to yet imaginatively and epistemologically unmediated by the Global North. In 2017 she was laureate of the Iwalewahaus art award and was a featured guest artist at The Flaherty Seminar 2018. In 2019 Lelliott won the NIHSS award for best vis-ual arts. She was an artists in residence with the Cit\u00e9 internationale des arts in Paris in 2019 and is currently a Mellon artist in residence with the Centre for Humanities Research at the UWC.<\/p>\n

Gabriela Salgado<\/strong> is an Argentine-born curator and consultant working internationally.<\/p>\n

Gabriela obtained an MA in Curating Contemporary Art from the Royal College of Art. She has curated a large number of exhibitions and has lectured in over twenty countries.\u00a0She specialized in Latin American art as curator of the Latin American Art Collection at Essex University, UECLAA (1999-2005) and was curator of Public Programmes at Tate Modern (2006-2011).<\/p>\n

She curated La Otra Bienal<\/em> in Bogot\u00e1, Colombia (2013) and the 2nd Biennale of Thessaloniki, Greece (2009) and acted as jury member for the Prince Claus Awards and Videobrasil Festival.\u00a0She created \u2018Transatlantic Connections\u2019 a programme of exchanges for African and Latin American artists (2011-2016).<\/p>\n

Between 2017 and 2020 she worked as Artistic Director of Te Tuhi Contemporary Art in Auckland, New Zealand.[\/vc_column_text][vc_separator color=”black”][vc_column_text]<\/p>\n

Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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