{"id":17147,"date":"2020-12-17T19:22:19","date_gmt":"2020-12-17T19:22:19","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=17147"},"modified":"2022-10-02T11:40:05","modified_gmt":"2022-10-02T10:40:05","slug":"fundacao-marlon-de-azambuja","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/fundacao-marlon-de-azambuja\/","title":{"rendered":"FUNDA\u00c7\u00c3O de Marlon de Azambuja"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column width=&#8221;1\/2&#8243;][vc_column_text]<\/p>\n<div style=\"text-align: justify;\">\n<p><strong>Exhibition:<\/strong> FUNDA\u00c7\u00c3O de Marlon de Azambuja<br \/>\n<strong>Curated by:<\/strong> Bruno Leit\u00e3o<br \/>\n<strong>Opening:<\/strong> 18.11, 15h \u2013 20h | 19.11, 10h \u2013 12h |<br \/>\n<strong>Dates:<\/strong>\u00a006.01 \u2013 13.02.2020 | Quarta a s\u00e1bado: 15h \u2013 19h<\/p>\n<\/div>\n<p>[\/vc_column_text][vc_separator][\/vc_column][vc_column width=&#8221;1\/2&#8243;][vc_single_image image=&#8221;17148&#8243; img_size=&#8221;full&#8221; add_caption=&#8221;yes&#8221; alignment=&#8221;center&#8221;][vc_column_text]\u00a9 Marlon de Azambuja[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Hangar presents Marlon de Azambuja&#8217;s first solo exhibition in Portugal. Curated by Bruno Leit\u00e3o, \u201cFunda\u00e7\u00e3o\u201d (\u201cFoundation\u201d) is the record of an artistic research between futurism and architectural archeology.<\/p>\n<p>The artist transforms the exhibition space into an immersive experience of a timeless character and creates an allegory of the human legacy on the planet. Using one of the most ubiquitous and ancient materials in the history of mankind \u2013 concrete -, Azambuja highlights art as an activity with the potential for critical reflection on its own history in the context of the Capitalocene.<\/p>\n<p>By developing an artistic research about the processes of intersection of formalisms in the visual arts of the century XX and brutalist architecture, Azambuja creates a space that summons the bodies of the spectators as collaborators in a sensory experience.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]Marlon de Azambuja (Santo Ant\u00f4nio da Patrulha, Rio Grande do Sul, Brazil, 1978) Lives and works in Madrid, Spain. The work of Azambuja reaffirms the plastic potential of the neo concrete art exercises in urban interventions, installations and collages. Selected solo shows: \u201cNocturna\u201d, Revolver Galer\u00eda, Buenos Aires, Argentina (2020); \u201cLa Expresi\u00f3n Americana &#8211; Sentir la Visi\u00f3n\u201d, MEIAC, Badajoz, Spain (2019); \u201cCampo\u201d, Tasman Projects, Madrid, Spain (2018); \u201cBrutalismo Americano\u201d, Kadist Foundation, San Francisco, USA (2017); \u201cAir and Light and Time and Space\u201d, Espacio Odeon, Bogot\u00e1, Colombia (2016); \u201cPensamientos\u201d, NoMinimo, Guayaquil, Ecuador (2015). Selected group shows: Aragon Park, Coslada, Madrid, Spain (2020); Dhaka Art Sumit &#8211; Seismic Movement, Shilpakala Academy, Bangladesh (2020); Museum of Modern Art and Western Antiquities, Section II Department of Carving and\u00a0Modeling: Form and Volume, Cristina Guerra Contemporary Art, Lisbon (2019); The way you read a book is different to how I tell you a story, JahnundJahn \/ Munich, Germany (2018); Three Positions. Six Directions, K\u00f6nig Galerie \/ Berlin, Germany (2016); 11\u00aa Bienal de La Habana, Cuba (2012); 11\u00aa Bienal de Cuenca, Ecuador (2011); 8\u00aa Bienal do Mercosul, Porto Alegre, Brazil (2011); 12th Cairo Bienal, Cairo, Egypt (2010).<\/p>\n<p><a href=\"http:\/\/www.marlondeazambuja.com\">www.marlondeazambuja.com<\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>December 18th 2020<\/p>\n","protected":false},"author":8,"featured_media":17149,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[171,165],"tags":[240,286],"class_list":["post-17147","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions","category-news","tag-2020-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17147","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=17147"}],"version-history":[{"count":3,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17147\/revisions"}],"predecessor-version":[{"id":20257,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/17147\/revisions\/20257"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/17149"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=17147"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=17147"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=17147"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}