{"id":13061,"date":"2020-09-05T17:39:28","date_gmt":"2020-09-05T17:39:28","guid":{"rendered":"https:\/\/hangar.com.pt\/online\/?page_id=13061"},"modified":"2021-01-25T18:04:39","modified_gmt":"2021-01-25T18:04:39","slug":"lubanzadyo-mpemba","status":"publish","type":"page","link":"https:\/\/hangar.com.pt\/online\/media-library\/lubanzadyo-mpemba\/","title":{"rendered":"Lubanzadyo Mpemba"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;2\/6&#8243;][vc_empty_space height=&#8221;10px&#8221;][vc_single_image image=&#8221;11491&#8243; img_size=&#8221;80&#215;80&#8243; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/hangar.com.pt\/online\/&#8221;][\/vc_column][vc_column width=&#8221;4\/6&#8243;][vc_wp_custommenu nav_menu=&#8221;6564&#8243; el_class=&#8221;my-awesome-widget&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;Artists&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;2\/6&#8243;][vc_wp_custommenu nav_menu=&#8221;6563&#8243;][\/vc_column][vc_column width=&#8221;4\/6&#8243;][vc_column_text]<strong>Lubanzadyo Mpemba<\/strong>, Angola (1989). Transdisciplinary artist: video art, photoperformance, performance and documentary. His work focuses on issues, migration, urban gentrification, institutional violence, collective memory. He did Curatorial Studies, Cinema and Painting in Movement. Technician in Cinema with an emphasis on Documentary Direction. Graduated in Law. Follow studying Masters in Urban Sociology. He lives in S\u00e3o Paulo.[\/vc_column_text][vc_separator][vc_column_text]<\/p>\n<h2><span style=\"color: #0000ff;\"><strong>Works<\/strong><\/span><\/h2>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n<h4>CancerClasse, 2018<\/h4>\n<p>[\/vc_column_text][vc_column_text]<\/p>\n\r\n\r\n<div style=\"max-width:px; margin:0px auto;\" >\r\n<video playsinline class=\"player11991\" preload=\"auto\" \r\nposter=\"https:\/\/hangar.com.pt\/courses\/wp-content\/uploads\/2020\/06\/Cancerclass.jpg\" \r\n \r\n \r\n\r\n>\r\n\r\n<source src=\"https:\/\/hangar.com.pt\/courses\/wp-content\/uploads\/2020\/06\/CancerClass.mp4\"  type=\"video\/mp4\" size=\"720\" \/>\r\n \r\n\t  Your browser does not support the video tag. <a href=\"https:\/\/hangar.com.pt\/courses\/wp-content\/uploads\/2020\/06\/CancerClass.mp4\" download>Download Video<\/a>\r\n  \r\n<\/video>\r\n<style>\r\n.plyr__control[data-plyr=\"play\"]{\r\n  background:  !important;\r\n  color: #ffffff !important;\r\n}\r\n.plyr--full-ui input[type=range]{\r\n  color:  !important;\r\n}\r\n.plyr__control{\r\n  color: !important;\r\n}\r\n\r\n.plyr__time, .plyr__time--duration{\r\n color: !important;\r\n}\r\n\r\n.plyr__tooltip{color: !important;\r\n}\r\n\r\n\/*Secondery*\/\r\n\r\nbutton.plyr__control:hover{\r\n  background: !important; }\r\n\r\n\r\n.plyr--audio .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr--video .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr__control--overlaid:hover {\r\nbackground: !important;}\r\n\r\n.plyr__menu__container .plyr__control[role=menuitemradio][aria-checked=true]::before {\r\n    background: !important; }\r\n.plyr--full-ui input[type=range] {\r\ncolor: !important;}\r\n\r\n.plyr--audio .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr--video .plyr__control[aria-expanded=true] {\r\nbackground: !important;}\r\n\r\n.plyr__control--overlaid:hover {\r\n   !important;}\r\n.plyr__menu__container .plyr__control[role=menuitemradio][aria-checked=true]::before {\r\n    !important;}\r\n\r\n<\/style>\r\n\r\n<script type=\"text\/javascript\">\r\n\r\n\r\n\r\n\r\n\r\nconst players11991 = Plyr.setup('.player11991', {\r\n\thideControls:false,\t\r\n\tsettings:['captions', 'quality', 'speed', 'loop'],\r\n\tquality: { default: 720, options: [4320, 2880, 2160, 1440, 1080, 720, 576, 480, 360, 240] },\r\n\tcontrols: [\r\n\t'play-large',\t'restart',\t\r\n\t'rewind',\t\r\n\t'play',\t\r\n\t'fast-forward',\t\t\r\n\t'progress',\t'current-time',\t\r\n\t'duration',\t 'mute',\t'captions',\r\n\t'volume',\t\t\t\t\t\t\t\t\r\n\t'settings', \t\t\t\t\t\t\t\t\t\r\n\t'pip',\t\t\r\n\t'airplay',\t\t\r\n\t'fullscreen',\t\r\n\t\t\t\t\t\t\t\r\n\t],\r\n\ti18n: {\t\t\r\n\trestart:'Restart' ,\r\n    rewind: 'Rewind {seektime}s' ,\r\n    play: 'Play',\r\n    pause:'Pause',\r\n    fastForward: 'Forward {seektime}s',\r\n    seek: 'Seek',\r\n    seekLabel: '{currentTime} of {duration}',\r\n    played:'Played',\r\n    buffered: 'Buffered',\r\n    currentTime: 'Current time',\r\n    duration: 'Duration',\r\n    volume:'Volume',\r\n    mute: 'Mute',\r\n    unmute:'Unmute',\r\n    enableCaptions:'Enable captions',\r\n    disableCaptions:'Disable captions',\r\n    download:'Download',\r\n    enterFullscreen:'Enter fullscreen',\r\n    exitFullscreen:'Exit fullscreen',\r\n    frameTitle:'Player for {title}',\r\n    captions: 'Captions',\r\n    settings: 'Settings',\r\n    pip:'PIP',\r\n    menuBack: 'Go back to previous menu',\r\n    speed: 'Speed',\r\n    normal:'Normal' ,\r\n    quality:'Quality',\r\n    loop:'Loop',\r\n    start:'Start',\r\n    end:'End',\r\n    all:'All',\r\n    reset: 'Reset',\r\n    disabled:'Disabled',\r\n    enabled: 'Enabled',\r\n    advertisement:'Ad',\r\n    qualityBadge: {\r\n      2160: '4K',\r\n      1440: 'HD',\r\n      1080: 'HD',\r\n      720: 'HD',\r\n      576: 'SD',\r\n      480: 'SD',\r\n    },\r\n  },\r\n});\r\n<\/script>\r\n<\/div>\r\n\n<p>[\/vc_column_text][vc_column_text]CancerClasse, Lubanzadyo Mpemba, color, 4\u201927\u201d, 2018[\/vc_column_text][vc_column_text]<strong>CancerClasse<\/strong> as an instrument of social reflection seeks to question daily transitions as well as historical continuities present in the social interior of Luanda that reveal various urban dimensions.<\/p>\n<p>We seek to understand the image as variants of everyday life present in the \u201cofficial Angolan political theater\u201d assisted by bureaucracy. On the other hand, the construction of video art questions the symbolic oppression produced by various political discourses that ensure social invisibilities that take place in the spatial issue as well as in class relations. Which is naturalized and adjusted by the existing border between the urban political world, and the musseques.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;2\/6&#8243;][vc_empty_space height=&#8221;10px&#8221;][vc_single_image image=&#8221;11491&#8243; img_size=&#8221;80&#215;80&#8243; onclick=&#8221;custom_link&#8221; link=&#8221;https:\/\/hangar.com.pt\/online\/&#8221;][\/vc_column][vc_column width=&#8221;4\/6&#8243;][vc_wp_custommenu nav_menu=&#8221;6564&#8243; el_class=&#8221;my-awesome-widget&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;Artists&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;2\/6&#8243;][vc_wp_custommenu nav_menu=&#8221;6563&#8243;][\/vc_column][vc_column width=&#8221;4\/6&#8243;][vc_column_text]Lubanzadyo Mpemba, Angola (1989). Transdisciplinary artist: video art, photoperformance, performance and documentary. His work focuses on issues, migration, urban gentrification, institutional violence, collective memory. He did &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":12862,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/blank-page.php","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"pmpro_default_level":0,"footnotes":""},"class_list":["post-13061","page","type-page","status-publish","hentry","pmpro-has-access"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/pages\/13061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/comments?post=13061"}],"version-history":[{"count":7,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/pages\/13061\/revisions"}],"predecessor-version":[{"id":14017,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/pages\/13061\/revisions\/14017"}],"up":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/pages\/12862"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=13061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}