{"id":20504,"date":"2022-02-02T13:26:32","date_gmt":"2022-02-02T13:26:32","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=20504"},"modified":"2022-10-02T12:00:38","modified_gmt":"2022-10-02T11:00:38","slug":"on-wildness","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/on-wildness\/","title":{"rendered":"On Wildness"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/3″][vc_column_text]On Wildness<\/strong>
\nScreening with Barbara Hammer, Cherry Kino e Lynne Sachs
\nCurated by Margarida Mendes<\/p>\n

Opening:<\/strong> February 9th
\nSessions between Tuesday – Saturday at 6 pm[\/vc_column_text][\/vc_column][vc_column width=”2\/3″][vc_single_image image=”20505″ img_size=”full” alignment=”right”][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]<\/p>\n

Honouring the work of Barbara Hammer as seminal to generations of artists, this session celebrates erotic freedom in communion with nature through the hands of multiple filmmakers. The examples of \u2018tactile cinema\u2019 here presented, investigate personal narratives and close up visions of the elemental pluriverse that surrounds their cameras, through an auto-ethnographic gaze that is disclosed in intimate portraits. With the playful curiousity of experimental cinematography, that has its origins in animation, light and focus games, the films gathered appeal to the spectator\u2019s synesthesia, opening doors to humour and ecosexual desire. In a shift of perspectives characteristic of Hammer\u2019s cinema, that is as audaciously revealing as it is disconcerting, sensorial hierarchies and worldviews are undone.<\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”PROGRAMME” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator color=”black”][vc_column_text]Garden of Polymitas<\/strong>
\nby Cherry Kino
\n2014, 10min, Super8 film on video<\/p>\n

A Month of Single Frames<\/strong>
\nby Lynne Sachs with Barbara Hammer
\n2019, 14min, 16mm film on video<\/p>\n

Women I Love<\/strong>
\nby Barbara Hammer
\nCourtesy of the Hammer Estate and Electronic Arts Intermix (EAI), New York
\n1976, 22:39 min, 16 mm film on video[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”CURATOR BIOGRAPHY” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator color=”black”][vc_column_text]<\/p>\n

Margarida Mendes\u2019 research explores the overlap between infrastructure, ecology, experimental film and sound practices \u2013 investigating environmental transformations and their impact on societal structures and cultural production. She has curated several exhibitions and was part of the curatorial team of the 11th Liverpool Biennale (2021); the 4th Istanbul Design Biennial (2018); and the 11th Gwangju Biennale (2016). She consults for Sciaena environmental NGO working on marine policy and deep-sea mining and has co-directed several educational platforms, such as escuelita, an informal school at Centro de Arte Dos de Mayo \u2013 CA2M, Madrid and the ecological research platform The World In Which We Occur\/Matter in Flux. Between 2009-2015, Mendes directed The Barber Shop, a project space in Lisbon dedicated to transdisciplinary research. She is a PhD candidate at the Centre for Research Architecture, Goldsmiths University of London.<\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

February 9th 2022<\/p>\n","protected":false},"author":14,"featured_media":20506,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165,140],"tags":[238,286],"class_list":["post-20504","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-screenings-en","tag-2022-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20504","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=20504"}],"version-history":[{"count":5,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20504\/revisions"}],"predecessor-version":[{"id":20588,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/20504\/revisions\/20588"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/20506"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=20504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=20504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=20504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}