{"id":24827,"date":"2024-01-09T02:30:40","date_gmt":"2024-01-09T02:30:40","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=24827"},"modified":"2024-01-09T02:30:40","modified_gmt":"2024-01-09T02:30:40","slug":"goals","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/goals\/","title":{"rendered":"Public Event | Goals"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<strong>GOALS <\/strong><\/p>\n<p>January 18th | 7pm<\/p>\n<p>@ Hangar, Rua Damasceno Monteiro, 12 r\/c, 1170-112 Lisboa[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;24821&#8243; img_size=&#8221;full&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]Jabulani Maseko\u2019s works delve into the collective black experience throughout history &#8211; a history based on the black body in conflict with society and ultimately in conflict with itself.<\/p>\n<p>Inevitably, Maseko\u2019s artistic journey is deeply personal, reflecting his understanding of self, body and their contextual interplay in the wider world. His practice is grounded in exploring personal memory, family history, storytelling and myth, with his own body serving as both medium and surface within his creations. For instance, take \u201cOnce Upon A Time\u201d from 2010, where he employs the use of gold leaf to examine the history of mineral extraction in the context of sub-Saharan Africa. Additionally, his \u201cDisruptive Patterns\u201d series involves working with flesh-colored plasters to draw attention to the subtler underpinnings of racial classification and how these inform the very everyday objects we interact with.<\/p>\n<p>In the upcoming performance at Hangar, Maseko\u2019s video artwork \u201cGoals\u201d takes center stage. This ten-minute piece unfolds against a wide winter-landscape in Switzerland, capturing Maseko\u2019s struggle as he pushes a goalpost from one side of the frame to the other. The video cleverly plays with the idiomatic expression \u201cmoving the goalpost\u201d, embodying a physical and metaphorical push, reflecting the artist\u2019s journey to redefine boundaries and test the limits of the body. This work also reaffirms the artist\u2019s way of working, which often reflects where he is geographically at any given moment. Through the act of constantly looking at his environment, Maseko often finds himself compelled to respond to the nuances of place.<\/p>\n<p>Following the screening of \u201cGoals\u201d, the evening transitions into an interactive conversation with Jabulani Maseko. The talk will delve into the overarching theme of the body in Maseko\u2019s work, exploring its recurrence and significance in his broader artistic portfolio. A unique exploration of the body as a site of contradictory emotions and states is promised, threading the narratives of both personal and collective memory and offering visitors an engaging and reflective experience. This immersive event invites attendees to witness the intricate layers of Maseko\u2019s artistry, blending personal narratives, political undertones and an exploration of the environment and the human form.[\/vc_column_text][\/vc_column][\/vc_row][vc_row disable_element=&#8221;yes&#8221;][vc_column width=&#8221;1\/5&#8243;][vc_single_image image=&#8221;2113&#8243; img_size=&#8221;full&#8221;][vc_empty_space][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][vc_column width=&#8221;1\/5&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>January 18th 2024<\/p>\n","protected":false},"author":14,"featured_media":24822,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[258,286],"class_list":["post-24827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2024-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/24827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=24827"}],"version-history":[{"count":2,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/24827\/revisions"}],"predecessor-version":[{"id":24830,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/24827\/revisions\/24830"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/24822"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=24827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=24827"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=24827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}