{"id":75,"date":"2019-02-20T14:21:20","date_gmt":"2019-02-20T14:21:20","guid":{"rendered":"http:\/\/hangar.com.pt\/online\/radio\/?page_id=75"},"modified":"2021-09-14T21:05:58","modified_gmt":"2021-09-14T21:05:58","slug":"radio-mac","status":"publish","type":"page","link":"https:\/\/hangar.com.pt\/online\/radio\/radio-mac\/","title":{"rendered":"Radio Mac"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"75\" class=\"elementor elementor-75\" data-elementor-settings=\"[]\">\n\t\t\t\t\t\t<div class=\"elementor-inner\">\n\t\t\t\t\t\t\t<div class=\"elementor-section-wrap\">\n\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-521fdec elementor-section-stretched elementor-section-full_width elementor-section-height-default elementor-section-height-default\" data-id=\"521fdec\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-no\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-332085b sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"332085b\" data-element_type=\"column\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;}\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t<div class=\"elementor-background-overlay\"><\/div>\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-3a15d06 sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"3a15d06\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-28e901e scheme_dark sc_fly_static elementor-widget elementor-widget-trx_sc_title\" data-id=\"28e901e\" data-element_type=\"widget\" data-widget_type=\"trx_sc_title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div id=\"trx_sc_title_4437559\"\n\t\tclass=\"sc_title scheme_dark sc_title_accent\"><h1 class=\"sc_item_title sc_title_title sc_item_title_style_accent sc_item_title_tag\"><span class=\"sc_item_title_text\"><b>RADIO<\/b> <br> MAC<\/span><\/h1><\/div><!-- \/.sc_title -->\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-02cc860 scheme_dark sc_fly_static elementor-widget elementor-widget-trx_sc_title\" data-id=\"02cc860\" data-element_type=\"widget\" data-widget_type=\"trx_sc_title.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<div id=\"trx_sc_title_1594711750\"\n\t\tclass=\"sc_title scheme_dark sc_title_default\"><h6 class=\"sc_item_title sc_title_title sc_item_title_style_default sc_item_title_tag\"><span class=\"sc_item_title_text\">O programa r\u00e1dio MAC-Movimento Anti-Colonial \u00e9 um projeto com curadoria de S\u00f3nia Vaz Borges e M\u00f3nica de Miranda, com colabora\u00e7\u00e3o de Chimurenga.<br>O programa ser\u00e1 desenvolvido em v\u00e1rios epis\u00f3dios com o prop\u00f3sito de refletir sobre os movimentos de liberta\u00e7\u00e3o. O objetivo \u00e9 trazer a consci\u00eancia sobre as lutas do passado e do presente, redefinindo o processo de liberta\u00e7\u00e3o para os tempos e condi\u00e7\u00f5es atuais por meio de procedimentos de mem\u00f3ria, resist\u00eancia e utopia.<br><br>  No programa r\u00e1dio MAC o di\u00e1logo constru\u00eddo \u00e9 intercalado com m\u00fasica, fala, poesia e performances. Nosso desejo \u00e9 navegar pelo p\u00fablico em um mundo \u00fanico, onde sons e performances de diferentes \u00e9pocas e lugares possam se encontrar e interagir.<\/span><\/h6><\/div><!-- \/.sc_title -->\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-4bcf21f sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"4bcf21f\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-193154f sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"193154f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-ceb88b2 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"ceb88b2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<p><div class=\"wp-playlist wp-audio-playlist wp-playlist-light\">\n\t\t\t<div class=\"wp-playlist-current-item\"><\/div>\n\t\t<audio controls=\"controls\" preload=\"none\" width=\"1208\"\n\t\t\t><\/audio>\n\t<div class=\"wp-playlist-next\"><\/div>\n\t<div class=\"wp-playlist-prev\"><\/div>\n\t<noscript>\n\t<ol>\n\t\t<li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Raquel.mp3'>As tuas palavras j\u00e1 cansam<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/04\/master-chalo-correia-entrevista-online-audio-converter.com_.mp3'>Quando a guerra acabou o povo nos comandou<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Telma-1.mp3'>Rebeldes com Causa<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Galissa-1.mp3'>O futuro da terra<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Marinho_1-1.mp3'>Eu migro entre l\u00ednguas e l\u00edngua<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/DJ-Lucky.mp3'>Xee menino n\u00e3o falar pol\u00edtica<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Carla.mp3'>Sermos autores de n\u00f3s pr\u00f3prios<\/a><\/li><li><a href='https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Victor-Gama.mp3'>War of the reptile men<\/a><\/li>\t<\/ol>\n\t<\/noscript>\n\t<script type=\"application\/json\" class=\"wp-playlist-script\">{\"type\":\"audio\",\"tracklist\":true,\"tracknumbers\":true,\"images\":true,\"artists\":true,\"tracks\":[{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Raquel.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"As tuas palavras j\\u00e1 cansam\",\"caption\":\"\",\"description\":\"\\\"Raquel\\\". Released: 2021. 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Released: 2021. Track 1.\",\"meta\":{\"artist\":\"Telma Tvon\",\"album\":\"R\\u00e1dio MAC\",\"year\":\"2021\",\"length_formatted\":\"1:02:18\"},\"image\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac.jpg\",\"width\":598,\"height\":700},\"thumb\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac-150x150.jpg\",\"width\":150,\"height\":150}},{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Galissa-1.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"O futuro da terra\",\"caption\":\"\",\"description\":\"\\\"Galissa\\\". Released: 2021. Track 1.\",\"meta\":{\"artist\":\"Galissa\",\"album\":\"R\\u00e1dio MAC\",\"year\":\"2021\",\"length_formatted\":\"1:13:35\"},\"image\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac.jpg\",\"width\":598,\"height\":700},\"thumb\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac-150x150.jpg\",\"width\":150,\"height\":150}},{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Marinho_1-1.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Eu migro entre l\\u00ednguas e l\\u00edngua\",\"caption\":\"\",\"description\":\"\\\"Marinho_1\\\". Released: 2021. Track 1.\",\"meta\":{\"artist\":\"Marinho de Pina\",\"album\":\"R\\u00e1dio MAC\",\"year\":\"2021\",\"length_formatted\":\"51:57\"},\"image\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac.jpg\",\"width\":598,\"height\":700},\"thumb\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac-150x150.jpg\",\"width\":150,\"height\":150}},{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/DJ-Lucky.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"Xee menino n\\u00e3o falar pol\\u00edtica\",\"caption\":\"\",\"description\":\"\\\"DJ Lucky\\\". Released: 2021. Track 1.\",\"meta\":{\"artist\":\"DJ. 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Track 1.\",\"meta\":{\"artist\":\"Carla Fernandes\",\"album\":\"R\\u00e1dio MAC\",\"year\":\"2021\",\"length_formatted\":\"55:17\"},\"image\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac.jpg\",\"width\":598,\"height\":700},\"thumb\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac-150x150.jpg\",\"width\":150,\"height\":150}},{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/08\/Victor-Gama.mp3\",\"type\":\"audio\/mpeg\",\"title\":\"War of the reptile men\",\"caption\":\"\",\"description\":\"\\\"Victor Gama\\\". Released: 2021. Track 1.\",\"meta\":{\"artist\":\"Victor Gama\",\"album\":\"R\\u00e1dio MAC\",\"year\":\"2021\",\"length_formatted\":\"1:54:10\"},\"image\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac.jpg\",\"width\":598,\"height\":700},\"thumb\":{\"src\":\"https:\/\/hangar.com.pt\/online\/radio\/wp-content\/uploads\/2021\/03\/Radio-Mac-150x150.jpg\",\"width\":150,\"height\":150}}]}<\/script>\n<\/div>\n\t<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-52e51be sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"52e51be\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-298c685 elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"298c685\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-e10785e sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"e10785e\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-f6dbc9d sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"f6dbc9d\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t\u00a9 Bruna Polimeni (1971), &#8220;Am\u00edlcar Cabral e Manuel dos Santos assistindo a uma demonstra\u00e7\u00e3o militar&#8221;, Funda\u00e7\u00e3o M\u00e1rio Soares \/ DAC &#8211; Documentos&lt;Am\u00edlcar Cabral,  (2021-2-18)\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-4116811 sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"4116811\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-932860c elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"932860c\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-8b81886 sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"8b81886\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-85895b5 sc_fly_static elementor-widget elementor-widget-spacer\" data-id=\"85895b5\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b6e319b sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"b6e319b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div class=\"vc_row wpb_row vc_row-fluid\" data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column wpb_content_element vc_custom_1623428328172\"><div class=\"wpb_wrapper\"><p>1 &#8211; Raquel Lima, <strong>\u201c<b>As tuas palavras j\u00e1 cansam<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Autora do Livro de poesias \u201cIngenuidade Inoc\u00eancia Ignor\u00e2ncia\u201d (BOCA. 2019) Raquel Lima \u00e9 uma poetisa portuguesa, arte-educadora e investigadora em Estudos P\u00f3s-Coloniais, atualmente est\u00e1 a fazer o seu doutoramento na Universidade de Coimbra. Nesta conversa navegamos entre as palavras po\u00e9ticas de Raquel e a narra\u00e7\u00e3o de suas hist\u00f3rias e utopias.<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9e75e34 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"9e75e34\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fd75c19 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"fd75c19\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div class=\"vc_row wpb_row vc_row-fluid\" data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column wpb_content_element vc_custom_1623428328172\"><div class=\"wpb_wrapper\"><div class=\"vc_row wpb_row vc_row-fluid\" data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div class=\"wpb_column vc_column_container vc_col-sm-12\"><div class=\"vc_column-inner\"><div class=\"wpb_wrapper\"><div class=\"wpb_text_column wpb_content_element vc_custom_1623428328172\"><div class=\"wpb_wrapper\"><span style=\"font-size: 18px;\">2 &#8211; Chalo Correia, <\/span><strong style=\"font-size: 18px;\">\u201c<b>Quando a guerra acabou o povo nos comandou<\/b>\u201d<\/strong><\/div><div>\u00a0<\/div><div class=\"wpb_wrapper\"><p><span style=\"font-weight: 400;\">\u201cQuando a guerra acabou o povo nos comandou\u201d \u00e9 uma conversa sobre o estado das coisas depois dos v\u00e1rios conflitos ocorridos em Angola. Apesar do passado e do presente, indagamos sobre as implica\u00e7\u00f5es na forma\u00e7\u00e3o das di\u00e1sporas ou do que ele chama de <\/span><span style=\"font-weight: 400;\">filhos do mundo<\/span><span style=\"font-weight: 400;\">. Chalo revisita atrav\u00e9s da sua obra,\u00a0 a poesia e letra de alguns conflitos, fazendo parte da mem\u00f3ria coletiva angolana: coloniza\u00e7\u00e3o, guerra e imigra\u00e7\u00e3o. Atrav\u00e9s das suas hist\u00f3rias e imagens pessoais consideradas parte integrante de suas can\u00e7\u00f5es, somos levados a uma jornada intensa, com o prop\u00f3sito de refletir sobre essas lutas. Chalo tamb\u00e9m tenta chamar a aten\u00e7\u00e3o para outros assuntos problem\u00e1ticos, como a guerra do conhecimento, sa\u00fade e desenvolvimento.<\/span><\/p><p><span style=\"font-weight: 400;\">Ele aponta uma pergunta fundamental: <\/span><span style=\"font-weight: 400;\">Agora que a luta acabou, onde vamos?<\/span><\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-c9f9fce elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"c9f9fce\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f360421 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"f360421\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p><span style=\"font-size: 18px;\">3 &#8211; Telma Tvon, <\/span><strong style=\"font-size: 18px;\">\u201c<b>Rebeldes com Causa<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Autora do livro \u201cUm preto muito portugu\u00eas\u201d (Editora Chiado, 2017).<\/span><\/p><p><span style=\"font-weight: 400;\">A escritora e rapper Telma Tvon nasceu em Luanda, Angola, em 1980. Emigrou para Lisboa em 1993, onde frequentou o ensino secund\u00e1rio e abra\u00e7ou a\u00ed a comunidade Hip-Hop. <\/span><span style=\"font-weight: 400;\">Rebeldes<\/span><span style=\"font-weight: 400;\"> com causa<\/span><span style=\"font-weight: 400;\"> \u00e9 caminho que conduz a nossa conversa que conecta m\u00fasica, lugares, mem\u00f3rias com um percurso de escrita de \u201creconhecimento, atitude e palavreado\u201d.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7cbe070 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"7cbe070\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-84d9bd8 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"84d9bd8\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p>4 &#8211; Galissa, <strong>\u201c<b>O futuro da terra<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Galissa \u00e9 um m\u00fasico guineense criado no seio de uma fam\u00edlia de m\u00fasicos tradicionais. No O futuro da terra, ele reflete sobre o passado e o presente da hist\u00f3ria da Guin\u00e9, defende que no futuro as mudan\u00e7as podem ocorrer a partir de todas as fal\u00e1cias do passado e do presente. Galissa leva-nos numa imers\u00e3o \u00e0s suas mem\u00f3rias de inf\u00e2ncia e viv\u00eancias durante a coloniza\u00e7\u00e3o e o per\u00edodo de guerra crescente na Guin\u00e9. Tamb\u00e9m partilha a sua experi\u00eancia de imigra\u00e7\u00e3o para Portugal nos anos 90.<\/span><\/p><p><span style=\"font-weight: 400;\">Nesta conversa, Galissa explica como algumas das suas composi\u00e7\u00f5es fizeram parte do projeto de independ\u00eancia e como contribu\u00edram nos processos coletivos de luta pela liberdade. Por exemplo, os seus encontros com a mensagem de Am\u00edlcar Cabral sobre a luta de liberta\u00e7\u00e3o, educa\u00e7\u00e3o e a luta contra o poder colonial na Guin\u00e9. Muitos dos significados de suas composi\u00e7\u00f5es est\u00e3o associados a esta mensagem.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fa62f11 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"fa62f11\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-efd5750 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"efd5750\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p>5 &#8211; Marinho de Pina, <strong>\u201c<b>Eu migro entre l\u00ednguas e l\u00edngua<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Geraldo Pina, conhecido por Marinho de Pina, \u00e9 um artista performance e escritor, frequenta o programa de doutoramento do Instituto Universit\u00e1rio de Lisboa (ISCTE-IUL). Nesta conversa Marinho Pina ir\u00e1 partilhar o seu percurso migrat\u00f3rio, tanto f\u00edsica como virtualmente, onde este quer ser considerado e reconhecido como\u00a0 \u201cGente, e nada mais que gente\u201d na escrita de a uma\u00a0 \u201cQuerida Europa\u201d, mas tamb\u00e9m para quem possa interessar.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-84ece8d elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"84ece8d\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-221eb8b sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"221eb8b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p>6 &#8211; Lucky, <strong>\u201c<b>Xee menino n\u00e3o falar pol\u00edtica<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Lucky \u00e9 um Dj angolano que vive em Lisboa. Ele nasceu em Kinshasa, como resultado do \u00eaxodo da guerra de Angola para o Congo, regressou ap\u00f3s a independ\u00eancia com sua fam\u00edlia para Luanda. Ele destaca a import\u00e2ncia das r\u00e1dios e explica como os angolanos no Congo podem estar ligados \u00e0s not\u00edcias pela r\u00e1dio. Assim, por meio do r\u00e1dio, a sua fam\u00edlia partilhou not\u00edcias sobre a independ\u00eancia e lan\u00e7ou o primeiro sinal de que era seguro voltar para casa quando os colonizadores foram embora. Lucky, fala sobre sua jornada de crian\u00e7a e o retorno ao seu pa\u00eds. Descreve as dificuldades da chegada a Luanda e a experi\u00eancia que a\u00ed viveu. Ele conseguiu ver Angola independente, mas quando chegou a letra que mais lembra \u00e9 <\/span><span style=\"font-weight: 400;\">Xee menino<\/span> <span style=\"font-weight: 400;\">n\u00e3o falar pol\u00edtica<\/span><span style=\"font-weight: 400;\">. Assim, era de certa forma proibido falar sobre pol\u00edtica.\u00a0<\/span><\/p><p><span style=\"font-weight: 400;\">Ele ir\u00e1 repassar pelas suas listas de reprodu\u00e7\u00e3o e can\u00e7\u00f5es de mem\u00f3ria. Ao sermos impulsionados pela sua m\u00fasica, podemos aprender mais sobre suas hist\u00f3rias pessoais e compreender melhor um conjunto de contextos culturais, sociais e pol\u00edticos.<\/span><\/p><p><span style=\"font-weight: 400;\">Lucky desembarcou em Lisboa nos anos 90 e narra a sua experi\u00eancia de vida e as mudan\u00e7as ao longo do tempo, desde o trabalho na constru\u00e7\u00e3o civil at\u00e9 se tornar um DJ de renome.<\/span><\/p><p><span style=\"font-weight: 400;\">Ele leva-nos a lembrar a cidade Lisboa como uma realidade crioula onde cabo-verdiano, guineense, mo\u00e7ambicano se encontram e explica como a cena musical lisboeta se desenvolveu numa nova na\u00e7\u00e3o africana para m\u00fasicos e djs.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5647851 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"5647851\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5735764 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"5735764\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p>7 &#8211; Carla Fernandes, <strong>\u201c<b>Sermos autores de n\u00f3s pr\u00f3prios<\/b>\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">Fundadora da Afrolis &#8211; Associa\u00e7\u00e3o Cultural, organiza\u00e7\u00e3o que se dedica \u00e0 promo\u00e7\u00e3o da express\u00e3o cultural e \u00e0 constru\u00e7\u00e3o de novas narrativas identit\u00e1rias dos afrodescendentes. Carla Fernandes \u00e9 jornalista, tradutora e produtora cultural. Em conjunto com S\u00f3nia Vaz Borges, ambas envolvem-se num di\u00e1logo que viaja entre o pessoal e profissional sobre as mem\u00f3rias, ambi\u00e7\u00f5es e a cria\u00e7\u00e3o de espa\u00e7os africanos na capital portuguesa.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8244ca0 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"8244ca0\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-89b440b sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"89b440b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p>8 &#8211; Victor Gama, <strong>\u201cWar of the reptile men\u201d<\/strong><\/p><p><span style=\"font-weight: 400;\">War of the reptile men<\/span><span style=\"font-weight: 400;\"> \u00e9 uma composi\u00e7\u00e3o criada pelo compositor e m\u00fasico angolano Victor Gama enquanto vivia em Angola durante os anos do conflito. Ele explica como\u00a0 a sintoniza\u00e7\u00e3o na r\u00e1dio est\u00e1tica, durante o girar do bot\u00e3o, expandiu a sua compreens\u00e3o das possibilidades da m\u00fasica e do som como um intermedi\u00e1rio.<\/span><\/p><p><span style=\"font-weight: 400;\">Gama relembra mem\u00f3rias v\u00edvidas do per\u00edodo da independ\u00eancia no final dos anos 70, a transi\u00e7\u00e3o no sistema educacional do pa\u00eds naquela \u00e9poca, e como ele aprendeu sobre Nelson Mandela com um professor de ingl\u00eas que lhe trouxe um texto sobre o mais famoso prisioneiro pol\u00edtico do apartheid para a sala de aula. Ele recorda como esta pe\u00e7a foi discutida durante o ano inteiro. Gama viaja para &#8216;Tsikaya &#8211; M\u00fasicos do Interior&#8217;, uma plataforma de m\u00fasicos angolanos que iniciou em 1997, com compositores do interior do pa\u00eds.<\/span><\/p><p><span style=\"font-weight: 400;\">Junatamente com Gama, os ouvintes s\u00e3o convidados a sintonizar o segundo movimento de <\/span><span style=\"font-weight: 400;\">Quatro Momentos<\/span><span style=\"font-weight: 400;\">, uma pe\u00e7a recente composta para <\/span><span style=\"font-weight: 400;\">acrux<\/span><span style=\"font-weight: 400;\">, um dos instrumentos musicais contempor\u00e2neos de Gama e relacionada ao cosmograma Dikenga, que tem como base o Bidimbo, o sistema gr\u00e1fico de escrita da \u00c1frica Central.<\/span><\/p><p><span style=\"font-weight: 400;\">Para al\u00e9m disso, Gama explora o projecto &#8216;tectonik: Tombwa &#8211; geografias em colis\u00e3o&#8217;, baseado num manuscrito encontrado na \u00c1frica do Sul no final dos anos 90 que revela uma tese de investiga\u00e7\u00e3o do antrop\u00f3logo angolano Agusto Zita N&#8217;Gonguenho. Relata o livro <\/span><span style=\"font-weight: 400;\">Utopia<\/span><span style=\"font-weight: 400;\">\u00a0 de Thomas More, como um modelo do colonialismo europeu em Angola.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8775ad5 elementor-section-full_width elementor-section-stretched elementor-section-height-default elementor-section-height-default\" data-id=\"8775ad5\" data-element_type=\"section\" data-settings=\"{&quot;stretch_section&quot;:&quot;section-stretched&quot;}\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-extended\">\n\t\t\t\t\t\t\t<div class=\"elementor-row\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-c2aa006 sc_inner_width_none sc_content_align_inherit sc_layouts_column_icons_position_left\" data-id=\"c2aa006\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-column-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t<div class=\"elementor-widget-wrap\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-6e547c2 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"6e547c2\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-165f04f sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"165f04f\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p><strong>S\u00f3nia Vaz Borges<\/strong><\/p><p><span style=\"font-weight: 400;\">S\u00f3nia Vaz Borges \u00e9 uma historiadora interdisciplinar militante e organizadora s\u00f3cio-pol\u00edtica. Descreve-se , como \u00a0sendo uma entusiasta viajante, \u00e1vida aprendiz de l\u00ednguas e uma ouvinte atenta. S\u00f3nia recebeu o seu doutoramento em Hist\u00f3ria da Educa\u00e7\u00e3o pela Universidade Humboldt de Berlim, e \u00e9 autora do livro\u00a0<\/span><span style=\"font-weight: 400;\">Militant Education, Liberation Struggle; Consciousness: The PAIGC education in Guinea Bissau 1963-1978<\/span><span style=\"font-weight: 400;\">, (Peter Lang, 2019) e\u00a0<\/span><span style=\"font-weight: 400;\">Na P\u00f3 di Sp\u00e9ra. Percursos nnos Bairros de Santa Filomena, Estrada Militar e Encosta Nascente (Calouste Gulbenkian, 2014)<\/span><span style=\"font-weight: 400;\">. Juntamente com a cineasta \u00a0artista Filipa\u00a0C\u00e9sar, S\u00f3nia foi co-autora da curta-metragem &#8220;Navigating the Pilot\u00a0School&#8221;. (2016)\u00a0e &#8220;Skola di Tarafe&#8221;\u00a0(work in progress, 2021). Actualmente \u00e9 investigadora na Universidade Humboldt de Berlim no Departamento de Hist\u00f3ria da Educa\u00e7\u00e3o no projecto &#8220;Educa\u00e7\u00e3o para Todos&#8221; onde particularmente em Mo\u00e7ambique e o movimento de liberta\u00e7\u00e3o FRELIMO, e a revolu\u00e7\u00e3o sandinista na Nicar\u00e1gua. Paralelamente, S\u00f3nia est\u00e1 a desenvolver uma proposta de livro, baseada num projecto de pesquisa pessoal centrado no seu conceito dos &#8220;arquivos errantes&#8221;.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d64f8c5 elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"d64f8c5\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ec4e81b sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"ec4e81b\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p><strong>M\u00f3nica de Miranda<\/strong><\/p><p>M\u00f3nica de Miranda\u00a0<span style=\"font-weight: 400;\">\u00e9 uma artista portuguesa de origem angolana que vive e trabalha entre Lisboa e Luanda. Artista e investigadora, o seu trabalho \u00e9 baseado em temas de arqueologia urbana e geografias pessoais. Trabalha de forma interdisciplinar com desenho, instala\u00e7\u00e3o, fotografia, filme, v\u00eddeo e som, nas suas formas expandidas e nas fronteiras entre a fic\u00e7\u00e3o e o document\u00e1rio. Formada em Artes Visuais e Escultura pela Camberwell College of Arts (Londres) e doutorada em Estudos Art\u00edsticos pela\u00a0\u00a0Middlesex University (Londres). Em 2019, foi nomeada para o pr\u00e9mio Novos artistas no Maat e em 2016 para o \u00a0Pr\u00e9mio Novo Banco Photo, expondo como uma das finalistas no Museu Cole\u00e7\u00e3o Berardo. Entre as suas\u00a0\u00a0exposi\u00e7\u00f5es destacam-se a participa\u00e7\u00e3o nas exposi\u00e7\u00f5es:\u00a0<\/span><span style=\"font-weight: 400;\">Arquictectura e Fabrica\u00e7\u00e3o<\/span><span style=\"font-weight: 400;\">, no MAAT em Lisboa (2019);\u00a0<\/span><span style=\"font-weight: 400;\">Panorama<\/span><span style=\"font-weight: 400;\">, Banco Econ\u00f3mico (Luanda,2019);<\/span><span style=\"font-weight: 400;\">Doublethink: Doublevision<\/span><span style=\"font-weight: 400;\">, Pera Museum (Istambul,2017)<\/span><span style=\"font-weight: 400;\">; Daqui Pra Frente,\u00a0<\/span><span style=\"font-weight: 400;\">Caixa Cultural (Rio de Janeiro e Bras\u00edlia, 2017-2018<\/span><span style=\"font-weight: 400;\">);\u00a0 Bienal de Fotografia Vila Franca de Xira\u00a0(2017); \u00a0Dakar Bienal\u00a0<\/span><span style=\"font-weight: 400;\">no Senegal (2016);\u00a0<\/span><span style=\"font-weight: 400;\">Bienal de Casablanca<\/span><span style=\"font-weight: 400;\">(2016),\u00a0<\/span><span style=\"font-weight: 400;\">Addis Foto Fest\u00a0(<\/span><span style=\"font-weight: 400;\">2016);\u00a0Encontros Fotogr\u00e1ficos de Bamako\u00a0( 2015); MNAC (2015);\u00a014\u00aa Bienal de Arquitectura de Veneza (2014); Bienal S\u00e3o tom\u00e9 e Principe(2013);\u00a0<\/span><span style=\"font-weight: 400;\">Estado Do Mundo<\/span><span style=\"font-weight: 400;\">, Funda\u00e7\u00e3o Calouste Gulbenkian (2008).\u00a0\u00c9 uma das fundadoras do projeto Hangar (Centro de resid\u00eancias art\u00edsticas, Lisboa, 2014).<\/span><\/p><p><span style=\"font-weight: 400;\">A sua obra est\u00e1 representada em v\u00e1rias colec\u00e7\u00f5es p\u00fablicas e privadas, entre as quais:\u00a0Calouste Gulbenkian,\u00a0MNAC, MAAT, FAS e o Arquivo Municipal de Lisboa.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9906a6a elementor-widget-divider--view-line sc_fly_static elementor-widget elementor-widget-divider\" data-id=\"9906a6a\" data-element_type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-cdabfd4 sc_fly_static elementor-widget elementor-widget-text-editor\" data-id=\"cdabfd4\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-text-editor elementor-clearfix\">\n\t\t\t\t\t<div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><div data-vc-full-width=\"true\" data-vc-full-width-init=\"true\" data-vc-stretch-content=\"true\"><p><strong>Chimurenga<\/strong><\/p><p><span style=\"font-weight: 400;\">Chimurenga \u00e9 um projeto baseado num objeto mut\u00e1vel, publica\u00e7\u00e3o, espa\u00e7o de trabalho e plataforma pan-africana para atividades editoriais. Fundada por Ntone Edjabe na Cidade do Cabo em 2002, \u00e9 um espa\u00e7o para ideias, reflex\u00e3o e a\u00e7\u00e3o. Os resultados incluem um\u00a0<\/span><span style=\"font-weight: 400;\">broadsheet\u00a0<\/span><span style=\"font-weight: 400;\">chamado The Chronic; The Chimurenga Library &#8211; uma interven\u00e7\u00e3o cont\u00ednua na produ\u00e7\u00e3o de conhecimento que explora a escrita da hist\u00f3ria na aus\u00eancia de arquivos documentais, procurando assim re-imaginar a biblioteca; The African Cities Reader &#8211; uma publica\u00e7\u00e3o bienal da vida urbana, estilo \u00c1frica; e The Pan African Space Station (PASS) &#8211; uma esta\u00e7\u00e3o de r\u00e1dio online e um est\u00fadio pop-up.<\/span><\/p><\/div><\/div><\/div>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>RADIO MAC O programa r\u00e1dio MAC-Movimento Anti-Colonial \u00e9 um projeto com curadoria de S\u00f3nia Vaz Borges e M\u00f3nica de Miranda, com colabora\u00e7\u00e3o de Chimurenga.O programa ser\u00e1 desenvolvido em v\u00e1rios epis\u00f3dios com o prop\u00f3sito de refletir sobre os movimentos de liberta\u00e7\u00e3o. O objetivo \u00e9&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-75","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/pages\/75","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/comments?post=75"}],"version-history":[{"count":161,"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/pages\/75\/revisions"}],"predecessor-version":[{"id":8000,"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/pages\/75\/revisions\/8000"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/online\/radio\/wp-json\/wp\/v2\/media?parent=75"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}