{"id":23247,"date":"2023-05-14T09:29:27","date_gmt":"2023-05-14T08:29:27","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=23247"},"modified":"2023-06-11T11:41:12","modified_gmt":"2023-06-11T10:41:12","slug":"arco-talk","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/arco-talk\/","title":{"rendered":"ARCO TALK"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]ARCO TALK<\/strong><\/p>\n

Speakers\u2019 Corner,<\/p>\n

Date – Saturday, 27th May – 2.15pm<\/p>\n

Title O Corpo e o arquivo (The Body and the archive), conversation with Eust\u00e1quio Neves[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Synopsis” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator][vc_column_text]This conversation draws on the reflections of Leda Maria Martins and her conception of the Afrodiasporic body as an archive and historical writing and the notion of spiral time to discuss the poetics and trajectory of the Brazilian artist Eust\u00e1quio Neves. [\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=”Bio” font_container=”tag:h4|text_align:left” use_theme_fonts=”yes”][vc_separator][vc_column_text]Eust\u00e1quio Neves<\/strong> (born. 1955) is a self-taught photographer and video artist who studied chemistry and classical guitar. Since 1989, he has researched and developed alternative and multidisciplinary techniques, including the manipulation of negatives and prints as well as electronic media, through which he incorporates sequence and movement. He was born in 1955 in Juatuba, Minas Gerais, Brazil.<\/p>\n

The interest of his work is focused on the memory issues and identity of black Brazilians. In 1994, he was awarded The Marc Ferrez Photography Prize by Funarte, Brazil\u2019s National Foundation for the Arts. His work has been widely exhibited in Brazil and abroad, including solo shows of his series Cartas ao Mar [Letters to the Sea] (2015).[\/vc_column_text][vc_column_text]Cristiana Tejo<\/strong> is an independent curator, Ph.D. in Sociology (UFPE) and an integrated member of the Institute of Art History of the Universidade Nova de Lisboa. She is a researcher on the project \u201cArtists and radical education in Latin America: 1960s\/1970s\u201d, coordinated by the researchers Giulia Lamoni and Margarida Brito Alves. She organizes together with Kiki Mazzuchelli the Belojardim Residence, in the Agreste of Pernambuco. She was the co-founder of Espa\u00e7o Fonte \u2013 Center for Research in Art (Recife) and curator of the Made in Mirrors Project, which involved exchanges between artists from Brazil, China, Egypt and the Netherlands. She was general coordinator of Scientific and Cultural Capacity Building and Cultural Directorate of the Joaquim Nabuco Foundation and co-curator of the 32nd Panorama of Brazilian Art of MAM-SP, with Cau\u00ea Alves. She was Director of the Museum of Modern Art Alo\u00edsio Magalh\u00e3es, curator of Fine Arts of the Joaquim Nabuco Foundation (2002-2006), curator of the Rumos Artes Visuais of the Ita\u00fa Cultural (2005-2006), visiting curator of Malakoff Tower (2003-2006) and curator of the 46th Salon of Plastic Arts of Pernambuco (2004-2005). Among her recent curating works are Tomorrow is another day \u2013 M\u00f3nica de Miranda, at Galeria Carlos Carvalho (Lisbon), Landscape Time \u2013 Karina Dias (Caixa Cultural Bras\u00edlia) and Bruscky Invent\u2019s (Dan Gunn Gallery, Berlin). She has participated in several selection and awarding commissions, among them: Bonnefanten Contemporary Art Prize 2014 (Maastricht, Netherlands), Videobrasil 2013, Solo Projects \u2013 Focus Latin America (ARCO Madrid, 2013), Rumos Artes Visuais of Argentina, among others. Published Paulo Bruscky \u2013 Arte em todos os sentidos (2009), Panorama do Pensamento Emergente (2011) and Salto no Escuro (2012). She organized the book Paulo Bruscky \u2013 Arte e multimeios (2014) and Cinco Dimens\u00f5es da Curadoria (2017). She contributes regularly to the magazines Select (Brazil) and Terremoto (Mexico). Lives and works between Recife and Lisbon.[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid grid_id=”vc_gid:1684052592764-dd139827-0ccb-9″][vc_empty_space][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

May 27th 2023<\/p>\n","protected":false},"author":14,"featured_media":23102,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[165],"tags":[253,286],"class_list":["post-23247","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-2023-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/23247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=23247"}],"version-history":[{"count":3,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/23247\/revisions"}],"predecessor-version":[{"id":23251,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/23247\/revisions\/23251"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/23102"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=23247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=23247"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=23247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}