{"id":17517,"date":"2021-02-02T23:19:23","date_gmt":"2021-02-02T23:19:23","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=17517"},"modified":"2021-07-21T10:41:10","modified_gmt":"2021-07-21T09:41:10","slug":"joao-ana","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/joao-ana\/","title":{"rendered":"Jo\u00e3o Ana"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][vc_column_text]<\/p>\n<div dir=\"auto\">\n<p>Jo\u00e3o Ana<br \/>\nMoz\u00e2medes \/ Namibe,<br \/>\nAngola Artist, musician, producer<\/p>\n<p>As an artist, he works in a comprehensive field &#8211; with broad aesthetic influences; installation, performance, scenography, music, video, production.<br \/>\nHe participated, as a guest (Sala da Na\u00e7\u00e3o), in the Lisbon Architecture Triennale (2013), with the performance \u201cCelebrating Life by Slowing Down Perception\u201d. Co-founder of the collective of artists \u201cFuckin &#8216;Globo\u201d, where he participated as an artist, co-curator (2017) and producer of multiple editions (FG I &#8211; 2015, FG II &#8211; 2016, FG III &#8211; 2017 and FG IV &#8211; 2018) , a project that is the result of the collaboration of a collective of artists, which takes place in Luanda.<br \/>\nIn 2019 he was a set designer in the play \u201cDie Wahre Geschichte\u201d, at JTW (Jugend Theather Werkstatt) in Spandau, Berlin, 2019.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid grid_id=&#8221;vc_gid:1612523484546-ddc85c40-12ee-10&#8243; include=&#8221;17518,17520,17522,17524,17526&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][vc_column_text] Jo\u00e3o Ana Moz\u00e2medes \/ Namibe, Angola Artist, musician, producer As an artist, he works in a comprehensive field &#8211; with broad aesthetic influences; installation, performance, scenography, music,&hellip;<\/p>\n","protected":false},"author":8,"featured_media":17519,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[239,286],"class_list":["post-17517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolios","tag-2021-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=17517"}],"version-history":[{"count":3,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17517\/revisions"}],"predecessor-version":[{"id":17539,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17517\/revisions\/17539"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/17519"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=17517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=17517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=17517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}