{"id":13360,"date":"2020-10-02T20:09:06","date_gmt":"2020-10-02T20:09:06","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=13360"},"modified":"2021-12-07T21:32:54","modified_gmt":"2021-12-07T21:32:54","slug":"talk-tectoniktombwa-geografias-em-colisao","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/talk-tectoniktombwa-geografias-em-colisao\/","title":{"rendered":"Talk – tectonik:TOMBWA geografias em colis\u00e3o"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1600796128413{padding-left: 25px !important;}”]<\/p>\n

Talk – tectonik:TOMBWA geografias em colis\u00e3o<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1600805344757{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/09\/Plantas.jpeg?id=13242) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1600950383617{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9\ufe0f Tectonic: Tombwa, Victor Gama, 2008<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600796140068{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]tectonik:TOMBWA geografias em colis\u00e3o- Talk[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720715181{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Speakers[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600797073276{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Victor Gama, Marissa Moorman[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720701043{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Participants[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720707535{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Open to all publics[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642588978{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Zoom[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720733618{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632923667630{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]October 6th, 2020 – 6pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720750684{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642566252{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720744671{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]This talk will be held in English[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=”yes”][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-talks%2F|title:Formularios%20Talks|target:%20_blank|”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]Talk with Victor Gama and Marissa Moorman.<\/p>\n

In 2006 Victor Gama initiated tectonik:TOMBWA, a long-term research project that aims to reconstruct and interpret the lost research and archive of the late Angolan anthropologist Augusto Zita N\u2019Gonguenho. The project follows Zita\u2019s research trajectory in Namibe desert on the Southwest coast of Angola, and aims to excavate and resurface his thoughts, concepts and analysis.<\/p>\n

Working from Zita\u2019s fragmented field notes, found in South Africa in the late 90s, Gama started an archive using the little known anthropologist\u2019s unusual research methodologies, rooted in both scientific and indigenous knowledge systems. Over the last 10 years this archive has grown to include: recorded sounds collected with a specific device; photographs and videos of road maintenance \u2018Cantoneiros\u2019 houses in ruins and bombed electric poles along the road from Namibe to Tombwa; a collection of found objects including samples of types of different sands and botanical specimens found in the area.<\/p>\n

More recently, the archive has grown to incorporate new research sites in South Africa, the Antarctic Peninsula and Deception Island in Antarctica.<\/p>\n

The research has also birthed a subset of parallel projects such as the solo performance \u2018tectonic: TOMBWA \u2013 Pieces for Acrux and Toha\u2019 and \u2018Vela 6911\u2032 a multimedia musical performance written for a string ensemble, bassoon, percussion and Gama\u2019s instruments, both of which have been staged around the world. New related projects to be launched in 2020\/21 include \u2018\u2019Line of Thought\u2019 and \u2018Caf\u00e9 Mito da Utopia\u2019 in Namibe, Angola.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Victor Gama<\/strong> is an Angolan composer, artist and researcher, whose practice combines scientific methodologies and digital mediums together with traditional practice and non-western systems of knowledge often from his home country.<\/p>\n

Gama holds an MA in Digital Organology and Music Technology from Sir John Cass Faculty of Art, Architecture and Design, London Metropolitan University and is currently phD candidate at KASK & Conservatorium \/ School of Arts Gent in Belgium. His musical compositions are expansive works that bring together diverse mediums such as music, photography, video, field recording and the design of contemporary musical instruments and sound installations.<\/p>\n

He frequently collaborates with Institutes and Universities, including the Centre for Computer Research in Music and Acoustics at Stanford University, the Centre for Arts Science and Technology at MIT and the Institute for International Study at Indiana University.<\/p>\n

Gama has been commissioned to compose for some of the world\u2019s most prestigious ensembles and institutions such as the Chicago Symphony Orchestra, the Kronos Quartet, the Kennedy Centre in Washington D.C., the Prince Claus Fund, the Amsterdam Fund for the Arts and the Calouste Gulbenkian Foundation.<\/p>\n

He designed instruments and installations for the National Museums of Scotland, the Tenement Museum in New York, the Royal Opera House in London, the Clay Centre for Science and the Performing Arts in West Virginia, among others.<\/p>\n

His most recent major music score was the multimedia opera \u20183 thousand RIVERS \u2013 Voices in the Forest\u2019 commissioned by the Calouste Gulbenkian Foundation and the Prince Claus Fund and staged at the Royal Palace in Amsterdam, the Grand Auditorium at the Gulbenkian Foundation in Lisbon and at Teatro Roberto Arias Perez in Bogota.<\/p>\n

The Poet Tree, commissioned for the Parque dos Poetas by the Municipality of Oeiras in Lisbon is part of Gama\u2019s current focus on developing content driven public art installations with unique mobile interactive applications.<\/p>\n

Marissa J. Moorman<\/strong>\u00a0is Professor of African History and Cinema and Media Studies at Indiana University. She is the author of\u00a0Intonations: A Social History of Music and Nation in Luanda, Angola, 1945 to Recent Times.<\/em>\u00a0She is on the editorial board of\u00a0Africa Is a Country,<\/em>\u00a0where she regularly writes about politics and culture.[\/vc_column_text][vc_separator color=”black”][vc_column_text]<\/p>\n

Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

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