{"id":14343,"date":"2019-11-17T14:52:49","date_gmt":"2019-11-17T14:52:49","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=14343"},"modified":"2022-10-02T11:40:23","modified_gmt":"2022-10-02T10:40:23","slug":"talk-with-the-international-artists-and-the-invited-curator-luisa-santos-dinner-dj","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/talk-with-the-international-artists-and-the-invited-curator-luisa-santos-dinner-dj\/","title":{"rendered":"Talk with the international artists and the invited curator Lu\u00edsa Santos + Dinner & DJ"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]HANGAR | TRIANGLE NETWORK 8th Edition
\nInternational Artist Workshop
\n\u201cUNTITLED\u201d<\/p>\n

PUBLIC PROGRAMME<\/strong>
\n13 December | Friday | 6 pm<\/strong>
\nFREE ADMISSION<\/strong>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”14334″ img_size=”full”][vc_column_text]<\/p>\n

\u00a9Melissa Rodrigues<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]Talk with the international participant artists Jabulani Maseko (South Africa), Rosa Vallori (Spain), Yibo Xu (China) with the curator Lu\u00edsa Santos (Portugal)<\/p>\n

Jabulani Maseko<\/strong> (South Africa, 1977) was born and raised in Johannesburg during the political regime of Apartheid. He left, by coincidence, in the same year that Nelson Mandela was released from Robin Island and that South Africa changed its political establishment. He lived briefly in the United States of America before moving to the UK, his adoptive country, where he lived most of his adult life in London. After spending a season in Portugal, in 2010 he left for Venice where he stayed a few months at the Bevilaqua la Massa Foundation, being a very important experience for his artistic development. He took a master\u2019s degree at the London University, in the Slade School of Arts. He exhibited at in London, Luanda, Portugal, France and Switzerland. In various platforms, his work approaches intimate themes related with identity, domesticity and current affairs, being always attentive for questions about integration. His critical sight is based on information absorbed through music, politics and an everyday life filled with activity. Recently, he has been exploring a body of work around the title of \u2018Domestic Violence\u2019, considering the situation of the individual inside the family collective.<\/p>\n

Rosa Vallori<\/strong> (1990, Mallorca) graduated in Fine Arts by the Universitat de Barcelona (ES) and the Hogeschool voor de Kunsten van Utrecht (NL). In her practice, she looks for a formal and conceptual approach to the idea of protection and to the ways of operating spontaneously in the daily life. Her work explores objects in a research on materials, colours, textures. In this procedural work, where materials are often perishable, impermanence is something that remains. It is present in the structures and in the materials, often formed by the rests of any attempt to produce. She plays on the edge of what one can perceive, as understated humoristic acts. It is a work that doubts, evolving towards the unfinished, from a vulnerability that goes hand in hand with an appreciation of some physical form that she cares for. Rosa has been a resident at NauEstruch (Sabadell, ES) and at the HISK, Hoger Instituut voor Schone Kunsten (Ghent, BL) in the international exchange program of Sala d\u2019Art Jove (Barcelona). She has been selected for Ciutat de Palma Antoni Gelabert Visual Arts Awards (ES) and Miquel Casablancas Awards (ES). Her work has been shown at Espai P\u00e0tara (Barcelona), Casal Solleric (Palma, ES) and Fabra i Coats.<\/p>\n

Yibo Xu<\/strong> (China, 1895) carried out a number of experiments of different types in artistic creation and explored multi-dimensions on the basis of traditional sculpture as a disciplinary background. The work carries its own thinking process from the perspective of interactive devices, immersive images and data visualization. Xu pays attention to both the present and the future, so that art and technology can talk on a broader media platform. We can see this creative context in recent years through his \u201cself-healing function\u201d series of works, where the post-human sense of crisis and the concern about a transparent society are always present.<\/p>\n

Lu\u00edsa Santos<\/strong> (1980, Lisboa) \u00e9 uma curadora independente que vive e trabalha em Lisboa. Com uma pr\u00e1tica curatorial assente em investiga\u00e7\u00e3o, \u00e9 tamb\u00e9m Investigadora S\u00e9nior no CECC e\u00a0Professora Auxiliar na Faculdade de Ci\u00eancias Humanas (FCH) da Universidade Cat\u00f3lica Portuguesa (UCP), em Lisboa, desde 2016, tendo-lhe sido atribu\u00edda uma\u00a0Gulbenkian Professorship. Doutorada em Estudos de Cultura pela Humboldt-Viadrina School of Governance, Berlim (2015), com bolsa da Funda\u00e7\u00e3o para a Ci\u00eancia e Tecnologia (FCT), Mestre em Curadoria de Arte Contempor\u00e2nea pela Royal College of Art, Londres (2008), com Bolsa da Funda\u00e7\u00e3o Calouste Gulbenkian, e licenciada em Design de Comunica\u00e7\u00e3o pela Faculdade de Belas-Artes da Universidade de Lisboa (2003). Realizou investiga\u00e7\u00e3o em Pr\u00e1ticas Curatoriais na Konstfack University College of Arts, Crafts and Design, Estocolmo (2012). Em 2017 iniciou o “4Cs: from Conflict to Conviviality through Creativity and Culture”, um projecto de coopera\u00e7\u00e3o Europeu co-financiado pela EU Criativa e liderado pela\u00a0 Universidade Cat\u00f3lica Portuguesa com um cons\u00f3rcio de 8 centros de arte contempor\u00e2nea e Faculdades de Ensino Art\u00edstico de 8 pa\u00edses. Os seus projetos mais recentes incluem “There’s no knife without roses”, no Tensta Konsthall, Estocolmo (2012); “Daqui parece uma montanha” , no Centro de Arte Moderna, Funda\u00e7\u00e3o Calouste Gulbenkian, Lisboa (2014); “Gr\u00e6sset er altid gr\u00f8nnere”, no Museet for Samtidskunst, Roskilde (2014-15), a curadoria executiva da primeira edi\u00e7\u00e3o da Anozero: Bienal de Arte Contempor\u00e2nea de Coimbra (2015),\u00a0“Tension and Conflict” (2017), MAAT, Lisboa, “13 shots” (2018), Museu Gulbenkian, Lisboa, e “Europoliticas” (2019), Museu do Dinheiro, Lisboa. Desde 2015, \u00e9 membro do Comit\u00e9 Cient\u00edfico do Congresso Internacional Criadores Sobre outras Obras (CSO), e dos Comit\u00e9s Cient\u00edficos e Editoriais das Revistas Acad\u00e9micas Est\u00fadio, Gama e Croma. Desde 2016, \u00e9 membro do Comit\u00e9 Editorial do Yearbook of Moving Image Studies (YoMIS), publicado pela B\u00fcchner-Verlag.<\/p>\n

Photo: Jabulani Maseko
\nSupport: DGArtes and Gasworks[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

December 13th 2019<\/p>\n","protected":false},"author":8,"featured_media":14244,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165,123],"tags":[241,286],"class_list":["post-14343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-residencies-triangle-network","tag-2019-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/14343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=14343"}],"version-history":[{"count":1,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/14343\/revisions"}],"predecessor-version":[{"id":20418,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/14343\/revisions\/20418"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/14244"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=14343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=14343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=14343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}