{"id":10406,"date":"2018-03-08T13:09:08","date_gmt":"2018-03-08T13:09:08","guid":{"rendered":"https:\/\/hangar.com.pt\/?page_id=10406"},"modified":"2023-01-29T18:12:32","modified_gmt":"2023-01-29T18:12:32","slug":"post-archive","status":"publish","type":"page","link":"https:\/\/hangar.com.pt\/en\/research\/post-archive\/","title":{"rendered":"Post Archive"},"content":{"rendered":"

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The archive has recently emerged as a critical tool to conceptualize the heuristic value of history, heritage and memory in debates on postcolonial discourses. Responses to the colonial archive are a significant current in late 20th and early 21st century culture. In many different contexts and in a range of visual media, artists have critiqued and deconstructed dominant Western myths and stereotypes of identity. The theoretical issues that inform this subject include the relationship between aesthetics and politics, forms of resistance, the structure and operation of cultural stereotypes in visual cultures, questions of cultural agency, the relationship between postcolonialism and feminism, cultural hybridity, and cross-cultural borrowing\u00a0 and appropriation.<\/p>\n

The post- archive<\/strong> is a\u00a0 video and photographic project to be develop by M\u00f3nica de Miranda <\/a>as practice based research. It will take the form of a contemporary art archive presented as a\u00a0web based platform. This archive will combine factual past and present contemporary experiences with history and memory intertwined with fictional re-imaginings of pos-colonial urban places and spaces through the place of the familiar and the genealogy of the personal spaces of the artist. These archive will be a study and practice of storing, cataloguing, and retrieving documents, photographs, videos, postcards, related to the city present postcolonial geographies of Lisbon and its contested territories, legacies, memories and identities. It will look to the figure of the artist as an archaeologist and ethnographer, who works as a personal archivist and ethnographer of histories and aims to recover and reconstruct memories and archives, to reveal how this shapes a relation to the past and the construction of historical meanings for the present understanding of reality.<\/p>\n

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Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Events” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”]

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TALK – Participation after Artificial Hells<\/a><\/h3>
July 12th 2023<\/div><\/div><\/article><\/div>
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TALK – Artists Committed to the Archive<\/a><\/h3>
June 10th 2023<\/div><\/div><\/article><\/div>
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TALK – Towards a global idea of race<\/a><\/h3>
May 8th 2023<\/div><\/div><\/article><\/div>
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Curating as Care<\/a><\/h3>
March 27th 2023<\/div><\/div><\/article><\/div>
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Towards a global idea of race<\/a><\/h3>
April 4th 2023<\/div><\/div><\/article><\/div>
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Curating as a Practice of Love<\/a><\/h3>
February 25th 2023<\/div><\/div><\/article><\/div>
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Um ritual-recital-perform\u00e1tico III ou Um lugar que eu digo saber inventar<\/a><\/h3>
January 14th 2023<\/div><\/div><\/article><\/div>
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Entre Anuncia\u00e7\u00f5es e Miragens<\/a><\/h3>
June 8th 2022<\/div><\/div><\/article><\/div>
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EVENT – Contemporary Cinema in Angola \/ Vision of a Generation<\/a><\/h3>
June 7th 2022<\/div><\/div><\/article><\/div>
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Decolonial and sustainable art and art institutional practice<\/a><\/h3>
June 1t 2022<\/div><\/div><\/article><\/div>
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A Lisbon Affair<\/a><\/h3>
May 25th 2022<\/div><\/div><\/article><\/div>
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Talk with Emeka Ogboh<\/a><\/h3>
September 17th 2019<\/div><\/div><\/article><\/div>
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TALK WITH TOMA MUTEBA LUNTUMBUE<\/a><\/h3>
March 29th 2019<\/div><\/div><\/article><\/div>
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Christabelle Peters<\/a><\/h3>
Novembro 2018<\/div><\/div><\/article><\/div>
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Talk with Sammy Baloji and Filip de Boeck<\/a><\/h3>
March 24th, 2018.
\r\n6 pm \u2013 8 pm
\r\nHangar \u2013 Artistic Research Centre, Lisbon\r\n<\/div><\/div><\/article><\/div>
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TALK WITH IRIT ROGOFF<\/a><\/h3>
Date: October 20th, 2017 (Friday), 7pm
\r\nEntrada Livre\r\n<\/div><\/div><\/article><\/div>
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GRADA KILOMBA | Artist talk<\/a><\/h3>
Date: November 3rd, 2017 (Friday), 19h
\r\nFREE ADMISSION\r\n<\/div><\/div><\/article><\/div>
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CROSS WORDS – CROSSED WORLDS \u2014 Talk<\/a><\/h3>
24 September 2016\r\n7 pm\r\n\r\n\u00a9 Zineb Sedira<\/div><\/div><\/article><\/div>
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RITES OF RETURN – POLITICS OF MEMORY AND DIASPORA \u2014 Talk<\/a><\/h3>
30 September 2016\r\n6 pm<\/div><\/div><\/article><\/div>
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PERSONAL GEOGRAPHIES, ART AND THE SELF \u2014 Talk<\/a><\/h3>
2 Junho 2016\r\n19h\r\n\r\n\u00a9 Phoebe Boswell, Dadangu, 2016<\/div><\/div><\/article><\/div>
\"\"<\/a><\/div>

Artistic Migrations In and Beyond Lisbon<\/a><\/h3>
[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]EDSON CHAGAS\u00a0\u2014 29th June\u00a02016 \u2014 7 pm[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text][vc_gallery type=”image_grid” images=”4863″ img_size=”400×200″][\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Artistic Migrations In and Beyond Lisbon\u00a0| integrated in the program\u00a0 180\u00ba Artistas ao Sul Artists Talks Artistic…<\/div><\/div><\/article><\/div>
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Personal archives: Memory, Identity and Migration<\/a><\/h3>
Artist Talk\r\n\r\nALIA SYED + CHILA KUMARI BURMAN + ANJALIKA SAGAR\r\n\r\nOrganizer: M\u00f3nica de Miranda\r\n\r\n23 October<\/div><\/div><\/article><\/div>
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FAISAL ABDUL\u2019ALAH<\/a><\/h3>
5 \u2013 7 November<\/div><\/div><\/article><\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Support” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”8066″ img_size=”full” alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”10px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] The archive has recently emerged as a critical tool to conceptualize the heuristic value of history, heritage and memory in debates on postcolonial discourses. Responses to the…<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":3555,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10406","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/10406","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=10406"}],"version-history":[{"count":5,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/10406\/revisions"}],"predecessor-version":[{"id":22760,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/10406\/revisions\/22760"}],"up":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/3555"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=10406"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}