{"id":16271,"date":"2020-04-29T17:12:48","date_gmt":"2020-04-29T16:12:48","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=16271"},"modified":"2020-04-29T17:14:41","modified_gmt":"2020-04-29T16:14:41","slug":"hangar-i-triangle-network-5th-edition","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/hangar-i-triangle-network-5th-edition\/","title":{"rendered":"Hangar I Triangle Network 5th Edition"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”LEFT OVERS” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”December, 5 to 18 2016″ font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_single_image image=”5574″ img_size=”full” alignment=”center”][vc_column_text]<\/p>\n

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Left overs is the fifth edition of Triangle Network (trianglenetwork.org) workshop held in Hangar.<\/p>\n

Left overs aims to be a reflection on the ruin, remnants and fragments of memories of what was left out of historical cartography and beyond the edges of memory. Everything that we tried to erase or has remained of the past and no longer matters, either because it was left behind or because it has become a dead archive or a wreck without use or place. Left overs proposes new approaches to reflection on the shadows and waste of personal and collective cultural memories from diverse narratives, in connection with subjects such as archived history, the forgotten city, defeated empires, the lost family album or stories outside its place.<\/p>\n

The workshop follows TN\u2019s international network model, i.e., gather a group of local and international artists (in equal numbers) for a period of 10 days, allowing them to work collectively and to exchange artistic, process and cultural experiences.<\/p>\n

The artists participating in the 5th edition are: Jo\u00e3o Vasco Paiva (PT | Hong Kong), Andrea Santana (PT), J\u00e9r\u00e9my Panjeanc (PT | France) C\u00e9sar Scholfield Cardoso (Cape Verde), Laila Hida (Morocco), Leah Gordon (UK). The group is chosen in a logical parity between genders and nationalities. The purpose of this workshop is to bring together artists who in addition to their artistic practices are also active as cultural producers and streamline independent projects in different geographies.<\/p>\n

A program of presentations, seminars and an Open Day complete the workshop\u2019s activities and give support and visibility to the work in progress.<\/p>\n<\/div>\n

[\/vc_column_text][vc_custom_heading text=”RESIDENT ARTISTS” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_tta_section title=”JO\u00c3O VASCO PAIVA (PT | HONG KONG)” tab_id=”1478793538170-c962fd6d-29842695-cff9″][vc_column_text]<\/p>\n

Jo\u00e3o Vasco Paiva (Coimbra, Portugal, 1979) is a Hong Kong-based contemporary artist. Paiva received a BFA from the Porto Arts Institute in 2004 and an MFA in Creative Media from the City University of Hong Kong in 2008. He is the recipient of the Hong Kong Emerging Artist Grant and the Calouste Gulbenkian Foundation\u2019s International Artist Support Grant, amongst other. Has held residencies at Lichtenberg Studios, Berlin (2014) and Connecting Space, Zurich (2015). With a background in painting and advanced training in media techniques, his work is characterised by the appropriation of observed phenomena, mapping apparently random situations and presenting them in an aesthetically organised framework. His work has been widely shown in places such as: Athens, Beijing, Berlin, Budapest, Lisbon, Lyon, London, Moscow, New York, Prague, Rotterdam, S\u00e3o Paulo, Seoul, Shanghai and Sharjah.<\/p>\n

[\/vc_column_text][vc_masonry_media_grid element_width=”3″ initial_loading_animation=”none” grid_id=”vc_gid:1588176846345-a22d9efb-7735-1″ include=”5626,5627,5628,5629,5630,5631,5632,5633″][\/vc_tta_section][vc_tta_section title=”ANDREIA SANTANA (PT)” tab_id=”1478793538246-2c698066-5ef72695-cff9″][vc_column_text]<\/p>\n

Andreia Santana<\/strong> (Lisbon, Portugal, 1991). Lives and works in Lisbon. Holds a BA in Fine Arts from ESAD School of Arts and Design of Caldas da Rainha and was a participant in the Independent Study Program of Visual Arts from Maumaus School. Winner of Novo Banco Revela\u00e7\u00e3o 2016 Prize and of D. Fernando I Sculpture Prize. In 2013 was the artist in residence at Mieszkanie Gepperta Gallery, Wroclaw, Poland. Since 2012 exhibits regularly in Portugal and abroad, both individually and in group exhibitions in which are distinguished: Novo Banco Revela\u00e7\u00e3o 2016, Serralves Contemporary Art Museum, Porto; Pousio, Ant\u00f3nio Duarte Museum, Caldas da Rainha (2015); Tabula Rasa, Zaratan – Arte Contempor\u00e2nea, Lisbon (2015); No Water on the Other\u2019s Edge, Mieszkanie Gepperta Gallery, Wroclaw, Poland; Water\u2019s Edge, Przeglad Sztuki SURVIVAL, Wroclaw, Poland (2013), among others.<\/p>\n

[\/vc_column_text][vc_masonry_media_grid element_width=”3″ initial_loading_animation=”none” grid_id=”vc_gid:1588176846438-29db7fad-8458-9″ include=”5620,5619,5618,5617,5616,5615,5614,5613″][\/vc_tta_section][vc_tta_section title=”C\u00c9SAR SCHOLFIELD CARDOSO (CAPE VERDE)” tab_id=”1478793775321-e34d5820-866d2695-cff9″][vc_column_text]<\/p>\n

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C\u00e9sar Schofield Cardoso<\/strong> (Mindelo, Cabo Verde, 1973). Lives and works in Praia, Santiago. Photographer and filmmaker, in 2006 he launched PRAIA.MOV, an urban culture movement in the city of Praia, Cabo Verde, in collaboration with architects, artists and other critical thinkers. In 2009 he produced the video installation UTOPIA which considered the subject of freedom. ROOT(S), one of the videos of this project, received the Audience Award and an Honorable Mention at the Sal International Film Festival, Cabo Verde, 2010. In 2011 he was invited to the Biennial of Sao Tome and Principe for which he produced the video SPRITU, presented at the City Museum, Lisbon in 2012. During this same period, he exhibited UTOPIA at Gra\u00e7a Brand\u00e3o Gallery, also in Lisbon. He is co-founder of the Black Cinema platform www.ficine.org<\/a> and was the Coordinator of the Department of Cinema and Media Arts at the Ministry of Culture of Cabo Verde from 2012 to 2016.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_masonry_media_grid element_width=”3″ initial_loading_animation=”none” grid_id=”vc_gid:1588176846529-5fc99249-98cf-2″ include=”5656,5655,5654,5653,5652,5651,5650,5649,5648,5647,5646,5645″][\/vc_tta_section][vc_tta_section title=”LAILA HIDA (MOROCO)” tab_id=”1478793801514-88fb5815-86462695-cff9″][vc_column_text]<\/p>\n

Laila Hida<\/strong> (Casablanca, Morocco, 1983). Lives and works in Marrakech. Laila has been a freelance photographer and cultural activist since 2002. By founding Le 18 Derb el ferrite, an alternative cultural space and artist residency in the old medina of Marrakech, Laila has organized, with the collaboration of local and international artists, researchers and cultural actors, exhibitions, series of meetings, workshops and alternative educational projects which all tackle at different levels the major lines of the artist research. Her latest works focus mainly on portraits and staged photography depicting different situations, imaginary, both absurd and surrealistic.<\/p>\n

[\/vc_column_text][vc_masonry_media_grid element_width=”3″ initial_loading_animation=”none” grid_id=”vc_gid:1588176846642-dda26fd2-f4f9-10″ include=”5675,5674,5673,5672,5671,5670,5669,5668,5667,5666,5665″][\/vc_tta_section][vc_tta_section title=”LEAH GORDON (UK)” tab_id=”1478793825037-0cb4d446-1bc22695-cff9″][vc_column_text]<\/p>\n

Leah Gordon<\/strong> (Ellesmere Port, Cheshire, 1959). Lives and works in London. Leah is a multi-media artist who curates, collects, researches, writes and directs. She works across a variety of media including film, photography and installations, often including commissioned sculpture and painting. Modernism and architecture, the slave trade and industrialisation, grassroots religious, class and folk histories are subjects of her work. She is the co-director of the Ghetto Biennale in Port-au-Prince, Haiti; was a curator for the Haitian Pavilion at the 54th Venice Biennale; was the co-curator of \u2018Kafou: Haiti, History & Art\u2019 at Nottingham Contemporary, UK; on the curatorial team for \u2018In Extremis: Death and Life in 21st Century Haitian Art\u2019 at the Fowler Museum, UCLA and was the guest curator for the 2016 NYC Outsider Art Fair. In 2015, Leah Gordon and her partner Andr\u00e9 Eug\u00e8ne were the recipients of the Colecci\u00f3n Patricia Phelps de Cisneros Travel Award for Central America and the Caribbean.<\/p>\n

[\/vc_column_text][vc_masonry_media_grid element_width=”3″ initial_loading_animation=”none” grid_id=”vc_gid:1588176846755-48d1421b-e83b-3″ include=”5643,5642,5641,5640,5639,5638,5637,5636,5635″][\/vc_tta_section][vc_empty_space][vc_custom_heading text=”INVITED ARTISTS AND CURATORS” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_tta_section title=”ALEXANDRE ESTRELA” tab_id=”1478798727865-d8009af4-3acf2695-cff9″][vc_column_text]<\/p>\n

Alexandre Estrela (Lisbon, Portugal, 1971). Lives and works in Lisbon. The films created by Alexandre Estrela unfold as video-installations and projections, which expand spatially and temporally through different supports. With this procedure he configures the image as an entity that cannot be reduced to the field of representation, highlighting its possible material and physical consequences. Estrela is constantly problematizing the elements that constitute the act of seeing, the process of constructing different gazes and the possible splitting of vision into further sensible dimensions. Since 2008 Alexandre Estrela directs Oporto, a program of exhibitions and projects in Lisbon.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”H\u00c9LICE TEAM” tab_id=”1478798857806-28a46e44-60102695-cff9″][vc_column_text]<\/p>\n

Duarte Amaral Netto<\/strong> (Lisbon, Portugal, 1976). Lives and works in Lisbon. Studied photography at Ar.co from 1996 to 2000 (Kodak scholarship), Post-Graduation in Visual Culture Theory in 2008 and the European Master of Fine Art Photography at IED Madrid (IED grant) in 2016. Since 2002 exhibit in Portugal and abroad. In 2003 he was awarded the Grand Prix du 48\u00e8me Salon de Montrouge, in Paris. He represented Portugal in \u201c100 photos pour l\u2019Europe\u201d in Paris, and was selected for several festivals and events such as \u201cEuropean Night\u201d in Arles (2006) or Plat(t)form in Winterthur (2014). In 2012 he was nominated for the 8th Edition of the BES Photo Awards with exhibitions at the Berardo Museum (Portugal) and Pinacoteca de S\u00e3o Paulo (Brazil). He teaches photography at the Instituto Polit\u00e9cnico de Tomar.<\/p>\n

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Jo\u00e3o Paulo Serafim <\/strong>(Paris, France, 1974). Lives and works in Lisbon. Graduated in Photography and Fine Arts at Ar.Co, school where teaches since 1998. In 2005 participates in the Photography Course of the Gulbenkian Criatividade e Cria\u00e7\u00e3o Art\u00edstica program and in 2008 attends History of Art at Universidade Nova de Lisboa. In 2005 won the 3rd prize of Purificac\u00edon Garc\u00eda Award. Since 2005 develops the project MIIAC \u2013 Museu Improv\u00e1vel Imagem e Arte Contempor\u00e2nea, a fictional museum based in an iconographic research from a personal collection, constructed along the life of the artist. MIIAC materializes virtually or through exhibitions in different spaces, combining personal and collective memories. This research also extends to museum functions focusing on the backstage like archives and libraries, reflecting about the organization, processing and qualification process of visual information. Also collaborates, since 2004, in theater shows and performances.<\/p>\n

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Rodrigo Tavarela Peixoto <\/strong>(Lisbon, Portugal, 1974), Lives and works in Lisbon. Photographer, exhibiting regularly since 1999, he graduated in Ar.Co. and received a FLAD scholarship that allowed him to continue his studies at SVA, New York. In 2010 he completed the Master of Fine Arts at ESAD.CR – Caldas da Rainha, Portugal. He is currently undertaking a PhD in Communication Studies with Fellowship of the FCT Foundation. Since 2007, he teaches several courses in Photography, Digital Animation and Film Degrees at Universidade Lus\u00f3fona. His works are present in some of the most important Portuguese collections, such as PLMJ collection, BES Art and EDP Foundation.<\/p>\n

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Valter Ventura<\/strong> (Lisbon, Portugal, 1979) Lives and works in Lisbon. Graduated in Art History from Faculdade de Letras (University of Lisbon). In 2005 he finished the Advanced Course in Photography at Ar.Co \u2013 Center for Art and Visual Communication, with the Banco Esp\u00edrito Santo scholarship. Currently he teaches at the Photography Department of Instituto Polit\u00e9cnico de Tomar, also collaborating with Ar.Co, Atelier de Lisboa and the Faculdade de Belas Artes (University of Lisbon). In 2008, participated (in duo with Jos\u00e9 Nuno Lamas) in the 2nd Photography Course, Creativity and Artistic Creation Programme of Calouste Gulbenkian Foundation. Between 2012 and 2014 he was responsible for the photographic department at Carpe Diem \u2013 Art and Research.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”ALESSIO ANTONIOLLI” tab_id=”1478798983379-6739ff9d-231e2695-cff9″][vc_column_text]<\/p>\n

Alessio Antoniolli is the Director of Gasworks, London, where he leads a programme of residencies, exhibitions and participation projects focusing on emerging UK and international artists and practices. Alessio is also the Director of Triangle Network, a global network of artists and grassroots organisations. He is involved in running, fundraising and strategic planning for the Network, as well as working with new partners on developing projects such as residencies and workshops. In 2009 Alessio instigated the Knowledge and Skills Sharing Programme, an ongoing series of professional development and training opportunities for artists and arts coordinators within the Triangle Network. Alessio received his MA in Art History from Birkbeck college, University of London; specialising in issues of internationalism, diversity and cultural policies in the visual arts in the UK.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”JEANNE MERCIER” tab_id=”1478894957303-cc038a01-7c812695-cff9″][vc_column_text]Jeanne Mercier is critic and an independent curator . She is co-founder and editor of Africa in Visu, the first photography exchange platform and network in Africa. She has made a statement in 2005 on \u201dThe African Photography Encounters\u201d and is working on new practices and forms of dissemination of photography in North and West Africa. She divides her time between Africa in Visu and cultural programming consulting activities around contemporary photographic practices, and is a photographer of the issues in Africa. She currently teaches in Morocco and France, and writes for various artistic and photographic magazines. She is a regular correspondent for Africa for The Eye of Photography and Diptyk .[\/vc_column_text][\/vc_tta_section][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”PUBLIC PROGRAM” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]<\/p>\n