{"id":4674,"date":"2016-05-21T19:19:01","date_gmt":"2016-05-21T18:19:01","guid":{"rendered":"http:\/\/www.hangar.com.pt\/en\/?p=4674"},"modified":"2022-10-02T12:11:16","modified_gmt":"2022-10-02T11:11:16","slug":"artistic-migrations-in-and-beyond-lisbon","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/artistic-migrations-in-and-beyond-lisbon\/","title":{"rendered":"ARTISTIC MIGRATIONS IN AND BEYOND LISBON"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][vc_custom_heading text=”Eur\u00eddice Kala” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

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Artistic Migrations In and Beyond Lisbon, organized by Ana Balona de Oliveira in a partnership between the Centre for Comparative Studies (CEC-FLUL), the Institute for Art History (IHA-FCSH-UNL) and Hangar in Lisbon, is a series of conversations with artists, some of whom in residence at Hangar in the context of the artist residencies programme \u2018180\u00ba Artistas ao Sul\u2019, and other invited speakers. Through several media, the artists in question examine and problematize notions of identity and difference, not only national and diasporic, but also cultural, racial, class-based, gendered and sexual, as well as the notion of artistic production as a means for the investigation of history and memory, both collective and individual, both public and private, with the purpose of examining the contradictions of the present and imagining possible futurities.<\/span><\/div>\n
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\u00a031 May 2016<\/div>\n

7\u00a0pm<\/p>\n

FREE ENTRY<\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_separator][vc_column_text]Scientific coordination and organized by M\u00f3nica de Miranda
\nThis project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL
\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”4753″ img_size=”500×750″ alignment=”right”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Support:<\/p>\n

\"Logotipo<\/p>\n

\"LOGO[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

31 May 2016
\n7 pm<\/p>\n","protected":false},"author":2,"featured_media":2200,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[244,286],"class_list":["post-4674","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2016-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/4674","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=4674"}],"version-history":[{"count":1,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/4674\/revisions"}],"predecessor-version":[{"id":19909,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/4674\/revisions\/19909"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/2200"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=4674"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=4674"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=4674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}