{"id":8840,"date":"2016-03-09T18:38:14","date_gmt":"2016-03-09T18:38:14","guid":{"rendered":"http:\/\/hangar.com.pt\/en\/?p=8840"},"modified":"2023-01-29T18:14:22","modified_gmt":"2023-01-29T18:14:22","slug":"artistic-migrations-in-and-beyond-lisbon-2","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/artistic-migrations-in-and-beyond-lisbon-2\/","title":{"rendered":"Artistic Migrations In and Beyond Lisbon"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]EDSON CHAGAS\u00a0\u2014 29th June\u00a02016 \u2014 7 pm[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text][vc_gallery type=”image_grid” images=”4863″ img_size=”400×200″][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Artistic Migrations In and Beyond Lisbon<\/strong>\u00a0| <\/b>integrated in the program\u00a0 180\u00ba Artistas ao Sul<\/a><\/p>\n

Artists Talks<\/b><\/p>\n

Artistic Migrations In and Beyond Lisbon, organized by Ana Balona de Oliveira in a partnership\u00a0 between the Centre for Comparative Studies (CEC-FLUL), the Institute for Art History (IHA-FCSH-UNL) and Hangar in Lisbon, is a series of conversations with artists, some of whom in residence at Hangar in the context of the artist residencies programme \u2018180\u00ba Artistas ao Sul\u2019, and other invited speakers. Through several media, the artists in question examine and problematize notions of identity and difference, not only national and diasporic, but also cultural, racial, class-based, gendered and sexual, as well as the notion of artistic production as a means for the investigation of history and memory, both collective and individual, both public and private, with the purpose of examining the contradictions of the present and imagining possible futurities.<\/p>\n

In 2015, one year after the celebrations of the fortieth anniversary of the Carnation Revolution in Portugal, the fortieth anniversary of the independence of Mozambique, Cape Verde, S\u00e3o Tom\u00e9 and Angola\u00a0(forty-second in the case of Guinea-Bissau) is being celebrated.\u00a0This series is also envisaged as an open and diverse forum for the discussion of the historical legacies of the independencies, the utopias and realities produced by the anti-colonial struggles and post-independence nation-building, while not forgetting the civil wars that ensued, in a broad geopolitical context, their endings, the more recent decades of economic liberalization and globalization, and the way these histories and memories, their celebrations and problematizations are examined by contemporary artistic practice.<\/p>\n

The series intends to open up a space for debate in which artistic practice is not only discussed with several audiences and made available to local communities but also conceived from the start as the outcome of dialogues, encounters, collaborations and transdisciplinary exchanges between various subjects, practices and contexts. The series will culminate with a publication of textual and visual material produced by the several participants and other invited contributors.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Ana Balona de Oliveira<\/strong><\/p>\n

Ana Balona de Oliveira is a Postdoctoral Fellow at the Centre for Comparative Studies of the\u00a0University of Lisbon and at the Institute for Art History of the New University of Lisbon, and a Visiting\u00a0Lecturer at the Courtauld Institute of Art, University of London, where she wrote her doctoral thesis\u00a0on the artwork of the Portuguese and South African artist \u00c2ngela Ferreira (b. Maputo, Mozambique,\u00a01958). She is researching narratives of empire, anti- and post-colonialism, migration and\u00a0globalization in contemporary art from \u2018Lusophone\u2019 spaces and beyond. Ana received doctoral and\u00a0postdoctoral grants from the Foundation for Science and Technology. She has been lecturing in the\u00a0United Kingdom and Portugal and published in Third Text, Mute, Fillip, Aniki, among others. She\u00a0coordinates the research project \u2018Visual Culture, Migration and Globalization\u2019 (CEC-CITCOM) and in\u00a02015 she curated the solo exhibition \u2018\u00c2ngela Ferreira: Monuments in Reverse\u2019 at CAAA in Guimar\u00e3es.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Previous talks<\/strong><\/p>\n

C\u00c9SAR SCHOFIELD CARDOSO<\/a> + ANA NOLASCO + MARIA DO CARMO PI\u00c7ARRA | 27 May 2015 |\u00a07 pm<\/p>\n

IRINEU DESTOURELLES<\/a> + MANUELA RIBEIRO SANCHES| 15 July 2015\u00a0|7 pm<\/p>\n

M\u00c1RIO MACILAU<\/a>\u00a0+ GABRIELA SALGADO| 15\u00a0September 2015\u00a0|7 pm<\/p>\n

D\u00c9LIO JASSE <\/a>+ SUZANA SOUSA|\u00a026 November 2015 |7 pm<\/p>\n

EUR\u00cdDICE KALA<\/a> |\u00a031st May 2016 |\u00a07 pm[\/vc_column_text][vc_separator][vc_column_text]Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]EDSON CHAGAS\u00a0\u2014 29th June\u00a02016 \u2014 7 pm[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text][vc_gallery type=”image_grid” images=”4863″ img_size=”400×200″][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Artistic Migrations In and Beyond Lisbon\u00a0| integrated in the program\u00a0 180\u00ba Artistas ao Sul Artists Talks Artistic…<\/p>\n","protected":false},"author":8,"featured_media":1301,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165,184],"tags":[],"class_list":["post-8840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-post-archive"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/8840","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=8840"}],"version-history":[{"count":2,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/8840\/revisions"}],"predecessor-version":[{"id":19911,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/8840\/revisions\/19911"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/1301"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=8840"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=8840"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=8840"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}