{"id":26649,"date":"2024-10-16T23:02:06","date_gmt":"2024-10-16T22:02:06","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=26649"},"modified":"2024-10-20T12:59:20","modified_gmt":"2024-10-20T11:59:20","slug":"artistic-encounters-artivism-and-decolonizations","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/artistic-encounters-artivism-and-decolonizations\/","title":{"rendered":"Artistic Encounters | ARTIVISM AND DECOLONIZATIONS"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Artistic Encounters | ARTIVISM AND DECOLONIZATIONS<\/strong><\/p>\n

October 17th 2024<\/p>\n

Hangar \u2013 Centro de Investiga\u00e7\u00e3o Art\u00edstica<\/p>\n

12 Damasceno Monteiro Street, Lisbon<\/p>\n

Curated by Maria do Carmo Pi\u00e7arra<\/p>\n

Support: Calouste Gulbenkian Foundation, DGArtes, Portuguese Republic \u2013 Culture<\/p>\n

Partnerships with Africa, School of Arts \u2013 Autonomous University of Lisbon, Hangar \u2013 Artistic Research Center, Cinemateca Portuguesa-Museu do Cinema, Fondazione Archivio Audiovisivo del Movimento Operaio e Democratico (AAMOD).[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”26650″ img_size=”full”][vc_column_text]\u00a9 Augusta Conchiglia[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]11:00 – 11:30 am \u2013 Daniel Barroca & Catarina Laranjeiro: O Ch\u00e3o \u00e9 Lava!<\/strong><\/p>\n

O Ch\u00e3o \u00e9 Lava! [The Floor is Lava!] was the title suggested by Sara Santos for this exhibition in which the artist presents iconic buildings in Cac\u00e9m forming a corner with a blanket map where she has been inscribing a subjective geopolitics of Europe. In another nucleus, Europe pretends to be Africa. Amateur film directors, such as Jo\u00e3o Pereira (Tikai) and Nelca Lopez, imagine themselves in their home countries while being in the suburbs of Lisbon. In parallel, the temporality of the War in Guinea-Bissau, seen through the eyes of Jos\u00e9 Estima, a former Portuguese soldier, dialogues with images of the Kyangyang messianic movement, by Ramon Sarr\u00f3 and Marina Temudo, and arranged by Ana Temudo.[\/vc_column_text][vc_column_text]11h30 – 11h45 – Coffee break<\/strong>[\/vc_column_text][vc_column_text]11:45 am – 1:00 pm – Cinema outside the State: Silas Tiny, Falc\u00e3o Nhaga, Jorge Cohen (in conversation with Maria do Carmo Pi\u00e7arra)<\/strong>[\/vc_column_text][vc_column_text]1:00 pm – 3:30 pm \u2013 Lunch<\/strong>[\/vc_column_text][vc_column_text]3:30 pm – 5:30 pm \u2013 Billy Woodberry \u2013 A Story from Africa<\/strong>[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]Catarina Laranjeiro<\/strong> is a researcher at the Institute of Contemporary History at NOVA FCSH, where she develops research on vernacular cinema in Cape Verde and Guinea-Bissau, and their respective diasporas in Portugal and France. She has a PhD in Post-Colonialisms and Global Citizenship from the Center for Social Studies at the University of Coimbra, and a master\u2019s degree in Visual and Media Anthropology from the Freie Universitaet Berlin. She regularly participates in various projects and collectives that combine anthropology, photography and cinema.[\/vc_column_text][vc_column_text]Silas Tiny<\/strong> was around 30 years old and he was still attending a film school when he directed Bafat\u00e1 Filme Clube in Guinea-Bissau, a film filled with an intense feeling of loss. He continued with O Canto do Ossob\u00f3, a work in which he returns to his origins to film the marks of colonial violence on plantations in S. Tom\u00e9 and Princ\u00edpe, which he also addresses through family stories.[\/vc_column_text][vc_column_text]A Portuguese director of Guinean and Cape Verdean descent, Falc\u00e3o Nhaga<\/strong> directed Mistida, \u201cperhaps the most solid of ESTC\u2019s recent production films \u2013 carried out as an end-of-course exercise by the third and final year class of the Cinema degree. Throughout its thirty minutes, one feels the confidence of its director\u2019s gaze, Falc\u00e3o Nhaga, revealed in the simplicity of the narrative, in the minimalism of the text and pretexts, in the shameless use of silences, in the simplicity of his mise en sc\u00e8ne and in the confidence of his d\u00e9coupage (the strength of the few shots\/counter shots that break with the tendency to general and distant shots), in all this, the portrait of a diasporic generational clash\u201d (Ricardo Vieira Lisboa).[\/vc_column_text][vc_column_text]Jorge Cohen<\/strong> was born and raised in Luanda. The short film Alambamento (2009) was his first contact with the world of cinema, as production director, and shortly after, in 2010, he became co-founder of Gera\u00e7\u00e3o 80. He accumulates this with the production of the production company\u2019s main works, including the first feature-length fiction film, Ar Condicionado. He holds a master\u2019s degree in Global Cultural and Creative Industries from SOAS, University of London (2018), and a master\u2019s degree in Business Administration from the Catholic University of Lisbon (2009).[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

October 17th 2024<\/p>\n","protected":false},"author":14,"featured_media":26651,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[258,286],"class_list":["post-26649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2024-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/26649","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=26649"}],"version-history":[{"count":1,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/26649\/revisions"}],"predecessor-version":[{"id":26655,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/26649\/revisions\/26655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/26651"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=26649"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=26649"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=26649"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}