{"id":21450,"date":"2022-04-27T14:11:45","date_gmt":"2022-04-27T13:11:45","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=21450"},"modified":"2022-10-02T11:37:44","modified_gmt":"2022-10-02T10:37:44","slug":"annunciation","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/annunciation\/","title":{"rendered":"Annunciation"},"content":{"rendered":"

[vc_row][vc_column][vc_empty_space height=”5px”][vc_separator color=”black”][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text]Exhibition:<\/strong> Annunciation<\/p>\n

Opening:<\/strong> May 21st, 3 pm to 8 pm<\/p>\n

Dates:<\/strong> Exhibition open until July 2nd 2022<\/p>\n

Place:<\/strong> R. Damasceno Monteiro, 12 R\/C | 1170-112 – Lisbon<\/p>\n

Annunciation is the first solo exhibition by the duo Sil\u00eancio Coletivo [Collective Silence], formed by Jaime Lauriano and Igor Vidor, in Lisbon.[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_single_image image=”21451″ img_size=”full” add_caption=”yes” alignment=”center” onclick=”link_image”][vc_column_text]\u00a9 Sil\u00eancio Coletivo[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Annunciation stems from an extensive exploration of the wave of protests organized by Black Lives Matter after the brutal murder of George Floyd in the US city of Minneapolis, the protests against the genocide of indigenous children in Canada, and the burning of the Borba Gato monument to the bandeirantes (early Brazilian fortune hunters) in S\u00e3o Paulo, to raise questions about the tensions of city living. In the midst of these, and other recent demonstrations challenging the commemoration of colonialism in contemporary society, we have witnessed several statues being torn down around the world.<\/p>\n

These statues which represented “colonisers” and slavers were toppled by mostly black crowds. This act carries a potent symbolism, as it highlights the urgency of discussing the monuments built and collections established during the period of colonisation.<\/p>\n

By filling all the walls of the Hangar with images of recently torn-down monuments to colonialism, the exhibition brings to the surface the importance of rethinking these events.<\/p>\n

Propped against the walls you will find images printed on cardboard of monuments that commemorated the Portuguese invasions of the so-called “New World”. Their lack of volume suggests their loss of meaning, and their positioning heralds the imminent fall of those monuments, stubbornly standing, and perpetuating Portuguese colonial self-esteem.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]SILE\u0302NCIO COLETIVO<\/strong><\/p>\n

The duo Sile\u0302ncio Coletivo was created in 2020, after the artists Jaime Lauriano and Igor Vidor shared a studio in the city of Porto, Portugal. In his works, Jaime Lauriano invites us to examine the power structures in the Brazilian historiographic production, to bring to the surface historical traumas relegated to the past, to the confined archives, in a collective review and re-elaboration of History. And Igor Vidor, allow us to reflect in his works, like the approximation of certain objects and materials highlight an intermittent scenar- io and of apparent insoluble violence that finds echoes, and recurrences in Brazil\u2019s history. Both the artists are together now for the elaboration and mixture of their productions. [\/vc_column_text][vc_column_text]Jaime Lauriano<\/strong> (Sa\u0303o Paulo, 1985)<\/p>\n

Lives and works in Sao Paulo\/Brazil. He graduated at Centro Universita\u0301rio Belas Artes de Sa\u0303o Paulo, in the year of 2010. From his individual shows he highlights: Marcas, Fundac\u0327a\u0303o Joaquim Nabuco, Recife, Brasil, 2018; Ao Norte do Rio, Sesc Santana, Sa\u0303o Paulo, Brasil, 2018; Brinquedo de furar moletom, MAC Nitero\u0301i, Rio de Janeiro, Brasil, 2018; Assentamento, Galeria Leme, Sa\u0303o Paulo, Brasil, 2017; Nessa terra, em se plantando, tudo da\u0301, Centro Cultural Banco do Brasil, Rio de Janeiro, Brasil, 2015; Autorretrato em Branco sobre Preto, Galeria leme, Sa\u0303o Paulo, Brasil, 2015; Impedimento, Centro Cultural Sa\u0303o Paulo, Sa\u0303o Paulo, Brasil, 2014; Em Exposic\u0327a\u0303o, Sesc, Sa\u0303o Paulo, Brasil, 2013; and collective shows: Vaive\u0301m, Centro Cultural Banco do Brasil, Sa\u0303o Paulo, Brasil, 2019; A Queda do Ce\u0301u, CAIXA Cultural Brasi\u0301lia, Brasi\u0301lia, Brasil, 2019; Quem na\u0303o luta ta\u0301 morto \u2013 arte democracia utopia, Museu de Arte do Rio, Rio de Janeiro, Brasil, 2018; Histo\u0301rias Afro-Atla\u0302nticas, MASP and Instituto Tomie Ohtake Sa\u0303o Paulo, Brasil, 2018; The World\u2019s Game: Fu\u0301tbol and Contempo- rary Art, Pe\u0301rezArt Museum Miami, Miami, EUA, 2018; 11a Bienal de Artes Visuais do Mercosul, Tria\u0302ngulo do Atla\u0302ntico, Porto Alegre, Brasil, 2018; Levantes, SESC Pinheiros, Sa\u0303o Paulo, Brasil, 2017; Festival de Arte Contempora\u0302nea Sesc_Videobrasil, Sa\u0303o Paulo, Brasil, 2017; Metro\u0301pole: Experie\u0302ncia Paulistana, Estac\u0327a\u0303o Pinacoteca, Sa\u0303o Paulo, Brasil, 2017; WELT KOMPAKT?, frei_raum Q21, Viena, Austria, 2017; How to Remain Silent, A4 Arts Foundation, Cidade do Cabo, A\u0301frica do Sul, 2017; Totemonumento, Galeria Leme, Sa\u0303o Paulo, Brasil, 2016; 10TH Bamako Encouters, Museu Nacional, Bamako, Mali, 2015; Empresa Colonial, Caixa Cultural, Sa\u0303o Pau-lo, Brasil, 2015; Frente a Euforia, O cina Cultural Oswald de Andrade, Sa\u0303o Paulo,Brasil, 2015; Tatu: futebol, adversidade e cultura da caatinga, Museu de Arte do Rio (MAR), Rio de Janeiro, Brasil, 2014; Taipa-Tapume, Galeria Leme, Sa\u0303o Paulo, Bra- sil, 2014; Espac\u0327os Independentes: A Alma E\u0301 O Segredo Do Nego\u0301cio, Funarte, Sa\u0303o Paulo, Brasil, 2013; he has works in public collections: Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brasil; Fundac\u0327a\u0303o Joaquim Nabuco, Recife, Brasil; MAC Nitero\u0301i, Nitero\u0301i, Rio de Janeiro, Brasil; MAR \u2013 Museu de Arte do Rio, Rio de Janeiro, Brasil; MASP \u2013 Museu de Arte de Sa\u0303o Paulo, Sa\u0303o Paulo, Brasil; Museu Casa das Onze Janelas, Bele\u0301m, Para\u0301, Brasil; Pinacoteca do Estado de Sa\u0303o Paulo,Sa\u0303o Paulo, Brasil e Schoep in Stiftung: The Collection, Lo\u0308rrach, Germany.[\/vc_column_text][vc_column_text]Igor Vidor<\/strong> (Sa\u0303o Paulo, 1985)<\/p>\n

Lives and works between and Berlin\/Germany and Sao Paulo\/ Brazil. He graduated at Centro Universita\u0301rio Belas Artes de Sa\u0303o Paulo, in 2010. Among his recente shows he highlights: Igor Vidor IBB-Video Space, Berlinische Galerie Museum Fu\u0308r Moderne Kunst, Berlin, 2021; Violence as Commodities, LOAF Laboratory of art and form, Kyoto, 2021; Trama, Core – Haus der Statistik, Berlin, 2021; New Viewings- Alegoria do Terror, Barbara Thumm Galerie, Berlim, 2020; Alegoria do Terror, Ku\u0308nstlerhaus Bethanien, Berlin, 2020; Hero\u0301is nunca celebram vilo\u0303es \/ Hero\u0301is apenas celebram vilo\u0303es, Galeria Leme, Sa\u0303o Paulo, 2018; and his collectives: Against Again: Art Under Attack in Brazil, John Jay College of Criminal Justice, Nova Iorque 2020; REconhecimen- to, Solar do Abacaxis, Rio de Janeiro, 2019; Com o ar pesado demais para respirar, GaleriaAthena, Rio de Janeiro, 2018; The World\u2019s Game: Fu\u0301tbol and Contemporary Art,Perez Museum, Miami, 2018; Bienal do Mercosul, Porto Alegre, 2018; Dove Audio Video Festival, Sewoon Arcade, Seul, 2017; Montage is a Heart Beat, Deep in the Mountains Reside\u0302ncia Internacional, Seul, 2017; California Paci c Triennial, in occasion of Nancy Popp installation, Orange County Museum of Art, Orange County, 2017; Sa\u0303o Paulo na\u0303o e\u0301 uma cidade, Sesc 24 de Maio, Sa\u0303o Paulo, 2017; 30 anos Instituto Itau\u0301 Cultural, Oca Sa\u0303o Paulo, Sa\u0303o Paulo, 2017; Quando o mar se tornouRio, Museu Histo\u0301rico Nacional, Rio de Janeiro, 2017; No Man\u2019s Land, NationalMuse- um of Modern and Contemporary Art Korea, MMCA, Seul, 2016; Young Artists Project 16, Daegu Art Square, Daegu, 2016; A cor do Brasil, Museu de Arte do Rio – MAR, Rio de Janeiro, 2016; Jogos do Sul, He\u0301lio Oiticica Cultural Center, Rio de Janeiro, 2016; Linguagens do corpo, Museu de Arte do Rio – MAR, Rio de Janeiro, 2016; Permane\u0302ncias e Destruic\u0327o\u0303es, Torre H, Rio de Janeiro, 2016; 1a Imagem e Movimento, Casa Franc\u0327a-Brasil, Rio de Janeiro, 2016; Frestas, Trienal de Artes, SESC Sorocaba, 2014; Tatu: Futebol Adversidade e Cultura da Caatinga, Museu de Arte do Rio – MAR, Rio de Janeiro, 2014[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

May 21st – July 2nd 2022<\/p>\n","protected":false},"author":14,"featured_media":21452,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[171,165],"tags":[238,286],"class_list":["post-21450","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-news","tag-2022-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21450","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/14"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=21450"}],"version-history":[{"count":4,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21450\/revisions"}],"predecessor-version":[{"id":21566,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/21450\/revisions\/21566"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/21452"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=21450"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=21450"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=21450"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}