{"id":10255,"date":"2018-03-06T15:53:11","date_gmt":"2018-03-06T15:53:11","guid":{"rendered":"https:\/\/hangar.com.pt\/?p=10255"},"modified":"2021-07-21T10:43:51","modified_gmt":"2021-07-21T09:43:51","slug":"donghwan-ko","status":"publish","type":"post","link":"http:\/\/hangar.com.pt\/en\/donghwan-ko\/","title":{"rendered":"Donghwan Ko"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][vc_separator color=&#8221;black&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">Donghwan Ko (b.1982, Daejeon, South Korea) lives and works in London and Seoul. With a doctorate degree in Fine Art from the University of East London, Donghwan Ko practice explores the reasoning behind why we call a place \u2018home\u2019 and what conditions are required to encourage us to inhabit a given space.<br \/>\n\u201cMy work revolves heavily around understanding the dynamic nature of the spaces which we define as home. The space within the home is a temporary space that requires settlement and adaptation, ultimately becoming a cardinal site for our privacy and intimacy. It is, however, paradoxically complex, limited, temporary, divided, and empty.\u201d DK<br \/>\nSelected Exhibitions: Platform for Emerging Arts 16. Leyden Gallery, London (2017), #TRIBE17 International Art Festival. Oxo Tower, London (2017), START Art Fair_Korean Eye: Perceptual Trace. Saatchi Gallery, London (2017), As it stands: Unrefined, muted, abandoned. Hundred Years Gallery, London (2017), Fine Art Professional Doctorate Degree Show. AVA Gallery, UEL, London (2017), Wrapping the Clouds. The Square Gallery, London (2017), 1982. Toon Gallery, Chuncheon, Korea (2016).<\/p>\n<p style=\"text-align: justify;\"><a href=\"https:\/\/www.donghwanko.com\/\">www.donghwanko.com<\/a><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=&#8221;5px&#8221;][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid initial_loading_animation=&#8221;none&#8221; grid_id=&#8221;vc_gid:1520351352341-53882bbd-730c-7&#8243; include=&#8221;10262,10261,10260,10259,10258,10257,10256&#8243;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>July 2018<\/p>\n","protected":false},"author":8,"featured_media":10256,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[168],"tags":[242,286],"class_list":["post-10255","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portfolios","tag-2018-en","tag-previous"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/10255","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=10255"}],"version-history":[{"count":1,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/10255\/revisions"}],"predecessor-version":[{"id":18668,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/posts\/10255\/revisions\/18668"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media\/10256"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=10255"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/categories?post=10255"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/tags?post=10255"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}