{"id":6858,"date":"2017-02-21T15:38:25","date_gmt":"2017-02-21T15:38:25","guid":{"rendered":"http:\/\/www.hangar.com.pt\/en\/?p=6858"},"modified":"2017-03-11T18:40:38","modified_gmt":"2017-03-11T18:40:38","slug":"call-for-submissions","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/call-for-submissions\/","title":{"rendered":"Call for submissions &#8211; Unlikely"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h4 class=\"m_6886175569023601886gmail_msg\">Call for submissions for two forthcoming issues\u2014No 3: \u201cArt &amp; Herbarium\u201d and No 4: \u201cCancelled\u201d<\/h4>\n<p><strong>Deadline: March 12,, 2017<\/strong><\/p>\n<p>For more informations:\u00a0<a href=\"http:\/\/unlikely.net.au\/\">http:\/\/unlikely.net.au\/<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-6856 size-medium\" src=\"http:\/\/hangar.com.pt\/wp-content\/uploads\/2017\/02\/unnamed-300x218.gif\" width=\"300\" height=\"218\" srcset=\"https:\/\/hangar.com.pt\/wp-content\/uploads\/2017\/02\/unnamed-300x218.gif 300w, https:\/\/hangar.com.pt\/wp-content\/uploads\/2017\/02\/unnamed-600x436.gif 600w, https:\/\/hangar.com.pt\/wp-content\/uploads\/2017\/02\/unnamed-200x145.gif 200w, https:\/\/hangar.com.pt\/wp-content\/uploads\/2017\/02\/unnamed-50x36.gif 50w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i> is a transdisciplinary journal, which opens unexpected spaces for artistic exchange and scholarly conversations across mediums, disciplines and continents. <i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i> supports the research community of practitioners, makers, and scholars working in the creative arts.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>This international, peer-reviewed publication presents the opportunity for artists working in practice-led research to engage in conversation with a range of arts scholars on contemporary concerns. As an experiment in form, <i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i> engages its audience and contributors in a two-stage process of live event, presenting creative practitioners\u2019 works, followed by peer-reviewed electronic publication.\u00a0<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>Contributions may take the form of <span class=\"m_6886175569023601886gmail_msg\">artistic works<\/span> and their documentation, as well as <span class=\"m_6886175569023601886gmail_msg\">scholarly articles<\/span>. Please download\u00a0the call for each issue and type of works\u00a0for submission guidelines <span class=\"m_6886175569023601886gmail_msg\">from our\u00a0<\/span><span class=\"m_6886175569023601886gmail_msg\"><a class=\"m_6886175569023601886gmail_msg\" href=\"http:\/\/unlikely.net.au\/news\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en-GB&amp;q=http:\/\/unlikely.net.au\/news&amp;source=gmail&amp;ust=1487758852500000&amp;usg=AFQjCNHjmfSCz9k8W9l_Qdb3bvIzNBP4lg\">website<\/a><\/span>.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\"><a class=\"m_6886175569023601886gmail_msg\" href=\"http:\/\/unlikely.net.au\/issues\/issue-2\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en-GB&amp;q=http:\/\/unlikely.net.au\/issues\/issue-2&amp;source=gmail&amp;ust=1487758852500000&amp;usg=AFQjCNGuwa8h_odJyUWpvlP9ojRxxR7CGg\"><span class=\"m_6886175569023601886gmail_msg\">Issue 2: \u201cField Work\u201d<\/span><\/a> is out now<\/b><br class=\"m_6886175569023601886gmail_msg\" \/>\u201cFields\u201d: arenas for action; social discourses; professional areas of practice; knowledge disciplines<br class=\"m_6886175569023601886gmail_msg\" \/><strong class=\"m_6886175569023601886gmail_msg\">G<\/strong><b class=\"m_6886175569023601886gmail_msg\">uest editors: <\/b>Lucas Ihlein and Brogan Bunt<br class=\"m_6886175569023601886gmail_msg\" \/>With artistic and scholarly contributions from Adva Weinstein, Campbell Drake &amp; Jock Gilbert, Becky Nevin Berger, Dvaid Barzier &amp; Kelda Free, Dominic Redfern, Marnie Badham &amp; Kate Hill &amp; Ted Purves &amp; Susanne Cockrell &amp; Amy Spiers, Laura Fisher, Alinta Krauth, Sean Lowry, Nancy Mauro-Flude, Maria Miranda, Meghan Moe Beitiks, Vanessa Berry, Johanna H\u00e4llsten &amp; Catherine Clover &amp; Shauna Laurel Jones<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">Journal issue 3: \u201cArt &amp; Herbarium\u201d\u2014call for submissions<\/b><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">Guest editors<\/b>: Thomas Bristow and Danielle Wyatt<br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">About<\/b><i class=\"m_6886175569023601886gmail_msg\">:<\/i> Herbaria and natural history archives must be more than repositories for artifacts and scientific information. Curators of these collections are aware that while the archives have always been invested with human passions, natural collections are now laden with distinctly contemporary affect as &#8220;nature&#8221; comes under threat from global challenges like species extinction, habitat loss and the impacts of man-made climate change. While natural collections institutions aim to improve our ecological futures through scientific research, it is clear that ecological literacy also requires involving diverse publics in more embodied, empathetic and ethical relationships with the natural systems that sustain our life on this planet.\u00a0<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>Selected proposals for creative or schloarly works will be published on <i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i>\u2014along with art works commissioned as part as an art exhibition at Lab14 in March 2017 in Melbourne.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><span class=\"m_6886175569023601886gmail_msg\">Download: call for\u00a0<\/span><span class=\"m_6886175569023601886gmail_msg\"><a class=\"m_6886175569023601886gmail_msg\" href=\"http:\/\/unlikely.net.au\/issues\/issue-2\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en-GB&amp;q=http:\/\/unlikely.net.au\/issues\/issue-2&amp;source=gmail&amp;ust=1487758852500000&amp;usg=AFQjCNGuwa8h_odJyUWpvlP9ojRxxR7CGg\">creative works\/papers<\/a><\/span><br class=\"m_6886175569023601886gmail_msg\" \/>Deadline for abstracts\/proposals for all types of submissons: March 19, 2017<br class=\"m_6886175569023601886gmail_msg\" \/>Notification by April 2<br class=\"m_6886175569023601886gmail_msg\" \/>Final submission due July 2<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">Journal issue 4: \u201cCancelled\u201d\u2014call for submissions<\/b><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">Guest editor<\/b>: Maia Nichols<br class=\"m_6886175569023601886gmail_msg\" \/>They say \u201c[t]he time of heroes is over\u201d [1], hoping to bury with it all forms of heroism. Certain key aspects of society are irretrievable, crossed out, eliminated. On the one hand, some purposefully act under the guise of nonchalance, taking up a void status as strategic positioning. These can be seen to act up \u201cbe unruly\u201d or to act out \u201cbehave anti-socially\u201d within the world. On the other hand, the impetus for\u00a0&#8220;Cancelled&#8221; will be to consider agency and alternative models of questioning globalized capital, by rethinking the productive legacy of nihilist strategies and their temporal effects. This exhibition invites artworks that consider how the fields of communication, hacking, design, architecture, activism, scientific or artistic practices produce effects through cancellation, deflection, or discretion.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>[1] Bernadette Corporation, <em class=\"m_6886175569023601886gmail_msg\">G<\/em><i class=\"m_6886175569023601886gmail_msg\">et rid of Yourself<\/i>, 2003.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>Selected proposals for creative arts works for &#8220;Cancelled&#8221; will be be exhibited\/performed at a live event. This will be either in May 2016 at the Situation Room in Los Angeles and\/or in June 2016 at Eastern Bloc in Montreal.<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>Download: call for <a class=\"m_6886175569023601886gmail_msg\" href=\"http:\/\/unlikely.net.au\/news\/cancelled-call-for-creative-works\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en-GB&amp;q=http:\/\/unlikely.net.au\/news\/cancelled-call-for-creative-works&amp;source=gmail&amp;ust=1487758852501000&amp;usg=AFQjCNHV8vsv4RRmSFciacnRuKWbmy6gpQ\"><span class=\"m_6886175569023601886gmail_msg\">creative works<\/span><\/a> \/ call for <a class=\"m_6886175569023601886gmail_msg\" href=\"http:\/\/unlikely.net.au\/news\/cancelled-call-for-papers\" target=\"_blank\" data-saferedirecturl=\"https:\/\/www.google.com\/url?hl=en-GB&amp;q=http:\/\/unlikely.net.au\/news\/cancelled-call-for-papers&amp;source=gmail&amp;ust=1487758852501000&amp;usg=AFQjCNEps_BG7DSvy_EHAUgrarofxZEZNA\"><span class=\"m_6886175569023601886gmail_msg\">papers<\/span><\/a><br class=\"m_6886175569023601886gmail_msg\" \/>Deadline for proposals for creative works: March 12, 2017<br class=\"m_6886175569023601886gmail_msg\" \/>Notification by March 26 <br class=\"m_6886175569023601886gmail_msg\" \/>Final submission of creative works due May 1<br class=\"m_6886175569023601886gmail_msg\" \/>Deadline for abstracts for papers: March 19 <br class=\"m_6886175569023601886gmail_msg\" \/>Notification by April 2 <br class=\"m_6886175569023601886gmail_msg\" \/>Final submission of papers due July 2<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><b class=\"m_6886175569023601886gmail_msg\">Expression of Interest to edit an issue of <i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i><\/b><br class=\"m_6886175569023601886gmail_msg\" \/><i class=\"m_6886175569023601886gmail_msg\">Unlikely<\/i> welcomes proposals for guest-edited issues, including the two-stage process of live event, presenting creative practitioners\u2019 works, followed by peer-reviewed electronic publication.\u00a0<br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/>Please send proposals to <a class=\"m_6886175569023601886gmail_msg\" href=\"mailto:info@unlikely.net.au\" target=\"_blank\">info@unlikely.net.au<\/a><br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><br class=\"m_6886175569023601886gmail_msg\" \/><img loading=\"lazy\" decoding=\"async\" class=\"m_6886175569023601886gmail_msg CToWUd\" title=\"feb17_unlikely_logo.jpg\" src=\"https:\/\/ci4.googleusercontent.com\/proxy\/NGbFzDXCqzYv9e2OMvbX4EcrfGY_4qCcR1PvU68id0z8dwwCQdDCW-cLfdfotpPTN39UqqZgKdVYObFi4Ws9l58jmJdHf2mmnj_N4yLq46PJIcT4w7iiybULv-IBgqzZZU-LARzhdA=s0-d-e1-ft#http:\/\/interspire.e-flux.com\/admin\/temp\/newsletters\/18457\/feb17_unlikely_logo.jpg\" alt=\"feb17_unlikely_logo.jpg\" width=\"200\" height=\"150\" \/>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Deadline: March 12,, 2017<\/p>\n","protected":false},"author":8,"featured_media":6856,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[132],"tags":[],"class_list":["post-6858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opportunities"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/6858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=6858"}],"version-history":[{"count":0,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/6858\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/6856"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=6858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=6858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=6858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}