{"id":27878,"date":"2025-07-13T15:33:07","date_gmt":"2025-07-13T14:33:07","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=27878"},"modified":"2025-07-13T15:33:07","modified_gmt":"2025-07-13T14:33:07","slug":"conversa-com-belinda-kazeem-kaminski","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/conversa-com-belinda-kazeem-kaminski\/","title":{"rendered":"Conversa com Belinda Kazeem-Kami\u0144ski"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column width=&#8221;1\/2&#8243; icons_position=&#8221;left&#8221;][vc_column_text css=&#8221;&#8221;]<strong>Generative Disruptions: On storms and Temporalities as Ecologies of Breath<\/strong><\/p>\n<p>July 24th, 2025<\/p>\n<p>18h<\/p>\n<p>Hangar &#8211; Centro de Investiga\u00e7\u00e3o Art\u00edstica<\/p>\n<p>Free Entry[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243; icons_position=&#8221;left&#8221;][vc_single_image image=&#8221;27879&#8243; img_size=&#8221;full&#8221; css=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row][vc_column icons_position=&#8221;left&#8221;][vc_separator][vc_column_text css=&#8221;&#8221;]During my residency at HANGAR, I will revisit the figure of the storm\u2014a central motif in my recent solo exhibition Aerolectics at Kunst Meran. The storm is breath\u2014circular, atmospheric\u2014a force that links bodies, ecologies, and histories. Turning to the storm as both method and metaphor, I engage its capacity to be a vital, insurgent, and destructive site of possibility, capable of reconfiguring landscapes, identities, and collective memory. Building on Christina Sharpe\u2019s theorization of \u201cthe weather\u201d and aligned with the framework of Notes from the Future, I aim to develop &#8216;weathering&#8217; as both a conceptual and practical methodology\u2014attuned to an ecology of breath and disturbance, and responsive to environmental, political, and affective currents that shape how we relate to and understand temporality.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column icons_position=&#8221;left&#8221;][vc_separator][vc_column_text css=&#8221;&#8221;]<strong>Belinda Kazeem-Kami\u0144ski<\/strong> is a Vienna-based visual artist, writer, and art-based researcher whose work unearths the remnants of Black presence within European archives. Rooted in Black feminist theory, her research-driven and process-oriented practice interrogates the conditions of Black life in the African diaspora. Moving fluidly between documentary and speculation, she crafts immersive narratives that collapse linear time and rigid spatial boundaries. Her practice is one of composing\u2014bringing together people, histories, and contexts, weaving dialogues across disciplines, and fostering exchange through collaborations with artists and thinkers. In recent years, she has turned to breath as a thinking device\u2014a means to explore liberation, voice, and expansion. Breath(ing), for her, is both metaphor and method, a way of engaging with others and creating spaces for collective reflection. Belinda Kazeem-Kami\u0144ski\u2019s work unfolds across photography, video installations, performance, and text, manifesting in layered encounters with history and memory. Recent solo and group exhibitions include Aerolectics (2025) at Kunst Meran, Take a Breath (2024\u201325) at IMMA \u2013 Irish Museum of Modern Art, Respire Liverpool (2024) presented at Phileas \u2013 The Austrian Office for Contemporary Art, Ir\u00e9 (2023) at Art X Lagos, and the Liverpool Biennial (2023). Her films have been screened at renowned international festivals, including the International Film Festival Rotterdam, Diagonale, Vancouver International Film Festival, and Internationales Frauen Film Fest Dortmund + K\u00f6ln.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>July 24th 2025<\/p>\n","protected":false},"author":14,"featured_media":27880,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[262,286],"class_list":["post-27878","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2025-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/27878","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=27878"}],"version-history":[{"count":2,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/27878\/revisions"}],"predecessor-version":[{"id":27883,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/27878\/revisions\/27883"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/27880"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=27878"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=27878"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=27878"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}