{"id":3574,"date":"2016-01-20T21:23:53","date_gmt":"2016-01-20T21:23:53","guid":{"rendered":"http:\/\/ricardoreisdasilva.org\/hangar\/en\/?page_id=3574"},"modified":"2024-12-21T20:17:13","modified_gmt":"2024-12-21T20:17:13","slug":"networks-and-partners","status":"publish","type":"page","link":"http:\/\/hangar.com.pt\/en\/networks-and-partners\/","title":{"rendered":"Networks and Partners"},"content":{"rendered":"

[vc_row][vc_column icons_position=”left”][vc_column_text]<\/p>\n

The HANGAR project is possible thanks to several strategic partnerships.<\/p>\n

HANGAR is initially launched with the financial support of the City Hall Local Partnerships BipZip program.<\/p>\n

To implement and pursue our goals, we have as partners: Art\u00e9ria \u2013 Atelier de Reabilita\u00e7\u00e3o Urbana, Orfeu Negro, Centro de Estudos Comparatistas, Beyond Entropy and Gasworks.<\/p>\n

We aim to broaden our scope of partners to include other entities that share the same goals and mission as HANGAR.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column icons_position=”left”][vc_column_text]<\/p>\n

The goal of Anna Lindh Foundation<\/a> is to bring people together from across the Mediterranean to improve mutual respect between cultures. Since its launch in 2005, the Anna Lindh Foundation has launched and supported action across fields impacting on mutual perceptions among people of different cultures and beliefs, as well as developing a region-wide Network of over 3000 civil society organisations.<\/p>\n

Currently based in Egypt (headquarters are in Alexandria), Anna Lindh Foundation was set up in 2005 by the governments of the Euro-Mediterranean Partnership (Euromed), a political agreement made in 1995 between the European Union and Algeria, Morocco, Tunisia, Egypt, Jordan, Lebanon, Palestine, Israel, Syria and Turkey.<\/p>\n

[\/vc_column_text][vc_column_text]The Hangar project is a member\u00a0of Anna Lindh.[\/vc_column_text][vc_single_image image=”1116″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.euromedalex.org\/”][vc_tta_section title=”Art\u00e9ria” tab_id=”arteria”][vc_column_text]<\/p>\n

HANGAR space is partner with Art\u00e9ria Architecture and Urban Regeneration<\/a>, a collective of architects in charge of the architectonic proposal. XEREM and Art\u00e9ria have been collaborating frequently in artistic projects. Art\u00e9ria is an independent and multidisciplinary studio, founded in 2011, by Ana Jara, Lucinda Correia and Sara Goulart, which designs, develops and disseminates projects of urban rehabilitation.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Beyond Entropy” tab_id=”beyond-entropy”][vc_column_text]<\/p>\n

Beyond Entropy<\/a> is a not-for-profit limited company registered in the United Kingdom. Beyond Entropy was originally developed by Stefano Rabolli Pansera in 2009 as a trans-disciplinary research at the Architectural Association, School of Architecture, in London. Beyond Entropy Ltd is now an independent collaborative practice operating globally in association with public organizations, private institutions and governmental agencies. Beyond Entropy Ltd operates at the threshold between art, architecture and geopolitics while developing a variety of projects: from curatorial activities to art installations, from architectural interventions to master-plans, from public debates to publications. Beyond Entropy Ltd operates as a holding company, owning shares in each affiliated company, which is directed by a local partner. Beyond Entropy Africa, registered in Angola in 2012, is directed by Paula Nascimento while Beyond Entropy Books, registered in Italy, is directed by Tankboys.<\/p>\n

Beyond Entropy considers energy beyond the rhetoric of sustainability and questions preconceived notions in order to produce new ideas about the space we inhabit \u2014 our homes, cities, and territories. Energy is a conceptual device used to conceive new architectural strategies that reveal space not as a fixed, measurable entity but as a temporal coalescence of continuously unfolding forces. The research is articulated around four concepts: entropy, form, energy, and space. Entropy is the clearest notion of the four: everything seems to pass from order to disorder. Form is the principle that makes reality understandable, and as such, it is a meaning. Energy is the most abstract concept. We don\u2019t really know what it is; it cannot be confused with electricity nor assimilated with force. It remains constant, never increasing or diminishing. Like energy, space is far from being a fixed, quantifiable entity opposed to temporality; it requires a mode of becoming as it is constantly transforming. This is why it is impossible to separate space from its evolution in time.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”CEC” tab_id=”cec”][vc_column_text]<\/p>\n

The Centre for Comparative Studies (CEC)<\/a> was founded in 1998 as a scientific unit of the Faculty of Arts, University of Lisbon. CEC\u00a0 embraces the comparative analysis of literatures, arts and cultures, supported by interdisciplinary methodologies and highly theorized approaches.<\/p>\n

The projects undertaken in the Centre utilise multidisciplinary and cross-cultural approaches, drawing on concepts, epistemologies and objects from other disciplines and fields. Comparative and world literature, postcolonial studies, intermedia studies, cultural studies, translation studies, critical security studies, memory and cognitive studies are examples of lines of research that CEC has embraced. Issues of interculturality, textual and cultural translation have been major tendencies transversely present in many of the initiatives.<\/p>\n

An emphasis on spatial questions as well as on approaches that articulate these with issues of time, history and memory \u2013 and the narrative and interpretive processes linked to both \u2013 are also a major feature that unites the different research projects, notwithstanding the variety of approaches and methodological procedures they adopt.<\/p>\n

CEC is a partner of HANGAR\u00a0in its program of talks and seminars and participation<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Gasworks” tab_id=”gasworks”][vc_column_text]<\/p>\n

Established in 1994, Gasworks<\/a> is a contemporary art organisation based in South London, housing eleven artists\u2019 studios and offering a programme of exhibitions and events, artists\u2019 residencies, international fellowships and educational projects. Seven studios are rented to\u00a0London-based artists\u00a0and four are reserved for the International Residency Programme for non-UK based artists.<\/p>\n

Gasworks hosts up to sixteen\u00a0residencies\u00a0a year, encouraging the exchange of ideas between international and local practitioners. The non-prescriptive and process-based nature of the residencies allows visiting artists to develop projects in response to their new context, or to conduct research benefiting from London\u2019s resources. As a result, residencies generally culminate in an Open Studio. The residencies programme is also accompanied by activities such as talks and seminars, aiming to introduce the general public to international artists and their practice.<\/p>\n

The exhibition space accommodates four main projects a year, as well as a series of small-scale events. The\u00a0programme\u00a0includes solo and thematic exhibitions, screenings, workshops and seminars. Gasworks focuses on visual arts practice in its broadest sense, including design, documentary filmmaking and media art, amongst other areas of activity. These are all linked by a commitment to constantly reassess the position of artists within their wider cultural, social and political frameworks.<\/p>\n

Find out more about Gasworks and how they work with artists in this<\/a> short film produced by Artquest.<\/p>\n

[\/vc_column_text][vc_single_image image=”1112″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.gasworks.org.uk\/”][\/vc_tta_section][vc_tta_section title=”Edi\u00e7\u00f5es Senhora do Monte” tab_id=”1453734677304-085e5bbb-8ea7″][vc_column_text]<\/p>\n

Edi\u00e7\u00f5es Senhora do Monte is a publishing house founded in Lisbon in January 2014 by Anafaia Supico, Bego\u00f1a Claveria and Nuno Barroso. The publications are related to image and iconography. Until this day the catalogue is composed by five books and three series of prints.<\/p>\n

www.edicoessenhoradomonte.com<\/a><\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Emma” tab_id=”1475003005101-7f9f1aeb-3046″][vc_column_text]<\/p>\n

Emma<\/a> is a non-profit organization for artistic and cultural contemporary practices conceived as a place for experimentation, exchange and collective experience that encourages dialogue and exploration in the arts.
\nEmma works as a collaborative curatorial organization developing an international program of encounters, residencies, exhibitions and presentations through a hybrid network of independent, institutional and private associates with the aim to support artistic practices both during the project and production processes.
\nEmma is founded and directed by curator Veronica Valentini in partnership with a multiplicity of collaborators coming from various areas of society.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”Instituto Tomie Ohtake” tab_id=”1485452734891-51e05f2e-3197″][vc_column_text]<\/p>\n

O\u00a0<\/strong>Instituto Tomie Ohtake, inaugurado em novembro de 2001, destaca-se por ser um dos raros espa\u00e7os da cidade de S\u00e3o Paulo especialmente projetado, arquitet\u00f4nica e conceitualmente, para realizar mostras nacionais e internacionais de artes pl\u00e1sticas, arquitetura e design.<\/p>\n

Como homenageia a artista que lhe d\u00e1 o nome, o Instituto desenvolve exposi\u00e7\u00f5es que focalizam os \u00faltimos 60 anos do cen\u00e1rio art\u00edstico, ou movimentos anteriores que levam a entender melhor o per\u00edodo em que Tomie vem atuando, organizando mostras in\u00e9ditas no Brasil como Louise Bourgeois, Josef Albers, Yayoi Kusama, Salvador Dal\u00ed, Joan Mir\u00f3, entre outras.<\/p>\n

Al\u00e9m de um programa de exposi\u00e7\u00f5es marcante na cena cultural brasileira e que se desdobra em outras atividades como debates, pesquisa, produ\u00e7\u00e3o de conte\u00fado, documenta\u00e7\u00e3o e edi\u00e7\u00e3o de publica\u00e7\u00f5es, o Instituto Tomie Ohtake desenvolve, desde a sua funda\u00e7\u00e3o, ampla pesquisa no ensino da arte contempor\u00e2nea. Por isso, foi pioneiro na cria\u00e7\u00e3o de novos processos para a forma\u00e7\u00e3o de professores e de alunos das redes p\u00fablica e privada, al\u00e9m de realizar uma s\u00e9rie de atividades dirigidas ao p\u00fablico em geral e projetos de est\u00edmulo ao desenvolvimento da produ\u00e7\u00e3o contempor\u00e2nea.<\/p>\n

[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/4″ icons_position=”left”][\/vc_column_inner][vc_column_inner width=”1\/2″ icons_position=”left”][vc_single_image image=”6717″ img_size=”full” alignment=”center”][\/vc_column_inner][vc_column_inner width=”1\/4″ icons_position=”left”][\/vc_column_inner][\/vc_row_inner][\/vc_tta_section][vc_tta_section title=”Orfeu Negro” tab_id=”orfeu-negro”][vc_column_text]<\/p>\n

Orfeu Negro<\/a> is dedicated to publishing\u00a0essays and\u00a0other\u00a0documentary work\u00a0in the context of\u00a0contemporary art, focusing on the transversality\u00a0of artistic thought\u00a0in\u00a0the contexts of dance, theater, cinema,\u00a0photography,\u00a0music, architecture and\u00a0the visual arts.<\/p>\n

THE ART OF\u00a0PERFORMANCE, by criticic and\u00a0art historian\u00a0RoseLee\u00a0Goldberg,\u00a0marks the debut\u00a0in 2007 of the\u00a0Orfeu Negro catalogue, defining\u00a0its lines\u00a0of development\u00a0and\u00a0guidance.\u00a0Today, the catalogue\u00a0includes\u00a0reflection\u00a0works on the\u00a0artistic creation\u00a0modes,\u00a0the relationship\u00a0between art\u00a0and\u00a0culture and\u00a0the intersection\u00a0of the various\u00a0arts,\u00a0counting\u00a0among its authors Peter\u00a0Brook,\u00a0Julian\u00a0Bell,\u00a0Le\u00a0Corbusier,\u00a0Laurence\u00a0Louppe,\u00a0Slavoj Zizek\u00a0and\u00a0Jacques\u00a0Ranci\u00e8re.<\/p>\n

In 2008\u00a0the\u00a0ORFEU\u00a0MINI\u00a0Collection is born,\u00a0a series of\u00a0picture books for\u00a0children and adults\u00a0and,\u00a0in 2010, it launched the Casimir collection\u00a0with unusual\u00a0titles for\u00a0mature\u00a0and extravagant\u00a0people.\u00a0The\u00a0library\u00a0 and documentation center of\u00a0HANGAR in its\u00a0educational program\u00a0will have\u00a0a selection\u00a0of\u00a0books of this\u00a0art\u00a0publisher.<\/p>\n

[\/vc_column_text][\/vc_tta_section][vc_tta_section title=”TINAWC” tab_id=”1485447542302-a29400f4-b341″][vc_column_text]<\/p>\n

\n
\n

TINAWC<\/strong> \u00e9 uma galeria de arte localizada em Luanda, Angola, com o foco na representa\u00e7\u00e3o de artistas contempor\u00e2neos angolanos e estrangeiros e no desenvolvimento de projectos art\u00edsticos e culturais. Pretende ser um espa\u00e7o multidisciplinar que se destaca por reunir artistas que, de modo geral, trazem refer\u00eancias hist\u00f3ricas, tecnol\u00f3gicas, do urbanismo ou do design como elemento em comum, seja como suporte, plataforma, fonte de inspira\u00e7\u00e3o ou pesquisa.<\/p>\n

De \u00c1frica para o resto do mundo, ou o inverso, a ideia base \u00e9 a de apresentar o artista sem r\u00f3tulos, ideias e ideais pr\u00e9-concebidos. O artista \u00e9 livre de explorar e de apresentar. A galeria serve de plataforma de representa\u00e7\u00e3o, experimenta\u00e7\u00e3o, afirma\u00e7\u00e3o e lan\u00e7amento de projectos, exposi\u00e7\u00f5es, comiss\u00f5es de artistas, amostra de colec\u00e7\u00e3o, projectos de resid\u00eancias art\u00edsticas, arquivos, workshops, palestras, filmes, pesquisas, simp\u00f3sios e publica\u00e7\u00f5es.<\/p>\n

 <\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_single_image image=”6628″ img_size=”full” alignment=”center”][\/vc_tta_section][vc_tta_section title=”TrAIN” tab_id=”train”][\/vc_tta_section][vc_tta_section title=”Triangle Network” tab_id=”triangle-network”][vc_column_text]The Hangar project is a member\u00a0of the Triangle Network.[\/vc_column_text][vc_column_text]Triangle Network is a global network of artists and arts organisations that support professional development and cultural exchange amongst artists, curators, cultural workers and organisations throughout the world.<\/p>\n

Since 1982, Triangle has provided significant opportunities for over 4,500 artists through workshops, residencies, events, exhibitions, work placements and studio provision. This has led to the creation, association and partnership of Triangle Network projects and organisations in over 40 countries \u2013 an extensive, artist-focused infrastructure that continues to adapt and thrive.[\/vc_column_text][vc_single_image image=”9782″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http:\/\/www.gasworks.org.uk\/triangle-network\/”][\/vc_tta_section][\/vc_column][\/vc_row][vc_row][vc_column icons_position=”left”][vc_empty_space height=”200px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column icons_position=”left”][vc_column_text] The HANGAR project is possible thanks to several strategic partnerships. HANGAR is initially launched with the financial support of the City Hall Local Partnerships BipZip program. To implement…<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3574","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/3574","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/comments?post=3574"}],"version-history":[{"count":4,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/3574\/revisions"}],"predecessor-version":[{"id":26917,"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/pages\/3574\/revisions\/26917"}],"wp:attachment":[{"href":"http:\/\/hangar.com.pt\/en\/wp-json\/wp\/v2\/media?parent=3574"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}