{"id":10332,"date":"2018-03-07T11:44:28","date_gmt":"2018-03-07T11:44:28","guid":{"rendered":"https:\/\/hangar.com.pt\/pensando-a-partir-do-sul\/"},"modified":"2018-11-21T18:32:06","modified_gmt":"2018-11-21T18:32:06","slug":"thinking-from-the-south","status":"publish","type":"page","link":"https:\/\/hangar.com.pt\/en\/research\/thinking-from-the-south\/","title":{"rendered":"Thinking from the South"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Comparing Post-Colonial Histories and Diasporic Identities through Artistic Practices and Spaces<\/h5>\n

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This series of talks and lectures intends to open up a comparative discussion on the ways in which artistic practices and spaces \u2013 most notably those whose programming is centred on anti-racist, feminist, diasporic and migratory politics \u2013 have been working towards an epistemic decolonization. With speakers from different generations, geographical contexts and professional backgrounds, the series will provide an opportunity for sharing knowledge and experiences on colonial, anti- and post-colonial histories and diasporic identities, and for looking into transnational and trans-disciplinary strategies of decolonization through artistic, curatorial, activist and academic practices. It departs from the premise that cultural production has a fundamental role to play in political, social and economic arenas.<\/p>\n

Organized by Ana Balona de Oliveira in the framework of the research line Transnational Perspectives on Contemporary Art: Identities and Representation (CASt-IHA-FCSH-NOVA) and the project Visual Culture, Migration, Globalization and Decolonization (CITCOM-CEC-FLUL).<\/p>\n

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Ana Balona de Oliveira, Luanda, 2017<\/p>\n

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Ana Balona de Oliveira<\/strong> is a FCT Postdoctoral Fellow at the Institute for Art History of the New University of Lisbon (IHA-FCSH-NOVA) and at the Centre for Comparative Studies of the University of Lisbon (CEC-FLUL). She has lectured in several institutions in the United Kingdom and Portugal, notably at the Courtauld Institute of Art, University of London, where she received her PhD in History of Art (Modern and Contemporary) with the thesis \u2018Fort\/Da: Unhomely and Hybrid Displacements in the Work of \u00c2ngela Ferreira, c. 1980-2008\u2019, 2012. Her current research focusses on narratives of empire, anti- and post-colonialism, migration and globalization in contemporary art from \u2018Lusophone\u2019 countries and beyond. She co-coordinates the research line \u2018Transnational Perspectives on Contemporary Art: Identities and Representation\u2019 of the Contemporary Art Studies group (CASt-IHA-FCSH-NOVA) and is a member of the Direction Board of AIM \u2013 Association of Moving Image Researchers (Portugal). She has published articles in Nka: Journal of Contemporary African Art<\/em> (US), Third Text<\/em> (UK), Mute<\/em> (UK), \/seconds<\/em> (UK), Fillip<\/em> (Canada), \u00c1frica(s)<\/em> (Brazil), Aniki: Portuguese Journal of the Moving Image<\/em> (Portugal), Revista de Hist\u00f3ria de Arte<\/em> (Portugal), Revista Comunica\u00e7\u00e3o & Sociedade<\/em> (Portugal), among others. She has contributed essays and interviews to exhibition catalogues (Recent Histories: Contemporary African Photography and Video Art<\/em>, Walther Collection & Steidl, 2017; \u00c2ngela Ferreira: Underground Cinemas & Towering Radios<\/em>, EGEAC-Galerias Municipais, 2016; Novo Banco Photo 2015<\/em>, Museu Cole\u00e7\u00e3o Berardo, 2015, etc.) and other publications ((Re)Imagining African Independence: Film<\/em>, Visual Arts and the Fall of the Portuguese Empire<\/em>, Peter Lang, 2017; Red Africa: Affective Communities and the Cold War<\/em>, Black Dog Publishing, 2016; Edson Chagas: Found Not Taken<\/em>, Kehrer Verlag, 2015, etc.). She has curated the solo exhibitions \u00c2ngela Ferreira: Underground Cinemas & Towering Radios<\/em> (Galeria Av. da \u00cdndia, Lisbon, 2016) and \u00c2ngela Ferreira: Monuments in Reverse<\/em> (Centro para os Assuntos de Arte e Arquitectura, Guimar\u00e3es, 2015), and has co-curated the collective exhibition Ruy Duarte de Carvalho: A Delicate Zone of Commitment<\/em> (Galeria Quadrum, Lisbon, 2015-2016), among others.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Events” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”11925″ img_size=”280×200″ alignment=”center” onclick=”custom_link” link=”https:\/\/hangar.com.pt\/en\/lecture-by-francoise-verges-latelier-and-other-artistic-decolonial-practices-fostering-anti-capitalism-and-political-anti-racism\/”][vc_column_text]<\/p>\n

Lecture by Fran\u00e7oise Verg\u00e8s
\n\u201cL\u2019Atelier and other artistic decolonial practices. Fostering anti-capitalism and political anti-racism\u201d
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6.30 pm, 27 November 2018
\nHangar \u2013 Artistic Research Centre, Lisbon<\/p>\n

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John Akomfrah in conversation with Manuela Ribeiro Sanches<\/a><\/h4>\n

November 9th, 2018 – 6:30 pm
\nHangar \u2013 Artistic Research Centre, Lisbon<\/p>\n

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Talk with Sammy Baloji and Filip de Boeck<\/a><\/h4>\n

March 24th, 2018
\n6 pm \u2013 8 pm
\nHangar \u2013 Artistic Research Centre, Lisbon<\/p>\n

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[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text] Comparing Post-Colonial Histories and Diasporic Identities through Artistic Practices and Spaces [\/vc_column_text][vc_column_text] This series of talks and lectures intends to open up a comparative discussion on…<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":3555,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-10332","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/10332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=10332"}],"version-history":[{"count":0,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/10332\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/3555"}],"wp:attachment":[{"href":"https:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=10332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}