{"id":25358,"date":"2024-03-01T12:30:36","date_gmt":"2024-03-01T12:30:36","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=25358"},"modified":"2024-03-19T21:14:43","modified_gmt":"2024-03-19T21:14:43","slug":"workshop-oceanica-occasions-creating-ecologically-attuned-narratives-in-collective-action","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/workshop-oceanica-occasions-creating-ecologically-attuned-narratives-in-collective-action\/","title":{"rendered":"WORKSHOP | O.C.E.A.N.I.C.A. (Occasions Creating Ecologically Attuned Narratives in Collective Action)"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]WORKSHOP | O.C.E.A.N.I.C.A. (Occasions Creating Ecologically Attuned Narratives in Collective Action)<\/strong><\/p>\n

Workshop with Isabel Lewis \u2013 \u2018On The Wolf\u2019s Trail\u2019 Session 4<\/p>\n

22 March 18h-21h<\/p>\n

Rua Damasceno Monteiro, 12 r\/c, 1170-112 Lisbon<\/p>\n

3rd floor, no lift<\/p>\n

Free entry, participation limited to 15 people<\/p>\n

Register via: hangarcia.production@gmail.com<\/a>[\/vc_column_text][vc_empty_space][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”25471″ img_size=”full”][vc_column_text]\u00a9 Courtesy of the artist.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]\u2018O.C.E.A.N.I.C.A.\u2019 is an invitation to attune to our continuity with the Ocean to transform and articulate a different relation. Lewis asks participants to be careful with the language pertaining to the Ocean, be aware of the questions it poses and open to unexpected findings.<\/p>\n

In this piece Lewis takes inspiration from Augusto Boal\u2019s \u2018Theatre of the Oppressed\u2019, a set of dramatic techniques which aim to bring to light systemic exploitation and oppression, in order to discover ocean life inside us. She creates a situational choreography where the boundaries between performance and spectatorship fade, and the very real living conditions and labor struggles across society materialize together, and find an interlocutor in the Ocean. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]Isabel Lewis<\/strong> has an academic background in literature, dance and philosophy. In New York, she danced for various choreographers before starting to develop her own projects. Based in Berlin since 2009, Isabel Lewis has developed a performative practice that blends voice, dance and music. She has DJ experience and samples sound arrangements incorporating a wide variety of material, which she mixes and weaves together, improvising according to the place and moment shared.
\nShe tends to do away with the spectacular, theatrical effect in order to build a different kind of exchange with those present, without imposing new constraints. Her aim is to create the conditions for an experience of physical well-being, whether working alone or with other performers. Isabel Lewis is interested in the aesthetics of the social encounter. She creates events she calls occasions, and calls herself the host. They can involve all the senses, including the sense of smell, with fragrances composed in collaboration with Norwegian chemist and odor researcher Sissel Tolaas.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_column_text]‘On the Wolf\u2019s Trail’<\/strong> Research program curated and mentored by Margarida Mendes<\/p>\n

‘On the Wolf\u2019s Trail’ is a programme of sensory practices and lectures focused on decolonial ecology and restorative justice that explores pedagogical formats to debate forms of collective repair, restoration, resilience, and healing. Along four years, sessions will be led by practitioners from the fields of arts, environmental humanities, and post-colonial studies, and embrace topics such as mutualism and reciprocity, working towards the repair ancestral relations.[\/vc_column_text][vc_empty_space height=”100px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

March 22nd 2024<\/p>\n","protected":false},"author":14,"featured_media":25471,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165,169],"tags":[258,286],"class_list":["post-25358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-workshop-en","tag-2024-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/25358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=25358"}],"version-history":[{"count":7,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/25358\/revisions"}],"predecessor-version":[{"id":25518,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/25358\/revisions\/25518"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/25471"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=25358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=25358"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=25358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}