{"id":11729,"date":"2018-10-17T10:45:39","date_gmt":"2018-10-17T09:45:39","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=11729"},"modified":"2021-12-07T21:56:33","modified_gmt":"2021-12-07T21:56:33","slug":"christabelle-peters","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/christabelle-peters\/","title":{"rendered":"Christabelle Peters"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<div style=\"text-align: justify;\">\n<p>Christabelle Peters is a writer and cultural theorist. Currently a lecturer in Latin American\u00a0cultural and political history at the University of Bristol, she specialises in the interconnection\u00a0between race and national identity in Spanish- and Portuguese-speaking countries of the\u00a0Atlantic rim. She is the author of Cuban Identity and the Angolan Experience (New York:\u00a0Palgrave Macmillan, 2012). Her new book project, Angola after Colonialism: Race, Politics\u00a0and National Identity (Bloomsbury\/I. B. Tauris, forthcoming) proposes an alternative\u00a0paradigm to Paul Gilroy\u2019s \u2018black Atlantic\u2019 for investigating race in Hispanic and Lusophone\u00a0societies. For Hangar-artistic research centre in Lisbon, she coordinates the \u2018Lisboa, \u00c1frica\u00a0na Europa\u2019 programme, which investigates the possibilities for a multilingual and\u00a0multiregional conceptualisation of the African diaspora.<\/p>\n<\/div>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<h4>Sinopse<\/h4>\n<p>&nbsp;<\/p>\n<p>THE INTERVIEW<br \/>\nDr Christabelle Peters (with Catarina Sim\u00e3o)<\/p>\n<p>Interviews are a staple of social research, and form part of the mundane landscape of our mediated\u00a0existence. Radio interviews, magazine interviews, television interviews, director Q&amp;As at film\u00a0screenings\u2026 The format of a guided conversation is something that we take for granted as a codified\u00a0public performance of the dance of relationship. But if, as the Jamaican sociologist, Orlando\u00a0Patterson, says, \u201c[a]ll human relationships are structured and defined by the relative power of the\u00a0interacting persons,\u201d then the suggestion is that power relations lie at the core of interviews. Feminists\u00a0researchers, for example, believe that the unstructured interview can neutralise the hierarchical,\u00a0exploitative power relations that they believe to be inherent in the more traditional interview structure.<\/p>\n<p>During the course of her residency at Hangar, UK-based Africanist scholar and writer, Christabelle\u00a0Peters, will develop a critical multimedia work on the \u201cpostcolonial\u201d research interview in collaboration\u00a0with Portuguese artist, Catarina Sim\u00e3o. Inspired by a series of interviews with the recently-deceased\u00a0Angolan filmmaker, Ant\u00f3nio Escudeiro, that Peters conducted during the summer of 2012 in Lisbon,\u00a0the piece will draw on\/from a variety of methods, approaches and practices (including qualitative\u00a0research, archival studies, filmmaking, and performance) to explore the intersectional power\u00a0dynamics engaged by this far-reaching encounter.[\/vc_column_text][vc_separator][vc_column_text]Scientific coordination and organized by M\u00f3nica de Miranda<br \/>\n<a href=\"https:\/\/hangar.com.pt\/portfolios\/pos-arquivo\/\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/hangar.com.pt\/portfolios\/pos-arquivo\/&amp;source=gmail&amp;ust=1638997476171000&amp;usg=AOvVaw0ADji2daQG_chqYZyEI5Gk\">This project is part of the project \u00a0Post-Archive<\/a>:\u00a0Politics of Memory, Place and Identity, CITCOM-CEC-FLUL<br \/>\nThis project was produced with national funding from the FCT-Funda\u00e7\u00e3o para a Ci\u00eancia e a Tecnologia, I.P. under the project UIDB\/00509\/2020.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid initial_loading_animation=&#8221;none&#8221; grid_id=&#8221;vc_gid:1540900341332-affdb5e9-6e6b-3&#8243; include=&#8221;11816&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Novembro 2018<\/p>\n","protected":false},"author":8,"featured_media":18622,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168,184],"tags":[242,286],"class_list":["post-11729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolios","category-post-archive","tag-2018-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=11729"}],"version-history":[{"count":2,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11729\/revisions"}],"predecessor-version":[{"id":19901,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/11729\/revisions\/19901"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/18622"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=11729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=11729"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=11729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}