{"id":13267,"date":"2020-09-16T15:30:17","date_gmt":"2020-09-16T15:30:17","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?p=13267"},"modified":"2020-10-07T11:48:52","modified_gmt":"2020-10-07T11:48:52","slug":"seeing-being-seen-territories-frontiers-circulations","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/seeing-being-seen-territories-frontiers-circulations\/","title":{"rendered":"Seeing Being Seen: Territories, Frontiers, Circulations"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1591205395657{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][vc_column][vc_column_text css=”.vc_custom_1600270146521{padding-left: 25px !important;}”]<\/p>\n

Seeing Being Seen: Territories, Frontiers, Circulations<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1600271069482{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/09\/tejido.jpg?id=13273) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1600271122090{margin-bottom: 0px !important;padding-bottom: 0px !important;}”]\u00a9La Libertad, de Laura Huertas Mill\u00e1n, 2017<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205158832{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Curated by[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600270351182{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Raquel Schefer[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600271156065{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Artist[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]Laura Huertas Mill\u00e1n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600270982564{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600271218317{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]HANGAR ONLINE[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600270900654{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Screening[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]October 1st – October 4th[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205286699{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Talk with the curator[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]October 1st, 6pm (more info here<\/a>)<\/p>\n

[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1600271879088{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Video[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text]La Libertad<\/strong>, de Laura Huertas Mill\u00e1n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Synopsis<\/h3>\n

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The gaze and its <\/span>processes of rotation and retroactivity are central to the philosophical and epistemological reflection of the 20th and early 21st centuries. From Merleau Ponty\u2019s <\/span>phenomenology of perception to Viveiros de Castro<\/span>\u2019<\/span>s A<\/span>merindian perspectivism, passing by<\/span> Sartre<\/span>\u2019<\/span>s phenomenological descriptions, the thinking of the perceptive and cognitive models is combined with a reflection on the relationships\u00a0<\/span>between the <\/span>subject\/observer and object\/observed. The possibility arises of overcoming the conventional binary framework of the modern hegemonic visual and epistemological formations.<\/span><\/p>\n

Seeing Being Seen: territories, frontiers, circulations<\/i> assembles works directed by Latin American women filmmakers in which the dynamic notions of \u201cterritory\u201d and \u201cborder\u201d<\/span>\u2013and the implicit <\/span>principle of circulation\u2013are approached through a system of gaze\u2019s mobility and retroactivity. T<\/span>his system calls into question the dual and hierarchical relationships<\/span> between the observer\/observed, subject\/object, human\/non\u2013<\/span>human categories structuring<\/span> the dominant epistemic and representative model. Through\u00a0experimental film forms, the works present sensory situations in which the observer is tacitly exposed to the gaze of the observed, \u201cseeing being seen\u201d processes and co-presence experiences close to a model of co-representation exceeding the subject\/object seemingly stable opposition. The processes of activation, agency, and circulation of perspectives (human and non-human, machinic, animal, vegetable, mineral) are central to the films of the programme. They all overcome the colonial representations of landscape, nature and the human figure in a framework of reciprocity and <\/span>de-anthropo-centralization, a fundamental issue in a period of imminent ecological catastrophe and threat to the Amerindian peoples.<\/span><\/p>\n

Produced by <\/span>Harvard\u2019<\/span>s Sensory Ethnography Lab, Laura Huertas Mill\u00e1n\u2019s La Libertad <\/i>(2017) stands as an example of implicated filmmaking practice. As the filmmaker follows a group of matriarchal Amerindian weavers in Mexico, the film emerges as a fabric itself formally. Several lines are stitched in the film\u2019s tissue: it weaves together the history of resistance of <\/span>the backstrap loom, a weaving Pre-Hispanic technique, and the interaction between the observer and the observed through an intersectional reciprocal perspective.<\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Laura Huertas Mill\u00e1n<\/strong> is a French-Colombian filmmaker and visual artist, whose practise stands at the intersection between cinema, contemporary art and research.
\nSelected in cinema festivals such as the Berlinale, Toronto International Film Festival (TIFF), Rotterdam International Film Festival, New York Film Festival and Cin\u00e9ma du R\u00e9el, her films have earn prizes at the Locarno Film Festival, FIDMarseille, Doclisboa and Videobrasil, among others. More than twenty retrospectives and focus of her work have been organised around the globe, in cinematheques such as Toronto \u0301s TIFF Lightbox, Harvard \u0301s Film Archive or Bogota \u0301s cinematheque, and leading film festivals as Mar del Plata and Rencontres du Documentaire de Montreal.
\nIn the art field, her latest solo exhibitions were held at the MASP Sao Paulo, Maison des Arts de Malakoff and Medellin \u0301s Modern Art Museum. Her films have also been exhibited and screened in art institutions (Centre Pompidou Paris, Jeu de Paume, Guggenheim Museum NY, Times Art Berlin) and biennials (Liverpool, FRONT Triennial, Videobrasil, Videonnale). They are part of private and public collections (Kadist, CNAP, Banco de la Rep\u00fablica de Colombia, CIFO, FRAC Lorraine, and others).
\nHuertas Mill\u00e1n holds a practise-based PhD on \u201cEthnographic Fictions\u201d developed between PSL University (SACRe program) and the Sensory Ethnography Lab (Harvard University). She works as an educator in academic and alternative spaces. Since 2019, Huertas Mill\u00e1n is part of a research-based duo with curator and writer Rachael Rakes on critical anthropology and the aesthetics and politics of the encounter.<\/p>\n

Raquel Schefer<\/strong> is a researcher, director, programmer and lecturer at Sorbonne Nouvelle University \u2013 Paris 3. PhD in Film and Audiovisual Studies at Sorbonne Nouvelle University \u2013 Paris 3 with a thesis dedicated to Mozambican revolutionary cinema, she holds a master\u2019s degree in documentary cinema from the Universidad del Cine de Buenos Aires and graduated in Communication Sciences from Universidade Nova de Lisboa. She published El Autorretrato en el Documental (2008) in Argentina, as well as several books and article chapters in Portugal and abroad. Assistant Professor at Grenoble Alpes University, Professor at Universities, Partis Est \u2013 Marne-la-Varll\u00e9e, Rennes 2, Universidad del Cine de Buenos Aires and Universidad de la Comunicaci\u00f3n, Mexico City and guest researcher at the University of California, Los Angeles. She is a postdoctoral fellow at FCT at CEC\/University of Lisbon and at the University of Western Cape and co-editor of La Furia Umana.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_basic_grid post_type=”post” max_items=”10″ element_width=”6″ gap=”10″ order=”ASC” item=”11567″ grid_id=”vc_gid:1602070226493-5a9469a9-ba4b-7″ taxonomies=”6559″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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