{"id":11852,"date":"2020-06-09T16:39:45","date_gmt":"2020-06-09T16:39:45","guid":{"rendered":"https:\/\/hangar.com.pt\/courses\/?p=11852"},"modified":"2021-12-07T21:20:36","modified_gmt":"2021-12-07T21:20:36","slug":"atlantica-talks","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/atlantica-talks\/","title":{"rendered":"Atlantica Talks"},"content":{"rendered":"

[vc_row full_width=”stretch_row_content”][vc_column css=”.vc_custom_1592384878470{margin-bottom: 0px !important;padding-bottom: 0px !important;}”][vc_column_text css=”.vc_custom_1592384901012{margin-bottom: 0px !important;padding-bottom: 0px !important;padding-left: 25px !important;}”]<\/p>\n

Atlantica Talks<\/h1>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1592233388432{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/06\/AlidaRodrigues.jpg?id=11853) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_empty_space height=”1080px”][vc_column_text css=”.vc_custom_1592482873281{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]\u00a9Spigelia marilandia, 2018. Collage, 14.7 x 9.6 cm copyright: Alida Rodrigues<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column css=”.vc_custom_1592384850628{margin-top: 0px !important;padding-top: 0px !important;}”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Info<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642526904{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720675278{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Atlantica Talks<\/p>\n

Contemporary art in Angola[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720715181{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Speakers[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720684446{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Andr\u00e9 Cunha, Binelde Hyrcan, Marissa Moorman, Nadine Siegert, Paula Nascimento[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720701043{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Participants[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720707535{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Open to all publics[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591205230486{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Location:[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642588978{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Zoom[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720733618{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Dates[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1632923194617{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Talk 1 – May 30th, 2020 – 6 pm<\/p>\n

Talk 2 – June 20th, 2020 – 6 pm<\/p>\n

Talk 3 – September 10th, 2020 – 6 pm[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642558438{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Information[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720750684{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]hangarcia.production@gmail.com[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591642566252{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]Language[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text css=”.vc_custom_1591720744671{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”]This talk will be held in English[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner disable_element=”yes”][vc_column_inner width=”1\/2″][vc_btn title=”Register here” shape=”square” color=”blue” size=”lg” align=”left” button_block=”true” el_class=”bluebutton” link=”url:https%3A%2F%2Fhangar.com.pt%2Fonline%2Fformularios%2Fformularios-talks%2F|title:Formularios%20Talks||”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

About<\/h3>\n

[\/vc_column_text][vc_separator color=”black”][vc_column_text]\u201cContemporary art in Angola\u201d<\/strong><\/p>\n

Atlantica is a book about contemporary art from Angola and its diaspora, conceived and developed by artists in tandem with theorists, curators and scholars to consider the art production of the new millennium in Angola. The book brings together artists born after Independence, with distinct personal histories, perspectives, and artistic visions. Art practices that have emerged in, or engaged with this region, are in themselves tools of resistance and rebellion, and are, as such, central to the decolonisation strategies that artists have used to understand, analyse and resist the socio-economic impact of everyday events and their own personal realities. Atlantica Talks discusses some of the central themes of the book.<\/p>\n

Talk 1 – Curating in Angola – May 30th, 2020 – 6 pm<\/strong><\/p>\n

A talk between Andr\u00e9 Cunha and Paula Nascimento, moderated by Marissa Moorman.<\/p>\n

What are the issues around the recent emergence of curating in Angola, both at home and abroad? From the perspective of two prominent figures among the new generation of Angolan curators, Paula Nascimento and Andr\u00e9 Cunha, we understand the context of curatorial practices that have emerged in Angola and in the diaspora.<\/p>\n

Talk 2 – Artist Talk – June 20th, 2020 – 6 pm<\/strong><\/p>\n

A talk between Andr\u00e9 Cunha and Binelde Hyrcan.<\/p>\n

Andr\u00e9 Cunha speaks with Binelde Hyrcan about his purchase of the failed Angolan satellite AngoSat-1 after it was found by Axiluanda fishermen in the peninsula\u2019s shores. They think about its ramifications for the Angolan space race and its role in the process of democratization of access to information.<\/p>\n

Talk 3 – Utopia, Dystopia, Neo-Utopia – Three Generations of Contemporary Artists in Angola – September 10th, 2020 \u2013 6 pm<\/strong><\/p>\n

A talk between Nadine Siegert and Andr\u00e9 Cunha.
\nTo better articulate some of the relationships between art and politics since Angola’s independence, the concept of “generation” as a tool to analyse historical discourses and practices of artists in the field of modern and contemporary art might be helpful. Angolan literary scholars used the notion of “generation” to reconstruct the social and cultural history of the country since the late nineteenth century. In this presentation, the developments in the field of modern and contemporary art in Angola will be read and discussed critically through this filter of “generation” – centring around the concept of “utopia” and its relevance for artists in the different generations.<\/p>\n

Project coordinated by M\u00f3nica de Miranda as part of the research group Post-Archive at CEC with support of FCT.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row_content”][vc_column][vc_column_text]Andr\u00e9 Cunha<\/strong> (1987) lives and works between Luanda and Lisbon. He has received an MA in Curatorial Studies from Lisbon Fine Arts University and Caloust Gulbenkian Foundation. He has worked for institutions such as Carpe Diem Art and Research in exhibitions presenting the work of ngela Ferreira, Alejandro Somaschini and Jos\u00e9 Bechara and at CAM-Gulbenkian Foundation in presenting the work of Javier Tellez. His independent curatorial works include Pesquisa de 70 e Novas Superf\u00edcies, Ant\u00f3nio Ole at UNAP Luanda, the collectives Al\u00e9m-Margen(s), with Eust\u00e1quio Neves, D\u00e9lio Jasse, Francisco Vidal, Kiluanji Kia Henda, Mauro Pinto and M\u00f3nica de Miranda at Plataforma Rev\u00f3lver, Lisboa and Luanda 02_14: Respostas? ao (Des)envolvimento, with Francisco Vidal, Ihosvanny Cisneros and Nelo Teixeira at BAI Centro Cultural, Luanda. He has been a curator, producer and collaborator of Fuckin\u2019 Globo! He has an ongoing project about Laborat\u00f3rio Nacional de Cinema of Televis\u00e3o P\u00fablica de Angola. Currently he is curator of the Carnival Trilogy.<\/p>\n

Binelde Hyrcan<\/strong> was born in 1983 in Luanda, Angola. He currently lives and works in Luanda and France. He studied Art in 2008 and Fine Arts at Le Pavillon Bosio in 2010, in Monaco and Paris. Binelde’s works emerge in diverse areas, such as sculpture, painting, design, video-art, and performance. He uses them to reflect the paradox and complexity of social and political attitudes, criticizing the power structures and human vanity. He has developed several artistic projects in many cities around the world, such as: How to Live Together, Kunsthalle Vienna – Austria (2017); Gran Turismo, Centre Pompidou – Paris, France, Capital Debt \u2013 Territory \u2013 Utopia na Nationalgalerie, Hamburger Bahnhof \u2013 Germany (2016); 56th Edition of the Venice Biennale, artist representing Angola with the theme, All the World \u0301s Futures (2015); No Fly Zone, at Museu Berardo – Lisboa, and Transit, at S\u00e3o Paulo Art Biennial – Brazil (2013). And perhaps the one that most influenced this exhibition, Velhas Est\u00f3rias, Novos Pap\u00e9is (2016), Pop-Up Mash-Up Binelde vs Kapela, ELA – Espa\u00e7o Luanda Arte.<\/p>\n

Marissa Moorman<\/strong> is an Associate Professor of African History and of Cinema and Media Studies at Indiana University-Bloomington. She is the author of Intonations: a Social History of Music and Nation in Luanda, Angola, 1945-Recent Times (Ohio University Press, 2008) and Powerful Frequencies: Radio, State Power, and the Cold War in Angola, 1931-2002 (Ohio University Press, 2019). Moorman has published on music, fashion, film, radio, and urban space. She is on the editorial board of Africa is a Country, the blog that is not about Bono, famine or Obama, where she is also a regular contributor. Moorman is also an editor of The Journal of African History and on the editorial collective of The Radical History Review.<\/p>\n

Dr. Nadine Siegert<\/strong> is a researcher, curator and publisher and currently the Head of \u201cCulture and Development\u201d at the Goethe-Institute South Africa in Johannesburg. She runs the publishing house iwalewabooks with a focus on modern and contemporary arts of the Global South. She was a Brooks International Fellow at Tate Modern \/ Delfina Foundation and Curator in Residence at Vila Sul, Goethe-Institute in Salvador de Bahia. As a curator, she worked on a number of exhibitions such as FAVT: Future Africa Visions in Time (since 2016), Mashup (since 2015) and GhostBusters (2012). In 2016, she published her PhD (Re)mapping Luanda on nostalgic and utopian aesthetic strategies in contemporary art in Angola (LIT). Together with Ant\u00f3nio Ole and Andr\u00e9 Cunha, she currently works on a project on the cinematic work of Ant\u00f3nio Ole.<\/p>\n

Paula Nascimento<\/strong> (Director of Beyond Entropy Africa) was born in Luanda in 1981.. She studied at Southbank University and at the Architectural Association School of Architecture in London. She works for \u00c1lvaro Siza Architects and RDA. At the moment, Paula Nascimento lives and works in Luanda and is a consultant for COCA Consultants of Energy and Environment. She is also the director of Beyond Entropy Africa. Since 2013 she has served as a member of the Inter-ministerial committee of the Republic of Angola for the Expo Milano in 2015. Also in 2013, she became curator of the Luanda exhibition Cidade Enciclop\u00e9dia (City Encyclopedia) with Stefano Rabli Pansera. The project was awarded the Le\u00e3o de Ouro in Bienal de Veneza.[\/vc_column_text][vc_separator color=”black”][vc_column_text]<\/p>\n

Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

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