{"id":11725,"date":"2020-06-03T10:20:27","date_gmt":"2020-06-03T10:20:27","guid":{"rendered":"https:\/\/hangar.com.pt\/courses\/?p=11725"},"modified":"2021-12-07T21:39:41","modified_gmt":"2021-12-07T21:39:41","slug":"the-pan-african-space-station","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/online\/the-pan-african-space-station\/","title":{"rendered":"The Pan African Space Station"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column css=&#8221;.vc_custom_1592385166127{margin-bottom: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1592385161798{margin-bottom: 0px !important;padding-bottom: 0px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<h1>The Pan African Space Station<\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1623428187470{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/06\/CHIMURENGA-MODULE-sans-organogram-1080px.jpg?id=14525) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column css=&#8221;.vc_custom_1610731497583{margin-top: 0px !important;padding-top: 0px !important;}&#8221;][vc_empty_space height=&#8221;1080px&#8221;][vc_column_text]<span style=\"color: #ffffff; text-shadow: 0 0 10px black;\">\u00a9\ufe0f The Pan African Space Station<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]Hangar will work with chimurenga to create a space station in Lisbon and a radio broadcast community program<\/p>\n<p>Founded by Chimurenga in collaboration with musician and composer Neo Muyanga in 2008, the <a href=\"https:\/\/chimurengachronic.co.za\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pan African Space Station (PASS)<\/a> is a periodic, pop-up live radio studio; a performance and exhibition space; a research platform and living archive, as well as an ongoing, internet based radio station.<\/p>\n<p>Working in transitory spaces and at the intersections between different fields, organising sound, music and words into new forms of knowledge, PASS is a machine for travelling at the speed of thought \u2013 it borrows its slogan \u201cThere are other worlds out there they never told you about\u201d from the philosopher, composer and bandleader Sun Ra.<\/p>\n<p>PASS seeks to challenge the concepts this present has of Africa and to excite new transitory and transient communities with each journey, bringing focus to collective experience and targeting an investigation into how we locate ourselves and how we mediate our human and historic commonality.<\/p>\n<p><a href=\"https:\/\/chimurengachronic.co.za\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pan African Space Station (PASS)<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<iframe loading=\"lazy\" id=\"embed_player\" src=\"https:\/\/pass.airtime.pro\/embed\/player?stream=auto&amp;skin=2\" width=\"100%\" height=\"396\" frameborder=\"0\"><\/iframe>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1623671139591{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_separator style=&#8221;shadow&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column css=&#8221;.vc_custom_1592385166127{margin-bottom: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1623671105247{margin-bottom: 0px !important;padding-bottom: 0px !important;padding-left: 25px !important;}&#8221;]<\/p>\n<h1>R\u00e1dio MAC &#8211; Movimento Anti-Colonial<\/h1>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1623261442143{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2021\/06\/1965Alunos-da-Escola-Piloto-do-PAIGC.jpg?id=14507) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column][vc_empty_space height=&#8221;1080px&#8221;][vc_column_text css=&#8221;.vc_custom_1623849796520{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]<span style=\"color: #ffffff; text-shadow: 0 0 10px black;\">\u00a9 (1965), &#8220;Alunos da Escola-Piloto do PAIGC, desfilando com a bandeira do partido&#8221;, Funda\u00e7\u00e3o M\u00e1rio Soares \/ DAC &#8211; Documentos Am\u00edlcar Cabral<\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3>Info<\/h3>\n<p>[\/vc_column_text][vc_separator color=&#8221;black&#8221;][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1614172912666{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Title[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623428302946{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Radio MAC &#8211; Movimento Anti-Colonial[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623261625676{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]By[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623261640905{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]S\u00f3nia Vaz Borges and M\u00f3nica de Miranda in partnership with Chimurenga[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1598972106365{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Location[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623261701569{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]HANGAR ONLINE + PASS[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1591205246127{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Opening[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623667502723{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]June 14th | 6 pm (Cape Town) \/ 5 pm (Lisbon)[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623261712676{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Episodes[\/vc_column_text][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_column_text css=&#8221;.vc_custom_1623691195659{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]14\/06 | 6 pm (Cape Town)<br \/>\nRaquel Lima, \u201cYour words are tiring already\u201d<\/p>\n<p>15\/06 | 6 pm (Cape Town)<br \/>\nChalo Correia, \u201cThe war finished and people lead us&#8221;<\/p>\n<p>16\/06 | 6 pm (Cape Town)<br \/>\nTelma Tvon, \u201cRebels with a Cause\u201d<\/p>\n<p>17\/06 | 6 pm (Cape Town)<br \/>\nGalissa, &#8220;The future of the land&#8221;<\/p>\n<p>18\/06 | 6pm (Cape Town)<br \/>\nMarinho de Pina, \u201cI migrate between languages and tongues\u201d<\/p>\n<p>19\/06 | 6 pm (Cape Town)<br \/>\nDJ. Lucky, &#8220;Xee boy, do not talk about politics&#8221;<\/p>\n<p>20\/06 | 6 pm (Cape Town)<br \/>\nCarla Fernandes, \u201cBeing our own authors\u201d<\/p>\n<p>21\/06 | 6 pm (Cape Town)<br \/>\nVictor Gama, \u201cWar of the reptile men\u201d[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<h3>Synopsis<\/h3>\n<p>[\/vc_column_text][vc_separator color=&#8221;black&#8221;][vc_column_text]The program Radio MAC is inspired by the Anti Colonial Movement created in 1957 in Lisbon and is curated by S\u00f3nia Vaz Borges and M\u00f3nica de Miranda in partnership with Chimurenga. It is a Pan African radio station, developed in several episodes, that presents a reflection on the liberation movement through stories of migration.<\/p>\n<p>Radio MAC aims to build awareness of the past and present struggles and redefine the Anti Colonial movement in the present through memory, resistance, and possible utopias. The dialogues recurring in the program mingle music, discourses, poetry, and performance to guide listeners through a constructed world where different experiences and times root in a common ground.<\/p>\n<p>This project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text]<strong>S\u00f3nia Vaz Borges<\/strong><\/p>\n<p>S\u00f3nia Vaz Borges is an interdisciplinary militant historian and social-political organizer. She too describes herself, as an enthusiastic traveler, an avid language learner, and an attentive listener. S\u00f3nia received her Ph.D. in History of Education from the Humboldt University of Berlin, and is the author of the book Militant Education, Liberation Struggle; Consciousness: The PAIGC education in Guinea Bissau 1963-1978, (Peter Lang, 2019), and Na P\u00f3 di Sp\u00e9ra. Percursos nnos Bairros de Santa Filomena, Estrada Militar e Encosta Nascente (Calouste Gulbekian, 2014). Along with filmmaker Filipa C\u00e9sar, S\u00f3nia co-authored the short film \u201cNavigating the Pilot School.\u201d (2016) and &#8220;Skola di Tarafe&#8221; ( work in progress, 2021). She is currently a researcher at Humboldt University Berlin in the History of Education Department and is working on the project \u201cEducation for all\u201d with a special focus on Mozambique and the FRELIMO liberation movement, and the Sandinistas revolution in Nicaragua. Parallel to this S\u00f3nia is developing a book proposal, based on a personal research project focused on her concept of the &#8220;walking archives&#8221;.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>M\u00f3nica de Miranda<\/strong><\/p>\n<p>M\u00f3nica de Miranda is a Portuguese artist of Angolan origin who lives and works between Lisbon and Luanda. Artist and researcher, her work is based on themes of urban archaeology and personal geography. She works in an interdisciplinary way with drawing, installation, photography, film, video and sound, in its expanded forms and within the boundaries between fiction and documentary. The artist graduated in Visual Arts and Sculpture from Camberwell College of Arts (London) and rewarded a PhD in Artistic Studies from Middlesex University (London). In 2019, she was nominated for the New artist prize at MAAT and nominated in 2016 for the New Photo Bank Prize, exhibiting as one of the finalists at the Berardo Collection Museum. Some of her exhibitions include; Architecture and Manufacturing, at MAAT in Lisbon (2019); Panorama, Banco Econ\u00f3mico (Luanda, 2019); Doublethink: Doublevision, Pera Museum (Istanbul, 2017); Daqui Pra Frente, Caixa Cultural (Rio de Janeiro and Bras\u00edlia, 2017-2018); Vila Franca de Xira Biennial Photography(2017); Dakar Biennialin Senegal (2016); Bienal de Casablanca(2016), Addis Foto Fest(2016); Encontros Fotogr\u00e1ficos de Bamako (2015); MNAC (2015); 14\u00aa Bienal de Arquitectura de Veneza (2014); Bienal S\u00e3o Tom\u00e9 e Principe (2013); Estado Do Mundo, Funda\u00e7\u00e3o Calouste Gulbenkian (2008). In addition, she co-founded the Hangar project (Artist Residency Centre, Lisbon, 2014).Her work is represented in several public and private collections, including: Calouste Gulbenkian, MNAC, MAAT, FAS and the Municipal Archive of Lisbon.<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Chimurenga<\/strong><\/p>\n<p>Chimurenga is a project-based mutable object, publication, workspace, and pan African platform for editorial activities. Founded by Ntone Edjabe in Cape Town in 2002, it is a space for ideas, reflection and action. Outputs include a broadsheet called The Chronic; The Chimurenga Library \u2013 an ongoing intervention into knowledge production that explores the writing of history in the absence of documentary archives, thus seeks to re-imagine the library; the African Cities Reader \u2013 a biennial publication of urban life, Africa-style; and the Pan African Space Station (PASS) \u2013 an online radio station and pop-up studio.[\/vc_column_text][vc_separator color=&#8221;black&#8221;][vc_column_text]<\/p>\n<p style=\"font-weight: 400;\">Scientific coordination and organized by M\u00f3nica de Miranda<br \/>\n<a href=\"https:\/\/hangar.com.pt\/portfolios\/pos-arquivo\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/hangar.com.pt\/portfolios\/pos-arquivo\/&amp;source=gmail&amp;ust=1638997476171000&amp;usg=AOvVaw0ADji2daQG_chqYZyEI5Gk\">This project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL<br \/>\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428328172{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Raquel Lima, <strong>&#8220;Your words are tiring already&#8221;<\/strong><\/p>\n<p>Author of the poetry book \u201cIngenuity Innocence Ignorance\u201d (BOCA. 2019) Raquel Lima is a Portuguese poet, art educator, and researcher in Post-Colonial Studies, currently doing her Ph.D. at the University of Coimbra. This conversation will linger between Lima\u2019s poems and the narration of utopias.[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623680183053{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Chalo Correia, <strong>\u201cThe war finished and people lead us&#8221;<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Chalo is an Angolan singer and composer who has lived in Portugal for 27 years.\u00a0This conversation will focus on the topic of\u00a0the state of affairs after the various conflicts that took place in Angola. Through his works, Chalo will revisit some of the conflicts\u00a0that are strongly constituting the Angolan collective memory.\u00a0The fundamental question at stake is\u00a0\u201cwhere are we going now that the war is over?<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428415663{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Telma Tvon, <strong>\u201cRebels with a Cause\u201d<\/strong><\/p>\n<p>Author of the book \u201cUm preto muito portug\u00eas\u201d (Editora Chiado, 2017).<br \/>\nThe writer and rapper Telma Tvon was born in Luanda, Angola, in 1980. She migrated to Lisbon in 1993, where she attended secondary school and embraced the Hip Hop community and a path that lead us to the \u201crebels with a cause\u201d, a conversation that connects music, places, memories with a writing path of \u201crecognition, attitude, and the verbiage\u201d.[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428441581{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Galissa, <strong>&#8220;The future of the land&#8221;<\/strong><\/p>\n<p>Galissa is a musician from Guin\u00e9 Bissau who has been raised in a family of traditional musicians. In \u201c The future of the land&#8221;, he reflects on Guin\u00e9 Bissau\u2019s history and its present, specifically believing in the fact that changes can occur from any fallacy. Gallisa will lead listeners through his childhood memories of colonisation and war and elaborate on his encounter with Am\u00edlcar Cabral&#8217;s message on the fight for freedom.[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428454790{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Marinho de Pina, <strong>\u201cI migrate between languages and tongues\u201d<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Geraldo Pina, known as Marinho de Pina, is a performing artist and writer\u00a0who\u00a0is\u00a0currently a\u00a0fellow of the Ph.D. program at the University Institute of Lisbon (ISCTE-IUL). In this conversation, Pina will share his migration path and his desires of being considered as part of the people, specifically addressing a letter to &#8220;Dear Europe\u201d.\u00a0<\/span>[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623691210718{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Lucky, <strong>&#8220;Xee boy, do not talk about politics&#8221;<\/strong><\/p>\n<p>Lucky is an Angolan DJ living in Lisbon and born in Kinshasa. After the war exodus from Angola to Congo, he returned to Luanda with his family. In the interview he will highlight the importance of radios and explain how Angolan people in Congo can listen to their home land news. Lucky will share his life experience and the changes throughout time, from working as a builder to becoming a renowned DJ.[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428485065{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Carla Fernandes, <strong>\u201cBeing our own authors\u201d<\/strong><\/p>\n<p>Founder of Afrolis &#8211; Cultural Association, an organization dedicated to the promotion of cultural expression and the construction of new identity narratives of People of African descent, Carla Fernandes is a journalist, translator, and cultural producer. Together with S\u00f3nia Vaz Borges, she will engage in a personal and professional conversation about memories, ambitions, and the creation of African spaces in the Portuguese capital. [\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][vc_separator css=&#8221;.vc_custom_1623263286470{padding-top: 50px !important;}&#8221;][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1623428502318{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}&#8221;]Victor Gama, <strong>\u201cWar of the reptile men\u201d<\/strong><\/p>\n<p>Gama is an Angolan composer whose process begins with the creation of an entirely new instrument, one whose design is steeped in symbolic meaning. &#8220;War of the reptile men&#8221; is a composition that he conceived while living in Angola during the war. He will explain how tuning into radio static expanded his understanding of the possibilities of both music and sound as a medium. In addition, he will focus on the Dikenga cosmogram, the Central African graphic writing system, and the project &#8220;tecktonik: Tombwa &#8211; geografias em colis\u00e3o&#8221;, based on a manuscript found in South Africa in the late 90s which reveals a research thesis by the Angolan anthropologist Agusto Zita N\u00b4Gonguenho.[\/vc_column_text][vc_empty_space height=&#8221;30px&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row full_width=&#8221;stretch_row_content&#8221;][vc_column css=&#8221;.vc_custom_1592385166127{margin-bottom: 0px !important;padding-bottom: 0px !important;}&#8221;][vc_column_text css=&#8221;.vc_custom_1592385161798{margin-bottom: 0px !important;padding-bottom: 0px !important;padding-left: 25px !important;}&#8221;] The Pan African Space Station [\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=&#8221;stretch_row_content_no_spaces&#8221; css=&#8221;.vc_custom_1623428187470{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;background-image: url(https:\/\/hangar.com.pt\/online\/wp-content\/uploads\/2020\/06\/CHIMURENGA-MODULE-sans-organogram-1080px.jpg?id=14525) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column css=&#8221;.vc_custom_1610731497583{margin-top: 0px &hellip; <\/p>\n","protected":false},"author":1,"featured_media":14525,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"categories":[6542],"tags":[],"class_list":["post-11725","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-radio","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/11725","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=11725"}],"version-history":[{"count":33,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/11725\/revisions"}],"predecessor-version":[{"id":14999,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/posts\/11725\/revisions\/14999"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/14525"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=11725"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/categories?post=11725"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/tags?post=11725"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}