{"id":11922,"date":"2018-11-16T19:30:16","date_gmt":"2018-11-16T19:30:16","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=11922"},"modified":"2022-10-02T11:40:47","modified_gmt":"2022-10-02T10:40:47","slug":"lecture-by-francoise-verges-latelier-and-other-artistic-decolonial-practices-fostering-anti-capitalism-and-political-anti-racism","status":"publish","type":"post","link":"https:\/\/hangar.com.pt\/en\/lecture-by-francoise-verges-latelier-and-other-artistic-decolonial-practices-fostering-anti-capitalism-and-political-anti-racism\/","title":{"rendered":"Lecture by Fran\u00e7oise Verg\u00e8s \u201cL\u2019Atelier and other artistic decolonial practices. Fostering anti-capitalism and political anti-racism\u201d"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>Date: <\/strong>November 27, 2018<br \/>\n<strong>Time:<\/strong> 6:30 pm<br \/>\n<strong>Venue:<\/strong>Hangar &#8211; Artistic Research Centre, Lisbon[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;11924&#8243; img_size=&#8221;full&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: center;\">\u00a9 Cyrille Choupas. Cortesy Fran\u00e7oise Verg\u00e8s.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;DETAILS&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Fran\u00e7oise Verg\u00e8s will discuss some of the cultural and artistic practices she has been developing in the last fifteen years: the museum without objects, \u201cBanana and Imperialism: A Travel Across Time and Space\u201d, \u201cThe Slave in the Louvre: An Invisible Humanity\u201d, and L\u2019Atelier, a collective and collaborative workshop with black artists in Paris.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<strong>Organisation:<\/strong> Ana Balona de Oliveira (CEC-FLUL &amp; IHA-FCSH-NOVA).<br \/>\nPart of the talk and lecture series \u2018Thinking from the South: Comparing Post-Colonial Histories and Diasporic Identities through Artistic Practices and Spaces\u2019.<\/p>\n<p><strong>Support:<\/strong> Centre for Comparative Studies, University of Lisbon; Institute for Art History, New University of Lisbon; Foundation for Science and Technology; Direc\u00e7\u00e3o Geral das Artes.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;BIO&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Fran\u00e7oise Verg\u00e8s is an anti-racist feminist scholar who has written extensively on Frantz Fanon, Aim\u00e9 C\u00e9saire, memories of slavery, the decolonial museum, and feminism. In her most recent book, \u201cThe Black Women\u2019s Womb. Capitalism, Race, Feminism\u201d (2017), she explores the racial politics of birth control from the slave trade to today, and criticizes white bourgeois feminism.<br \/>\nVerg\u00e8s spent her childhood in La R\u00e9union, and has lived in Algeria, France, Mexico, England and the United States. After having worked as a journalist and editor in the women&#8217;s liberation movement in France, she moved to the United States in 1983, where she worked before enrolling in university. She obtained a dual Bachelor&#8217;s degree summa cum laude in Political Science and Women&#8217;s Studies in San Diego, then a Doctorate in Political Science at Berkeley, California (1995). Her thesis \u201cMonsters and Revolutionaries. Colonial Family Romance\u201d, for which she obtained the award for the best thesis in political theory, was published by Duke University Press (1999). She has taught at Sussex University and Goldsmiths College in England. She became a member of the Comit\u00e9 pour la m\u00e9moire et l\u2019histoire de l\u2019esclavage (Committee for the remembrance and history of slavery) in 2004 (Taubira Act of 2001), and was its president from 2009 to 2012. Between 2003 and 2010, she developed the scientific and cultural programme for a museum for the 21st century on the island of La R\u00e9union. She is also a member of several institutions working to prevent discrimination and racism; she sits on the board of the Galerie B\u00e9tonsalon and on the scientific council of the Fondation Lilian Thuram \u2013 \u00c9ducation contre le racisme. Verg\u00e8s was also chairholder of the Global South(s) Chair at the Coll\u00e8ge d\u2019Etudes Mondiales from 2014 to 2018.<br \/>\nHer publications include: \u201cD\u00e9colonisons les Arts!\u201d, L\u2019Arche, Paris, 2018, with Le\u00efla Cukeirman and Gerty Dambury; \u201cLe ventre des femmes. Capitalisme, racialisation, f\u00e9minisme\u201d, Albin Michel, Paris, 2017; \u201cExposer l&#8217;esclavage: m\u00e9thodologies et pratiques. Colloque international en hommage \u00e0 \u00c9douard Glissant\u201d, Africultures, Paris, 2013; \u201cL\u2019Homme pr\u00e9dateur. Ce que nous enseigne l&#8217;esclavage sur notre temps\u201d, Albin Michel, Paris, 2011; \u201cRuptures postcoloniales: Les nouveaux visages de la soci\u00e9t\u00e9 fran\u00e7aise\u201d, with Nicolas Bancel, Florence Bernault, Pascal Blanchard, Ahmed Boubakeur and Achille Mbembe, La D\u00e9couverte, Paris, 2010.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=&#8221;SUPPORT:&#8221; font_container=&#8221;tag:h4|text_align:left&#8221; use_theme_fonts=&#8221;yes&#8221;][vc_empty_space][vc_row_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;10299&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1520421593794{margin-top: -10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;10296&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1520421505722{margin-top: -10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;10301&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1520421679108{margin-top: -10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;10292&#8243; img_size=&#8221;full&#8221; css=&#8221;.vc_custom_1520421455136{margin-top: -10px !important;}&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;9630&#8243; img_size=&#8221;full&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/6&#8243;][vc_single_image image=&#8221;4716&#8243; img_size=&#8221;100&#215;80&#8243; css=&#8221;.vc_custom_1540412192416{margin-top: -20px !important;}&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner width=&#8221;3\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;3\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;3\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;1\/12&#8243;][\/vc_column_inner][vc_column_inner width=&#8221;2\/12&#8243;][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>November 27th 2018<\/p>\n","protected":false},"author":8,"featured_media":11925,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[242,286],"class_list":["post-11922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2018-en","tag-previous"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=11922"}],"version-history":[{"count":1,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11922\/revisions"}],"predecessor-version":[{"id":20490,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11922\/revisions\/20490"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/11925"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=11922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=11922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=11922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}