{"id":11711,"date":"2020-06-03T06:57:16","date_gmt":"2020-06-03T06:57:16","guid":{"rendered":"https:\/\/hangar.com.pt\/courses\/?post_type=lp_course&p=11711"},"modified":"2020-06-05T11:52:25","modified_gmt":"2020-06-05T11:52:25","slug":"race-representations-and-photography","status":"publish","type":"lp_course","link":"https:\/\/hangar.com.pt\/online\/course\/race-representations-and-photography\/","title":{"rendered":"Race, Representations and Photography"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]Race, Representations and Photography, is a three day workshop about how race and racism have been an integral part of the medium of photography and artistic strategies used to unveil, corrupt and acknowledge this history.\u00a0 Together we will build a vocabulary with which to engage this history, its present and examine concepts and critical approaches to thinking through questions\u00a0 of race, representation and visual imagery.\u00a0 We will rely on case studies of artists that have put a critical eye on this issue as well as others who have been involved in controversies because of it.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Requirements<\/span><\/strong>[\/vc_column_text][vc_column_text]Basic knowledge of photography is expected.<\/p>\n

Necessary documentation (in English):
\na. Updated CV, with telephone, WhatsApp and email contact;
\nb. Letter of intent;<\/p>\n

Limit participants<\/strong><\/span><\/p>\n

10 – 15 participants<\/p>\n

Selection Procedures<\/span><\/strong><\/p>\n

To fulfil the requirement and selection based on the letter of intent.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Start Date<\/strong><\/span><\/p>\n

June 17th<\/p>\n

Duration<\/span><\/strong><\/p>\n

7 hours<\/p>\n

June 17th 4-6 pm<\/p>\n

June 18th 4-6 pm<\/p>\n

June 19th 3-6 pm[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Program<\/span><\/strong>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Day 1<\/strong><\/p>\n

Conceptual approach and works. The first session will frame the discussion around ideas and histories of representation in photography.<\/p>\n

1. Failures of vision and representation (discussion around the impossibilities and failures of photography and mechanical images).<\/p>\n

2. Examples and discussions<\/p>\n

– Analogue racism (To Photograph the Details of a Dark Horse in Low Light, Broomberg and Chanarin).
\n– Stanley Wolukau-Wanambwa and Viviane Sassen.<\/p>\n

3. How spaces and territories are constructed. Race, algorithms and the invisibilities in the landscape.<\/p>\n

– How to write about Africa, Binyavaga Wainaina (reading provided)<\/p>\n

– Leni Riefenstahl<\/p>\n

– Richard Mosse<\/p>\n

– David Benjamin Sherry[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]Day 2<\/strong><\/p>\n

Agency and strategies.<\/p>\n

1.The failures of photography and other artistic possibilities<\/p>\n

– \u201cViolence and the Image\u201d – selections -, in Decolonizing the Camera, by Mark Sealey (reading provided)<\/p>\n

2.Agency in the archive<\/p>\n

– Cases: Santu Mofokeng, The Black Photo Album \/ Malik Sidibe \/ Ahlam Shibli \/ Zanele Muholi<\/p>\n

– Interventions and alterations – Strategies. The representational functions of images. Michael Subotzky\u2019s Massive Nerve Corpus (on whiteness)<\/p>\n

3.Concept: Digitopia (the promise of the digital- John Akomfrah); (Reading, \u201cSpam of the Earth\u201d Hito Steyerl – reading provided; (suggested, new Foam Magazine number)<\/p>\n

4.End thoughts. Inherited solidarities, whiteness and wanderings.<\/p>\n

Day 3<\/strong><\/p>\n

1.Open session on ideas, creative exchanges and thoughts.<\/p>\n

2.Crit session with participant\u2019s work.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_column_text]Race, Representations and Photography, is a three day workshop about how race and racism have been an integral part of the medium of photography and artistic strategies used to unveil, corrupt and acknowledge this history.\u00a0 Together we will build a … <\/p>\n","protected":false},"featured_media":11559,"template":"","course_category":[],"course_tag":[],"class_list":["post-11711","lp_course","type-lp_course","status-publish","has-post-thumbnail","hentry","pmpro-has-access","course"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/lp_course\/11711","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/lp_course"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/types\/lp_course"}],"version-history":[{"count":3,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/lp_course\/11711\/revisions"}],"predecessor-version":[{"id":11736,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/lp_course\/11711\/revisions\/11736"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media\/11559"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/media?parent=11711"}],"wp:term":[{"taxonomy":"course_category","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/course_category?post=11711"},{"taxonomy":"course_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/wp-json\/wp\/v2\/course_tag?post=11711"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}