{"id":21612,"date":"2022-06-09T13:08:24","date_gmt":"2022-06-09T12:08:24","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=21612"},"modified":"2022-10-02T11:58:31","modified_gmt":"2022-10-02T10:58:31","slug":"entre-anunciacoes-e-miragens","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/entre-anunciacoes-e-miragens\/","title":{"rendered":"Entre Anuncia\u00e7\u00f5es e Miragens"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]ENTRE ANUNCIA\u00c7\u00d5ES E MIRAGENS <\/strong><\/p>\n

June 8th, 6:30 pm[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”21707″ img_size=”full”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Sinopse” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator][vc_column_text]Guided tour with the duo SIL\u00caNCIO COLETIVO, screening of Miragem and conversation with the artists, moderated by Melissa Rodrigues.<\/p>\n

The duo Sil\u00eancio Coletivo and Hangar invite the public to a conversation about the exhibition Anuncia\u00e7\u00e3o and the screening of the recent film Miragem.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Biografias” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator][vc_column_text]SIL\u00caNCIO COLETIVO<\/strong><\/p>\n

The duo Sil\u00eancio Coletivo was created in 2020, after the artists Jaime Lauriano and Igor Vidor shared a studio in the city of Porto, Portugal. In his works, Jaime Lauriano invites us to examine the power structures in the Brazilian historiographic production, to bring to the surface historical traumas relegated to the past, to the confined archives, in a collective review and re-elaboration of History. And Igor Vidor, allow us to reflect in his works, like the approximation of certain objects and materials highlight an intermittent scenar- io and of apparent insoluble violence that finds echoes, and recurrences in Brazil\u2019s history. Both the artists are together now for the elaboration and mixture of their productions.[\/vc_column_text][vc_column_text]Igor Vidor<\/strong> (S\u00e3o Paulo, 1985)<\/p>\n

Lives and works in Sao Paulo\/Brazil. He graduated at Centro Universit\u00e1rio Belas Artes de S\u00e3o Paulo, in the year of 2010. From his individual shows he highlights: Marcas, Funda\u00e7\u00e3o Joaquim Nabuco, Recife, Brasil, 2018; Ao Norte do Rio, Sesc Santana, S\u00e3o Paulo, Brasil, 2018; Brinquedo de furar moletom, MAC Niter\u00f3i, Rio de Janeiro, Brasil, 2018; Assentamento, Galeria Leme, S\u00e3o Paulo, Brasil, 2017; Nessa terra, em se plantando, tudo d\u00e1, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil, 2015; Autorretrato em Branco sobre Preto, Galeria leme, S\u00e3o Paulo, Brasil, 2015; Impedimento, Centro Cultural S\u00e3o Paulo, S\u00e3o Paulo, Brasil, 2014; Em Exposi\u00e7\u00e3o, Sesc, S\u00e3o Paulo, Brasil, 2013; and collective shows: Vaiv\u00e9m, Centro Cultural Banco do Brasil, S\u00e3o Paulo, Brasil, 2019; A Queda do C\u00e9u, CAIXA Cultural Bras\u00edlia, Bras\u00edlia, Brasil, 2019; Quem n\u00e3o luta t\u00e1 morto \u2013 arte democracia utopia, Museu de Arte do Rio, Rio de Janeiro, Brasil, 2018; Hist\u00f3rias Afro-Atl\u00e2nticas, MASP and Instituto Tomie Ohtake S\u00e3o Paulo, Brasil, 2018; The World\u2019s Game: F\u00fatbol and Contempo- rary Art, P\u00e9rezArt Museum Miami, Miami, EUA, 2018; 11a Bienal de Artes Visuais do Mercosul, Tri\u00e2ngulo do Atl\u00e2ntico, Porto Alegre, Brasil, 2018; Levantes, SESC Pinheiros, S\u00e3o Paulo, Brasil, 2017; Festival de Arte Contempor\u00e2nea Sesc_Videobrasil, S\u00e3o Paulo, Brasil, 2017; Metr\u00f3pole: Experi\u00eancia Paulistana, Esta\u00e7\u00e3o Pinacoteca, S\u00e3o Paulo, Brasil, 2017; WELT KOMPAKT?, frei_raum Q21, Viena, Austria, 2017; How to Remain Silent, A4 Arts Foundation, Cidade do Cabo, \u00c1frica do Sul, 2017; Totemonumento, Galeria Leme, S\u00e3o Paulo, Brasil, 2016; 10TH Bamako Encouters, Museu Nacional, Bamako, Mali, 2015; Empresa Colonial, Caixa Cultural, S\u00e3o Pau-lo, Brasil, 2015; Frente a Euforia, O cina Cultural Oswald de Andrade, S\u00e3o Paulo,Brasil, 2015; Tatu: futebol, adversidade e cultura da caatinga, Museu de Arte do Rio (MAR), Rio de Janeiro, Brasil, 2014; Taipa-Tapume, Galeria Leme, S\u00e3o Paulo, Bra- sil, 2014; Espa\u00e7os Independentes: A Alma \u00c9 O Segredo Do Neg\u00f3cio, Funarte, S\u00e3o Paulo, Brasil, 2013; he has works in public collections: Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil; Funda\u00e7\u00e3o Joaquim Nabuco, Recife, Brasil; MAC Niter\u00f3i, Niter\u00f3i, Rio de Janeiro, Brasil; MAR \u2013 Museu de Arte do Rio, Rio de Janeiro, Brasil; MASP \u2013 Museu de Arte de S\u00e3o Paulo, S\u00e3o Paulo, Brasil; Museu Casa das Onze Janelas, Bel\u00e9m, Par\u00e1, Brasil; Pinacoteca do Estado de S\u00e3o Paulo,S\u00e3o Paulo, Brasil e Schoep in Stiftung: The Collection, L\u00f6rrach, Germany.[\/vc_column_text][vc_column_text]Jaime Lauriano<\/strong> (S\u00e3o Paulo, 1985)<\/p>\n

Lives and works between and Berlin\/Germany and Sao Paulo\/ Brazil. He graduated at Centro Universit\u00e1rio Belas Artes de S\u00e3o Paulo, in 2010. Among his recente shows he highlights: Igor Vidor IBB-Video Space, Berlinische Galerie Museum F\u00fcr Moderne Kunst, Berlin, 2021; Violence as Commodities, LOAF Laboratory of art and form, Kyoto, 2021; Trama, Core \u2013 Haus der Statistik, Berlin, 2021; New Viewings- Alegoria do Terror, Barbara Thumm Galerie, Berlim, 2020; Alegoria do Terror, K\u00fcnstlerhaus Bethanien, Berlin, 2020; Her\u00f3is nunca celebram vil\u00f5es \/ Her\u00f3is apenas celebram vil\u00f5es, Galeria Leme, S\u00e3o Paulo, 2018; and his collectives: Against Again: Art Under Attack in Brazil, John Jay College of Criminal Justice, Nova Iorque 2020; REconhecimen- to, Solar do Abacaxis, Rio de Janeiro, 2019; Com o ar pesado demais para respirar, GaleriaAthena, Rio de Janeiro, 2018; The World\u2019s Game: F\u00fatbol and Contemporary Art,Perez Museum, Miami, 2018; Bienal do Mercosul, Porto Alegre, 2018; Dove Audio Video Festival, Sewoon Arcade, Seul, 2017; Montage is a Heart Beat, Deep in the Mountains Resid\u00eancia Internacional, Seul, 2017; California Paci c Triennial, in occasion of Nancy Popp installation, Orange County Museum of Art, Orange County, 2017; S\u00e3o Paulo n\u00e3o \u00e9 uma cidade, Sesc 24 de Maio, S\u00e3o Paulo, 2017; 30 anos Instituto Ita\u00fa Cultural, Oca S\u00e3o Paulo, S\u00e3o Paulo, 2017; Quando o mar se tornouRio, Museu Hist\u00f3rico Nacional, Rio de Janeiro, 2017; No Man\u2019s Land, NationalMuse- um of Modern and Contemporary Art Korea, MMCA, Seul, 2016; Young Artists Project 16, Daegu Art Square, Daegu, 2016; A cor do Brasil, Museu de Arte do Rio \u2013 MAR, Rio de Janeiro, 2016; Jogos do Sul, H\u00e9lio Oiticica Cultural Center, Rio de Janeiro, 2016; Linguagens do corpo, Museu de Arte do Rio \u2013 MAR, Rio de Janeiro, 2016; Perman\u00eancias e Destrui\u00e7\u00f5es, Torre H, Rio de Janeiro, 2016; 1a Imagem e Movimento, Casa Fran\u00e7a-Brasil, Rio de Janeiro, 2016; Frestas, Trienal de Artes, SESC Sorocaba, 2014; Tatu: Futebol Adversidade e Cultura da Caatinga, Museu de Arte do Rio \u2013 MAR, Rio de Janeiro, 2014[\/vc_column_text][vc_column_text]Melissa Rodrigues<\/strong> (Praia, Cape Verde, 1985)<\/p>\n

Post-graduation in Performance (Specialization Course) by Faculdade de Belas Artes – UP and degree in Anthropology by FCSH – UNL. Training in Performing Arts and Accompanied Intensive Training (F.I.A.) by c.e.m. – centro em movimento, Lisbon.<\/p>\n

Melissa is a visual artist, art educator and independent curator.<\/p>\n

Working since 2008 in the area of non-formal and art education, she has worked in projects of Art in the Community and Art Education as through Associa\u00e7\u00e3o MOVEA – Movimento Portugu\u00eas de Interven\u00e7\u00e3o Art\u00edstica e Educa\u00e7\u00e3o Pela Arte in Public Schools in the municipality of Amadora.<\/p>\n

She collaborated with the Education Service of the Museu do Oriente and with the Education and Cultural Mediation Service of A Oficina – Centro de Artes e Mesteres Tradicionais de Guimar\u00e3es. And also, from 2015 to 2020, as an art educator in the Educational Service of the Museu de Arte Contempor\u00e2nea de Serralves.<\/p>\n

In 2021 and 2022 she collaborates with Batalha – Centro de Cinema in the curatorship of the Schools Program.<\/p>\n

As a researcher in the areas of Performance and Visual Culture, she has developed research in Image and Representation of the Black Body.<\/p>\n

In 2017 she co-created with the collective ‘Ch\u00e1 das Pretas’ the performance cabelo and in the same year she conceived the conference-performance De Submisso a Pol\u00edtico – O Lugar do Corpo Negro na Cultura Visual. In partnership with visual artist Miguel F he co-created in 2019 the video installation MEDITERRANEO.<\/p>\n

In 2020 as part of an artist residency held at ZK\/U Berlin through the Magic Carpets Creative Europe Platform program he conceived the video-performance CORONAS IN THE SKY, Not a Manifesto! an Essay on Afrofuturism and Liberation. Collaborates with Aurora Negra (Cleo Di\u00e1ra, Isab\u00e9l Zuaa e N\u00e1dia Yracema) in the support to the dramaturgy of the show COSMOS.<\/p>\n

She is part of UNA – Uni\u00e3o Negra das Artes, RAMPA – Associa\u00e7\u00e3o Cultural Rampa 125 and InterStruct Collective.<\/p>\n

In 2020\/2021 he joined the curatorial teams of the projects Um Elefante no Pal\u00e1cio de Cristal under the Ping! (Incursion Program to the Gallery) and Anu\u00e1rio 2020 both of the Galeria Municipal do Porto.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

June 8th 2022<\/p>\n","protected":false},"author":14,"featured_media":21707,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165,184],"tags":[238,286],"class_list":["post-21612","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-post-archive","tag-2022-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=21612"}],"version-history":[{"count":3,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21612\/revisions"}],"predecessor-version":[{"id":21709,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21612\/revisions\/21709"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/21707"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=21612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=21612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=21612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}