{"id":20620,"date":"2022-02-11T14:25:25","date_gmt":"2022-02-11T14:25:25","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=20620"},"modified":"2022-02-11T14:25:25","modified_gmt":"2022-02-11T14:25:25","slug":"deise-faria-nunes","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/deise-faria-nunes\/","title":{"rendered":"Deise Faria Nunes"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][vc_column_text]Born in Porto Alegre, Brazil, Deise Faria Nunes (1974) is an artist-researcher with a special interest in performance, rituals and audiovisual. She is a PhD fellow in the Theatre in Context program at the Faculty of Fine Arts, University of Agder, Norway, and a documentary film student at Kino-Doc, in Lisbon. Based in the Nordic countries for over 20 years, Nunes has been working since 2004 as a performance artist, dramaturge, artistic producer and writer. She has collaborated among others with ACTS -Laboratory for Performance Practices as co-founder, Nordic Black Theatre, Odin Teatret (Denmark), Office for Contemporary Art-OCA, Oslo Biennale and Black Box Teater. She contributed as co-author in the historical anthology New Daughters of Africa (London: Myriad Editions, 2019), edited by Margaret Busby. She was the head of the National Theatre Committee at the Arts Council Norway and a member of the Nordic Culture Fund&#8217;s performing arts committee. Since 2017, Nunes has been working with a focus on research, production and dissemination of black women\u2019s activities in the arts and culture.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid grid_id=&#8221;vc_gid:1644589496388-2e06bf81-08ec-10&#8243; include=&#8221;20621,20623,20625,20627,20629&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>March &#8211; May 2022<\/p>\n","protected":false},"author":14,"featured_media":20630,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[238,286],"class_list":["post-20620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolios","tag-2022-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=20620"}],"version-history":[{"count":2,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20620\/revisions"}],"predecessor-version":[{"id":20633,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20620\/revisions\/20633"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/20630"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=20620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=20620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=20620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}